A Favourite Shakespeare Play: ‘Julius Caesar’

‘Julius Caesar’ is a brilliant play in which Shakespeare demonstrates his genius is in taking a story we all know and making the characters familiar in a personal and almost tangible way. Shakespeare takes one of the most famous men in history and portrays him as fully human, flawed and even vulnerable in different ways. It’s not the way we’re accustomed to thinking about ‘historical giants’ like Caesar., but Shakespeare makes it all seem quite natural. 

At the beginning of the play, even while he is being celebrated as Rome’s all-conquering hero, his first interactions cast him as a husband who is acutely aware of his wife’s childlessness. We don’t know if his instructions to Calpurnia and Antony are motivated by sorrow or by his desire for an heir to whom he might pass his empire, but either way, Caesar doesn’t miss an opportunity that might make a difference.  

Before long, we see him as a man afflicted by disease when he is struck by a seizure, and is obviously bothered by the fact that is happens in public. He may control all of Rome and its empire, but he cannot control his illness. 
We also see him as a man keenly aware of popular opinion, sen in his public refusal of the crown not once, but three times, yet ignorant of the way his own senators feel about him personally. Regardless of his aspirations, he is astute enough to know that actually accepting a crown as Emperor is not the best move for him at this point in time. 

In these things, the audience begins to see the great historical hero Julius Caesar as a complex, thoughtful man, one who holds a variety of responsibilities and obligations that he takes very seriously. He is very much human, in contrast to the Roman tendency to venerate their heroes almost as gods. We see his humanity rather than his pride, although we know that exists because it is his hubris that brings about his downfall. 

Shakespeare’s portrayal of other characters is equally powerful.

Caesar’s assessment of Cassius is profound: “Yond Cassius has a lean and hungry look; he thinks too much: such men are dangerous.” In those few words, Shakespeare establishes a vivid image that shapes our perception of the man and positions the audience to distrust the character. 

Brutus is shown as a moral man struggling with a dilemma that weighs heavily on him. A strong sense of foreboding settles on the audience when he puts his trust in Cassius, making himself vulnerable to a man whose thoughts and conspiracies are indeed dangerous, particularly for Caesar. At this point, even though both Caesar and the audience like Brutus, his destiny as one of the conspirators is sealed. 

In all of this, Shakespeare makes expert use of dramatic irony and foreboding to keep the audience in suspense as Caesar’s train speeds ignorantly toward its derailment. This is established right at the start of the play with the mysterious soothsayer who delivers the warning, “Beware the Ides of March”. 

While it is a history play, it has some elements of  a tragedy in that Caesar is completely oblivious to the fact that his actions are contributing to his own eventual demise at the hand of the conspirators whom he still perceives as friends and allies. The pathos of his question to Brutus: “Et tu, Brute?” — “You too, Brutus?” makes the moment of his all-too-late realisation one of almost palpable betrayal and sorrow. In that moment, Caesar dies knowing that he is truly friendless and alone.

It’s important to note that the play makes it clear that assassinating anyone is not a good idea, and the assassins do not prosper as the result of their actions. It wasn’t in Shakespeare’s interests to be seen to promote or condone assassinating the established ruler, as he was reliant on the good favour of Queen Elizabeth I and, after her, King James. He wasn’t encouraging anyone to try to kill their leader: he was showing that, historically, doing so didn’t actually achieve what the conspirators hoped it would. 

It’s a very direct and straightforward play – there are no real subplots and the political undercurrents are all really obvious because they are what drives the play. This makes it a great play for a “first Shakespeare play” for those who are just beginning their Shakespeare journey. 

For the word-nerds, this is the text from which we get great, still commonly used phrases like “It’s all Greek to me” and “Friends, Romans, countrymen, lend me your ears”. It’s also the source of the title of John Green’s enormously popular novel ’The Fault In Our Stars’. 

Advertisements

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Google photo

You are commenting using your Google account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s

This site uses Akismet to reduce spam. Learn how your comment data is processed.