The title of this blogpost caught my attention this morning.
“What?” I thought. “How could anyone think that?”
For me, the novel is most certainly not dead. There is still nothing as wonderful as escaping into a book and finding myself immersed in its setting, caught up in its action and carried away by the story.
Short stories and novellas are fabulous when life is busy, because I can achieve those escapes in the time I have available. But when time to read is more plentiful, a good novel is a marvellous thing.
The novel will never be dead as long as there are great books to read. I’m fairly confident that, given the quality of the new books I have been reading, it’s not likely to be happening in the foreseeable future.
And on that note, I take exception to the original writer’s suggestion that self-published books are rubbish, and therefore partly to blame for the demise of the popularity of reading. Blame the obsession with screens of whatever size, and with the Internet and social media, and I’ll gladly concur, but leave Indie authors out of it. As I’ve said plenty of times before, I’ve read some absolutely brilliant self-published books, and I’ve read – or attempted to read – some tragically bad traditionally published ones. Let each book stand or fall on its own merits, I say.
I feel sorrow for any reader who is so disillusioned by their reading that they believe the novel is a thing of the past. More than likely, they have simply been reading the wrong books.
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I was curious. So I had a read and discovered that Walter is a professional book reviewer, even had a regular sci-fi column for The Guardian. He’s experienced and well-respected and fed up of the novel.
For Water, the novel lost its magic. It no longer has the same magical feel as it did when he was a kid, “spending afternoons at the local library, selecting books as though I was selecting magical portals to step through. Then I would rush home and lose myself in the magic for hours, days at a time.”
Walter recognises the influences modern-day phenomenons have had on us. Here are some of my favourite quotes from his piece. I’d recommend reading in full too. He’s an…
It can also be quite cathartic.
Let’s be honest, what day can’t be improved by a good “Arrrrrgh!” or two?
If people annoy you, you can threaten to make them walk the plank, or call them lily livered landlubbers, and nobody takes offence.
I grew up enjoying books like Treasure Island and Kidnapped!, and still enjoy a good, old-fashioned pirate story, so I thought I would share Book Squirrel’s International Talk Like A Pirate Day Book Recommendations.
In honour of International Talk Like A Pirate Day, here are three great pirate tales for your reading pleasure.
‘Fallen Into Bad CompaNy’ by Kayla Jindrich
Matthew wants nothing more than to escape from his past, but that hardly seems possible with his new apprentice. While William might be Matthew’s chance at redemption, an opportunity to pay for his mistakes, William also has a reckless streak that could ruin the new life that Matthew has built for himself. Either Matthew will pull William from piracy, or William will drag Matthew back into the dangerous world that they both come from.
I often wonder why “Just Say No” became a catchphrase among those trying to teach kids and teens to resist poor examples, negative influences and bad habits. It’s not always that easy or so straightforward. Peer pressure, family expectations, social engineering and a desire for job security have all taught us to take the path of least resistance — which can actually be a really unhealthy thing.
Among all the different people in this world, there are two groups who invariably find each other: those who have trouble saying no, and those who take advantage of them.
You know it. I know it. And we all know which of the two groups certain friends and family members fall into.
This quick and quirky self-help guide to saying no more effectively provides insights and tips on how to say “no” so that others know you mean it, and thereby reclaim your freedom from those who would readily exploit your generosity.
If you find it hard to say no to people, but really want to… this is the book you need.
Set in France during the first decades of the 19th century, this is a story of the struggles of the lower classes — the miserable, the dispossessed, and the dissatisfied.
While many people in the 21st century know the story because of the highly popular and quite magnificent musical theatre show, most have never read the book. It is a large novel: epic in its scope, powerful in its storytelling and heartbreaking in its story and drama.
Many of the key events of the novel were based on events and circumstances that Hugo witnessed personally, adding a depth of detail and authenticity that immerses the reader in the settings and makes them feel as they are right there, watching the events and listening to the characters’ conversations.
Admittedly, there are some passages that are moral reflections rather than narrative, but they do add depth of understanding to the social issues and conflicts experienced by the French people of the time, and cause the reader to reflect on the responsibility of those with wealth and power to ensure that those under their rule are able to live without despair. Given that it is not possible to separate a work of literature from the society and environment in which it was written, Hugo’s thought-provoking digressions remain relevant to the story overall.
One can simply watch the musical or a film adaptation, but they will not deliver the full impact of the story as it is told in the book. It’s a magnificent, wide-reaching story with themes of social justice, equality and personal redemption that are still really powerful and resonate with readers today.
This is a beautiful, although sometimes bleak, story in which a horrid little girl grows up, makes friends, and becomes a nice person. Through her experiences, she also helps others to rebuild their lives and relationships, so it’s a happy ending for most of the characters.
As things tend to go in novels, the unpleasant behaviours and attitudes of Mary Lennox are shown to not be the consequence of being entirely unloved as the young child of parents who didn’t want her and did all they could to pretend she didn’t exists. The cynical side of me cannot help but be a little satisfied that such nasty people died of Cholera while their daughter survived and found a better life than she was ever likely to have had with them.
While there are numerous TV and film adaptations of the story, there’s no substitute for reading the book and enjoying the story as it was meant to be. .
When this book was published, Victorian audiences didn’t know what to make of it. It wasn’t the light, fluffy romance and romp that they were accustomed to. Instead, it was dark, violent, and stormy, and there was no happy ending for most of the characters.
‘Wuthering Heights’ is about love, but it’s not romantic. It’s about dysfunction, selfishness, misunderstanding, bullying and manipulation. Much like Heathcliff and the Yorkshire moors on which the novel is set, it’s a bit dismal and morose most of the time, but it has power and substance that are fascinating and somewhat spellbinding.
I love the power of the writing and the tempest that inhabits the characters and their relationships. I am fascinated by the cleverness of the intrigue and mystery woven into the narrative. I enjoy the fact that the narrators, Nellie Dean and Mr Lockwood, tell the story as though they are objective onlookers, but when you delve into the story, you can see that neither of them is innocent or objective as the story develops. All the characters are flawed and selfish and broken in one way or another, and I remain unconvinced that we’re meant to actually like any of them. It really is a fascinating study of human psychology as much as it is a compelling work of fiction.
Even so, the story works because it is expertly written. The storytelling and the imagery are profound and beautifully constructed. The story appeals to our human nature, and to those voyeuristic tendencies that make people watch on with interest as things go wrong, take satisfaction in the misery of others, and slow down to get a better look at car accidents or natural disasters.
I have read ‘Withering Heights’ more times than I can remember, and I know I will read it again. It may have been published in 1847, but it’s a story that, for me at least, will never get old.
‘Bleak House’ takes Dickens’ readers off the streets and out of the factories of Victorian England, and immerses them in a complicated, old and bitterly fought legal case in which questions of inheritance, corruption and legality are explored. Dickens brings the court case to life through his characters who are, in one way or another, personally invested in the outcome.
It’s far more than just a legal drama, though. It’s an epic tale of family, personal entanglements, deception, and even murder. Some characters know little of the past, while others know far more than they are willing to tell.
I really love the way Dickens shrouds the past in mystery and develops an almost tanglible sense of intrigue in his storytelling in ‘Bleak House’. In contrast to ‘A Christmas Carol’, this is a much longer and more involved novel in which the development of both plot and characters is intricate and complex. It is written with Dickens’ typical satirical social commentary and acute insights into human nature.
This is one of the best of Dickens’ novels, and sits at the top of my list of favourites alongside ‘A Christmas Carol’.
Tom Sawyer is one of those unforgettable characters of literature: cheeky, imaginative, adventurous and downright naughty. That he is able to get away with his mischief time after time is what has endeared him to generations of readers.
This is my personal favourite among the books by Mark Twain and, I believe, his best.
Fabulous reading for kids, teens, families, adults… this is a timeless classic that everyone should read at least once.
You’ve got to hand it to the Bronte sisters: they certainly had a handle on brooding, emotionally charged stories that made powerful observations about human nature and psychology.
Charlotte Bronte’s ‘Jane Eyre’ immerses the reader in the life of the young Jane, orphaned and unloved, and has them look on over her shoulder as she grows up, learning resilience and wisdom while finding her place in the word. The relationship between Jane and the reader is an intimate one, in which Jane tells her story and reveals her thoughts and feelings as if to a confidante.
Whether or not you agree with her choices, Jane is a in independent and spirited woman in an age where that was not really socially acceptable, and her story is certainly a compelling read.
Winnie the Pooh and his friends have been dearly loved for generations by readers all the world over. The stories of friendship, loyalty and fun are delightful entertainment for children and grownups alike.
Of course, Disney’s purchase of the production rights to the stories resulted in greater exposure to new generations, but it also gave the characters newly altered appearances and American accents. The movies and TV programs are fun, and I enjoy them immensely, but in my mind they are a different generation of a much loved family.
I really love the original stories and the illustrations by E.H. Shepard that accompanied them. The books that I had as a child have been passed on to other children in my family, but I do have a lovely set of paperbacks on my own shelf that still have all those original illustrations.
I also have a copy of the 80th anniversary edition of the book, complete with hard cover, dust jacket and colour illustrations, that is precious to me for a reason beyond the fact that it’s a book I love. This particular book was given to me by a family as a thank-you gift for teaching a number of their children and helping them get through senior high school English. I keep their ‘thank you” card inside the front cover to preserve the memory, although I doubt I will ever forget that beautiful gift and the kindness with which it was given.