‘Les Mis’ and the Night Tigers

‘Les Miserables’ is among my favourite books of all time, and it is also one of my favourite musicals. 

I saw a fabulous production of ‘Les Mis’ last night at the theatre in Warrnambool. 

My major achievement for the evening was not singing along out loud— which took more self-discipline than you might ever realise. 

I was moved to tears by the emotion and beauty of the performances, but also— as always— by the power of the lyrics. 

There are many moments and several songs in the show that I love, but my absolute favourite lines are sung by Fantine: 

“But the tigers come at night
With their voices soft as thunder…”

‘I Dreamed a Dream’


Those words are so profound.I find them powerful because I know that whatever it is that a person struggles with – pain, grief, depression, anxiety, worry… those tigers visit more often at night, and stay for longer, than they ever do during daylight hours. 

One of the reasons I began taking my writing more seriously a number of years ago was because I found it an excellent way of dealing with my night tigers and answering their voices with my own.  

That’s why many of my poems deal with themes of  mental health, pain, depression, grief, and resilience. Its also why I insist that writing is the most effective therapy I have ever had. It hasn’t cured me or solved my problems, but it has certainly helped to heal me and enable me to deal with the challenges I face in life in a much healthier way. 

Those tigers still come at night, but they have discovered that I, too, can roar. 

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A Favourite Classic Novel: ‘Les Miserables’ by Victor Hugo

Set in France during the first decades of the 19th century, this is a story of the struggles of the lower classes — the miserable, the dispossessed, and the dissatisfied. 

While many people in the 21st century know the story because of the highly popular and quite magnificent musical theatre show, most have never read the book. It is a large novel: epic in its scope, powerful in its storytelling and heartbreaking in its story and drama. 

Many of the key events of the novel were based on events and circumstances that Hugo witnessed personally, adding a depth of detail and authenticity that immerses the reader in the settings and makes them feel as they are right there, watching the events and listening to the characters’ conversations. 

Admittedly, there are some passages that are moral reflections rather than narrative, but they do add depth of understanding to the social issues and conflicts experienced by the French people of the time, and cause the reader to reflect on the responsibility of those with wealth and power to ensure that those under their rule are able to live without despair. Given that it is not possible to separate a work of literature from the society and environment in which it was written, Hugo’s thought-provoking digressions remain relevant to the story overall.   

One can simply watch the musical or a film adaptation, but they will not deliver the full impact of the story as it is told in the book. It’s a magnificent, wide-reaching story with themes of social justice, equality and personal redemption that are still really powerful and resonate with readers today. 

There’s no business like show business!

It’s wonderful to be able to honestly say that the show was spectacular.

Every year, this week is one of the busiest of my teaching year. It’s right up there with report writing in terms of stress, but it’s much more enjoyable.

It’s Production Week.
I’m the director/producer of my school’s musical each year, and this is the week where we hit the stage and everyone is wowed by the students’ performances.

The weeks leading up to the show have been demanding. There has been fear, elation, exhaustion, laryngitis, delight, and excitement in fairly equal proportions. Even so, there has been an overriding confidence – at least, most of the time – that the show would be great.

In every show we do, the kids are always amazing, and I’m always proud.
But during the first performance of ‘Les Miserables – School Edition’ last Friday night, I was so proud that I cried. For someone who doesn’t cry much, that says a lot.

It’s wonderful to be able to honestly say that the show was spectacular.

In saying that, I don’t mean to brag. This has been a group effort by singers, actors, orchestra, sound and lighting crew, set construction teams, backstage crew, parents sewing costumes, hair & makeup teams, vocal coaches, musical director and myself. A show like this doesn’t happen without every part of the machine running.

Most of you reading this won’t get a chance to see the show, so here’s a little article from today’s Warrnambool Standard, complete with a totally-unrehearsed-for video that shows you how talented, and how delightfully funny, my students are.

It’s no wonder I’m proud. They’re fabulous.