If you’re not really a poetry reader, it may reassure you to know that it’s not always super-formal language and words that are hard to understand. Sometimes it is- especially if you’re approaching poetry written a hundred or more years ago. In my mind, though, making it so elegant and clever that people are resistant to it or almost afraid of it really defeats the purpose. I want the reader to connect with what I’m saying, not feel like I’m some self-important hyper-intellectual with an overactive sense of rhyme.
It’s also helpful to understand that there are different types of poetry. Some types, like sonnets, are formal in structure and rhyme pattern, and a poet really has to stick to those rules. Haiku is said to be one of the most popular types of poetry in the world at the moment, and while it seems quite simple, it still has formal rules that have to be followed. Other types, like free verse, is much more liberated and often easier to understand because those same rules don’t apply.
Some people these days insist that poems shouldn’t rhyme at all – to that, I say– possibly rather loudly and perhaps quite rudely – “Poppycock!”. There is nothing wrong with using rhyme, or any other tool in the poet’s toolbox, as long as meaning is not sacrificed for the sake of making that device work. I write poetry that rhymes, but I also write poetry that doesn’t.
I don’t aim for things to sound pretty and sing-song, or to rhyme neatly, but I do try to use language that sounds beautiful when its read. The important thing is to choose words, and language styles and poetic techniques that suit my subject and deliver the meaning the way I want it to be understood.
I aim for my ideas and feelings to be communicated in a way that makes someone stop and think, and maybe see something or someone in a new way.
Sometimes my writing helps me – and other people – make sense of what’s going on in my head or in my life. It’s the best therapy, because I get to explore and deal with my thoughts and feelings as I work with the ideas, and I always have an outlet to say what’s on my heart and mind.
And sometimes I write poems because it’s the only way I can find to say what other people are afraid to say. I’m happy to provide a voice for others, and I’m always keen to have my readers see situations or experiences from different perspectives.
Let me give you an example. One of my favourite poems among those I’ve written is the one titled ‘Nocturne’. Try reading it aloud, not worrying about the rhythm but just letting the language carry you along.
When reading it, you’ll see that it rhymes, and the lines are of similar length when read aloud. This enabled me to achieve a musical type of rhythm in the words, which suits the idea of a nocturne, given that that’s the name of a piece of music written to be played or listened to at night – which is also when the poem is also set at night, for which the idea of a nocturne is also really appropriate. Despite all of that, it’s still quite plain in its meaning.
I’d love to know what you think of it, so feel free to leave a comment below.
6 thoughts on “One Poet’s Approach to Writing Poetry”
Nocturne is a beautiful poem for its structure, imagery, rhyme, and for encapsulating the moment.
I love this poem! And yes, your explanation does help … perhaps I shall try my hand one of these days.
My advice is always this: if you want to write good poetry, read good poetry. 🙂
Ahhh … I have heard that advice as pertains to writing good literature, also! Sound advice. 😉
The poem is beautiful. When i read it, it went with a flow.
Thank you. 🖋