Horror In Shakespeare: The Haunting of Richard III

Happy Halloween!

I hope you enjoy this most Halloween-ish scene from Shakespeare’s ‘Richard III’, courtesy of Shakespeare Nerd.

Shakespeare Nerd

Of all the scenes written by Shakespeare, this is the most Halloween-worthy. What is more appropriate for All Hallow’s Eve than a haunting, right?

Shakespeare’s ‘Richard III’ portrays Richard as an evil, conniving, murderous villain who plots and murders his way onto the throne of England. His deeds are ruthless and his victims are many.

In Act 5, Scene 3, the ghosts of all of Richard’s victims haunt him in his tent the night before the battle. Each of them bids him to “despair and die”, which becomes a powerful refrain that haunts him as he sleeps. This kind of regular repetition of a phrase is called epimone (uh-pim-o-nee): it compounds and gives power to an idea by dwelling on it.

Each of the ghosts also visits Richard’s opponent, Richmond, as he sleeps, bidding him to live, conquer and flourish. It is significant that their words to him are not…

View original post 143 more words

Horror Scenes in Shakespeare: The Witches of ‘Macbeth’

It’s true that Shakespeare isn’t usually associated with horror, but there are a number horror and macabre scenes in his plays that are genuinely creepy and very dark.

So, this ’spooky season’, I’ll be sharing those scenes with you via Shakespeare Nerd.

As I noted in a post last week, the first scene of Macbeth is my favourite opening scene among all the plays, so that’s a great place to start.

Shakespeare Nerd

Often referred to as the Weird Sisters, the witches of ‘Macbeth’ open the play with a powerfully macabre and horrifying scene. There is a cauldron in the middle of the cavern, around which the witches dance and recite the list of ingredients in the potion they are making. 

Just reading the recipe is enough to make one’s skin crawl – and we are nowhere near as superstitious as Shakespeare’s original audiences. 

In 1606 when the play is thought to have first been performed, audiences then would have both living memory and current knowledge of witch trials and persecutions, and would have been very wary of anything to do with witches and magic.

Shakespeare knew what we was doing, though. James I had been king of England for a few years, and  did not enjoy universal popularity among his English subjects. By portraying the witches and Macbeth as evil, he was…

View original post 396 more words