Coming in May 2020: Little Shop of Horrors

For several weeks now, I have been almost bursting with excitement and anticipation, and with the pressure of keeping this news secret until now!

I am finally at liberty to announce that I am going to be the director of ‘Little Shop of Horrors’  in May 2020 with Camperdown Theatre Company. 

I’m thrilled to be working with a wonderful friend as CoDirector alongside a brilliant team of incredibly talented people. I’m really looking forward to bringing this show to life with them, and building our friendships and experience at the same time. 

And this show! I can’t put into words how much I want to do this show. 

This is another “musical theatre bucket list” show for me, and I’m incredibly thankful to Camperdown Theatre Company for having faith in me as a director, but also for giving me the opportunity to do yet another amazing show with them. 

This is so freaking awesome, I can’t even begin to express how I feel. 

Auditions will be in November, and rehearsals will start early in the new year. There are lots of plans and decisions to be made before then, and I can’t wait to get started. 

First things first, though. My school production of ‘Joseph and the Amazing TechnicolorTM Dreamcoat’ hits the stage next week, and that’s going to be my focus until it’s done and dusted. 

Oh my gosh. Hold on tight, kids: the next seven months are going to be an incredible ride!

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Musical Multitasking!

Even though I’m still in the final weeks of directing and preparing ‘Joseph and the Amazing TechnicolorTM Dreamcoat’ to go on stage at my school in September, I’m already thinking a couple of shows ahead. 

Not only do the musical director and I have some definite ideas about what show we’d like our school to do next year, I’ve also been in discussion and negotiations with a small group of likeminded individuals to put a show on stage for the local theatre company of which we are all active members. 

The idea was hatched when we were all still riding high on the endorphins of a wonderful production of Monty Python’s Spamalot! in May. The fact that things are still in the budding stage is evidence that bringing it to fruition is a lot more complicated than simply deciding on a show and just doing it. 

All sorts of things have to be considered: Can we cast it? Can we stage it? How will we achieve this effect or that outcome? How much is it going to cost? Who is going to fill the various roles on the production team? These are the sorts of details a theatre company will want before deciding to proceed. 

I’ve just finished preparing the pitch for a show, which I hope to present to the theatre company on Wednesday night. I won’t reveal what show it is yet, because we have to get approval from the committee, apply for and secure the licensing rights, and make sure everything is in order before we announce what we’re planning to do. 

The team and I are super excited about the possibilities and we hope that the committee embraces our ideas. 

In the meantime, I’ll continue unintentionally mashing the two very different shows together in my mind, with a bit of Spamalot thrown in for good measure. I’m frequently amused by the “variant lyrics” that happen in my mind, which is at the very least an unexpected bonus.

Hey nonny nonny. We’ll see what happens next!

There’s no business like show business!

It’s wonderful to be able to honestly say that the show was spectacular.

Every year, this week is one of the busiest of my teaching year. It’s right up there with report writing in terms of stress, but it’s much more enjoyable.

It’s Production Week.
I’m the director/producer of my school’s musical each year, and this is the week where we hit the stage and everyone is wowed by the students’ performances.

The weeks leading up to the show have been demanding. There has been fear, elation, exhaustion, laryngitis, delight, and excitement in fairly equal proportions. Even so, there has been an overriding confidence – at least, most of the time – that the show would be great.

In every show we do, the kids are always amazing, and I’m always proud.
But during the first performance of ‘Les Miserables – School Edition’ last Friday night, I was so proud that I cried. For someone who doesn’t cry much, that says a lot.

It’s wonderful to be able to honestly say that the show was spectacular.

In saying that, I don’t mean to brag. This has been a group effort by singers, actors, orchestra, sound and lighting crew, set construction teams, backstage crew, parents sewing costumes, hair & makeup teams, vocal coaches, musical director and myself. A show like this doesn’t happen without every part of the machine running.

Most of you reading this won’t get a chance to see the show, so here’s a little article from today’s Warrnambool Standard, complete with a totally-unrehearsed-for video that shows you how talented, and how delightfully funny, my students are.

It’s no wonder I’m proud. They’re fabulous.

An Almighty Promotion

I was in the auditorium setting up for tonight’s performance with Ryan, our sound and lighting guy.
Ryan went out to get some dinner while I kept working.

5.39PM
Person A: “Where’s Ryan?”
Me: “He’s on a mission from God.”

5.40 PM
Person B: “Where’s Ryan?”
Me: “He’s on a mission from God.”

5.41PM
Person C: “Where’s Ryan?”
Person B: “Ms X sent him to do sommething.”

I think I just got a promotion.
I’m looking forward to the pay rise.

Actually, what I really want is the superpowers.