Why You Should Support Your Local Independent Book Store.

Supporting local businesses is vital. It should be a straightforward choice.

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Yesterday was somewhat traumatic. Having confronted a face from the past that I’d really rather not ever see again, I was left with time on my hands and too much on my mind. So I defaulted to my usual sanctuary – books. I didn’t have my device with me, so I headed to my favourite book store to find something to read. My need for ink on paper and a pretty, nicely textured cover in my hands was just too strong.

It’s a luxury, you know, having a local bookshop. The town in which I live doesn’t have one, but the larger town in which I work has two, as well as a fantastic place that sells second hand and antique books.  2018-04-06 12.01.50

For me, the choice is simple. I will always support locally owned, independent businesses rather than larger chains or big department stores.

As an Indie author, I know how hard it is to compete against the bigger fish that swim in the same pond. Among other advantages, traditionally published authors have someone else’s marketing budget on their side, along with a team of people to help them get their books in front of readers.

It’s actually not a lot different for independently owned shops, whether they sell books or anything else. Consider for a moment what they have to compete with: not just the huge online companies that control the world of desktop shopping, but also those local shops owned by large commercial chains which, while they may have a local presence, are generally not owned by anyone who lives down the street from you or whose kids go to the same school as yours. The owner of that local store has to pay the rent and insurance, stock the shop, pay employees, and make a living in an increasingly difficult and competitive marketplace.

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That’s why I buy my physical books at an independent store rather than from a book retail chain, or a big department store. The price for the same book is no different, but I know that I’m helping to put food on the table of a local family, or helping them to pay the neighbourhood mechanic for fixing the family car. My $30 probably won’t make much of a difference at all to an international company, but it makes a huge difference to an individual business owner.

2018-04-07 09.49.15I admit that the local store doesn’t have everything I want. I like to read some fairly specialised history, and I completely understand why they don’t usually stock that: I’m more nerdy about my history than most of the population. I can handle shopping further afield for that if I have to – but if I ask them to order a particular history book for me, they will.

They do, however, have a large range of children’s books, teen and young adult fiction, adult fiction, biographies, and new releases.

They also have a great selection of books written by local authors, whom they happily and actively support and promote.

Did the local book chain store agree when I asked them to stock my books on their shelves? No, they did not.

My local independent store not only agreed, but went way beyond that: they not only stock and display all of my books, they actually organised and hosted my first book launch.

They  also host regular events at which local authors are welcome to meet and greet readers, sign books, and give readings from their work. That kind of support is pure gold to an author.

If we don’t support our local businesses, we will lose them. We will be left with fewer options, poorer service, and towns and communities that no longer prosper and thrive the way they once did.

It’s not really such a difficult choice, is it?

Writing About Family and Friends.

Authors: keep your writing from causing problems with your family and friends.

Writing about family can be fraught with danger. The last thing you want to do as a writer is offend or alienate your family, especially if things are already fragile in some way.

 

That poses a challenge: what happens when there’s something you desperately want to write about? For starters, writers should know to always, always change names and details.  If possible, don’t mention names at all. Even when writing about positive feelings or experiences, people who aren’t used to putting themselves out into the public eye might hesitate to have something written about them and published. A great idea for a story or poem should never be pursued at the cost of an important relationship.

 

When I do write something about friends or family, I make sure they’ve seen it first, and I tell them I’m going to publish it. That way, they can’t say they didn’t know.

 

For example, I recently wrote a poem after two completely separate events: one was the wedding of my nephew, the other was a conversation with a friend who had recently lost her own nephew in tragic circumstances.  The poem, titled My Child, does not mention anyone by name, nor does it mention those particular situations. It is an expression of my feelings – and my friend’s feelings – for those whom we have loved, held, and helped to raise.  This is what I sent to “my children” and to my friend, well over a week before I posted it. That same text is what I posted on my writing blog where I published the poem today. Poem My Child

 

The other alternative, of course, if you feel you must write about something or someone, is to disguise the situation and details enough so they don’t know it’s about them. I’ve written plenty of poems about broken friendships, people in my life who have been determined to cause me trouble, and others who really deserve some special treatment from Karma, but it’s always been presented as me facing an invisible, unnamed challenger or enemy… or a certain black cat named Friday who metes out justice to people who really deserve it. It is not possible for anyone to identify who I was writing about at the time, and that’s a very good thing.

As a writer, it’s important to protect oneself. The last thing you want is something coming back to haunt you.

 

And if you’re a friend or family member of a writer,  remember that age old piece of advice: Never annoy a writer, or they might put you in a book and kill you. It’s true. 

 

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Six 21st Century Poets You Should Be Reading.

Six 21st Century Poets and Why You Should Be Reading Them.

I’m the first to admit that I’m fussy about the poetry I read. I want to experience something moving and powerful in a unique style. I want imagery, colour and movement. I want depth, and I want to be able to feel and hear the poet’s soul. It may be considered “old-school” by some, but I still want to find the music of rhythm and rhyme among the various techniques that a poet uses to deliver their ideas.

So, when I tell you that these are the poets you should be reading, please understand that this is not just a nod to people I like or who have pretty book covers. These people don’t just write poetry— they are poets, and they take their craft seriously. These poets can really take a reader beyond themselves, open a reader’s mind, and influence them so that they see things in a completely new way.

These Six 21st Century Poets You Should Be Reading are not listed in any order of preference. If you want to explore their work further, simply click on the cover of each book.

Lyra Shanti

Author of ‘Sediments’.

Lyra Shanti Sediments

Shanti’s poetry is rich and sensory, full of imagery that draws the reader into the emotion and wellsprings of the poet’s mind.
Drawing on mythological themes and elements of Biblical allegory, although it is by no means religious poetry, Shanti explores her place in time, relationships, and the universe through themes of belonging, human vulnerability, equality, and home. She is a master of contrast and balance, weighing sensitivity against images of those things that overwhelm, and confidence in belonging despite her humility, framed within a very real sense of awareness of the immeasurable breadth and depth of the universe.

 

Patrick Williams
Author of ‘Lethal As Love’.

Patrick Williams Lethal As Love
Patrick Williams’ poems are beautiful in the simplicity and honesty of the feelings they convey, even though the feelings they communicate are at times complex and conflicted. There is no pretence or affectation in Williams’ writing, nor is there any strict observance of rhythm, rhyme or other particular poetic techniques. Instead, he uses language and form to evoke a strong sense of love and longing that is almost tangible as he leads the reader on a journey through the highs and lows of the love he so powerfully communicates in these poems.
Some of this poetry is quite erotic, so it’s definitely only for an adult audience, but there’s nothing gratuitous or tawdry about it. One could learn quite a lot about how to love deeply and sensuously from reading ‘Lethal as Love’, but there is also a more sombre lesson to be heeded: nothing lasts forever.  It is clear from ‘Lethal as Love’, though, that the pleasure and passion were definitely worth the pain.

 

Sarah Northwood
Author of ‘The Truths We Tell’.
Sarah Northwood The Truths We Tell
Sarah Northwood gives voice to thoughts and feelings commonly experienced, but often not so thoughtfully expressed, by people in all walks of life.
Northwood explores the ways in which we respond to the situations and feelings that challenge us and those things that fill and complete us. The reality of being haunted by regret and the “what ifs” of life is contrasted with the whimsy of fleeting happiness and the irresistible, transforming power of love.
Through all of this is the reminder that life is what it is: “Feeling the breeze on her cheek she knew, the wind can never be the sun.” (Unique)

 

Joseph Ferguson
Author of ‘Reflections of a Scurvy Bastard’

Joseph Ferguson Reflections of a Scurvy Bastard
Ferguson writes with a very strong sense of realism and a degree of world-weariness in his profound poems that work like snapshots of different events and memories. He has a gift for creating vivid images that transport the reader to another time and place, and making it seem absolutely real.
When Joseph Ferguson’s poetry is recognised as ‘classic’ and he is regaled world-wide as a master poet, it shall come as no surprise to me.

 

Shelby Leigh
Author of ‘It Starts Like This’
Shelby Leigh It Starts Like This

Leigh’s poetry is thoughtful and often intense in its exploration of love, loss, anger,   loneliness and grief, and is highly relatable for anyone who has experienced the breakdown of a relationship or been let down by someone they trusted.
Her poetry and expression are accessible and easily understood, and Leigh’s imagery is often quite stark and raw, but that is where her strengths as a poet lie.

 

 

Joanne Van Leerdam 
Author of ‘Leaf’, ‘Nova’, ‘Stained Glass’ and ‘The Passing Of The Night’. 

 

Yes, that’s me, and those are my own books. Obviously, I write the type of poetry I want to read. Don’t take my word for it, though – I have compiled this description with quotations from different Amazon reviewers. 

“Joanne Van Leerdam is a master poet who combines an old-worldly feel to her poetry with a modern flavor.”
“Joanne Van Leerdam’s poems are about the emotional fragility of human existence, about the brittleness of love and about living with love lost. She expresses both the sense of frailty and the strength of resilience in her reflections, as if a lonely survivor on a faraway island.”
“Many of her poems are conventional in structure, with a regular rhyme scheme, traditional yet so sensitive and vulnerable that they emerge as special, standing out like novae in the vast night sky.
Her poems don’t crash through the door, flourishing their creative uniqueness, but in a quiet voice Van Leerdam almost whispers to us to let her poems come in as she both exposes the emotional pains of life and provides comfort for them.”

I’d love to know if you are encouraged to try any of these poets’ works, and if you do, what you think of them. You’re always welcome to leave a comment on this, or any other, post. 

An Author With A Mission.

Developing my mission statement helped me to clarify my goals in a way that I had not done before.

When completing an author interview recently, I was surprised to find a question about my mission statement. My immediate reaction was, “My what?”

 

My next thought was of Jake and Elwood saying, “We’re on a mission from God!” in The Blues Brothers.

BluesBrothers
Image from tenor.com
Of course, it makes sense. If I can crystallise my goals in writing into a statement, it’s going to make them easier to achieve.

 

I do that all the time as a teacher. I think about objectives, learning intentions and success criteria all the time. So why didn’t I think about my objectives, intentions and success criteria as a writer? To be completely honest with you, I have no idea.

 

So, I started to work on my mission statement by writing down some basic questions:
What do I want to achieve?
What do I want my readers, or potential readers, to know?
How do I measure success?

 

Simple, right?

 

Wrong.
They’re actually really complex questions.

 

What does success as an author mean? Is it selling a million copies of my books? Well, that would be nice, of course, but it’s not just going to happen without me doing anything to achieve that. Who is going to buy my books if they’re not actually any good? My goal has to be one that I can achieve, and it has to be one that I can measure to see if I’ve met the mark.  My goal , therefore, is to write something that people enjoy and benefit from, not to become a millionaire. Because it’s more achievable, and measurable through both feedback and sales, it’s far more satisfying and encouraging than hoping for something that might never happen.

 

What do I want my readers to know? Recluses are mysterious, sure, but that only has limited appeal. What I really want them to know is that I understand what I’m writing about – grief, love, pain, pleasure, excitement, fear, exhaustion, joy. I want them to know that what I’m writing is real and meaningful. I want them to know that if they’re going through something really awful and difficult, I get that because I’ve been through some awful and difficult stuff too.  Particularly in my poetry, I want them to catch a glimpse of my soul, or see some blood on the page – metaphorically speaking, of course. I want there to be understanding between us. I want to connect.

 

So, measuring success isn’t in how many copies of each book I’ve sold, or how many dollars I’ve made. For me, success is in knowing that I’ve touched someone’s heart, or encouraged them, or entertained them. If they read my horror stories, I want to know that I scared them and they loved it.

 

The beauty of this process of setting goals and working toward them is that I can see with every review that I am achieving my goal, even more effectively than I can with each sale.

 

I owe enormous thanks to the person who asked me about my mission statement. They helped me clarify my goals in a way that I had not done before./div>

So, without further ado, this is my mission statement as an author:

 

Joanne Van Leerdam is an award winning poet and multi-genre author who is committed to writing meaningful and thought-provoking literature for the enjoyment of her audience.
Joanne is a thinker and puzzler, a reader and musician, a traveller, and a teacher who has never lost the joy of learning.
Joanne draws inspiration from her own experiences and observations of the world around her, crafting those ideas into works which will encourage those who struggle to persevere and inspire others to see the world from a new perspective. This is as true of her blog posts as it is of her works of poetry and fiction. She aims to continue to grow her readership into a fully global and inclusive audience.

So tell me, do you have a mission statement?

How To Avoid Blocked Hashtags On Instagram

Did you know that you aren’t allowed to use the hashtag #books on Instagram?
Until today, I certainly didn’t.

Instagram have been blocking some terms – mostly to do with sexism, sexual content, body shaming and bullying, or so I thought. It’s called a shadowban: posts using blocked tags are less visible than others, and repeated use can result in more definite blocking of posts or accounts.

Surely there’s nothing offensive about #books though? Yet it’s one of the hashtags that will cause your posts to drift into obscurity.

As an author, reader, book reviewer and all-round book nerd, that’s a trap I’ve fallen into more than once, but thankfully my love for tags like #bookstagram and #booklover has been saving my bookish hide more often than I ever realised.

I did find a rather extensive list of hashtags banned by Instagram, courtesy of the great people over at Instavast.com, but I don’t really want to go and consult another site and spend my valuable time reading through horrible words – and some of them are horrible – in order to find out if something relatively innocent is also blocked.

I’d rather be able to check quickly and easily inside the app itself. And that is quite do-able, even if you’re a novice.

Follow these handy and simple instructions to discover if a term you want to use is acceptable without consulting a long list somewhere that may even be out of date by now.

1. When you’re using the Instagram app, click on the search icon. It’s the one that looks like a magnifying glass.

2. Type in the hashtag you want to use. A list of possible tags will come up. So far, it looks like #books is okay.

3. Next, click on the Tags tab of the search window. #books is still there and still looks alright. However…

4. Tap on that tag in the list and scroll down, you will find only a few images, followed by a message that says the tag has been banned because reports have been made regarding inappropriate content.


If you go ahead and use the tag, nobody will see your tag because they can’t find posts using that tag, either. And your other tags might also end up being blocked. So might your account.

Nobody wants to end up there.

So, as authors and book lovers, we need to tag our posts differently so that other book lovers will find our posts.ScreenHunter_439 Mar. 13 19.13

When you click on a tag that is not blocked, you’ll see some further “related” tags that you could use in your posts. Notice, though, that this does not exist for #books.

I’ve slogged through a whole bunch of these “related tags” to find some great hashtags with good popularity that you can use safely – for now, anyway.

Try some of these great tags for your bookish posts:
#bookstagram
#booksofinstagram
#bookworm
#book
#booklover
#booklove
#instabooks
#booklife
#bookish
#instaread
#bookblogger
#bookaddict
#bookphoto
#booknerd
#booknerdigans
#bookstagrammer

If you’re posting images or reviews of books you’ve enjoyed, consider some of these:
#ilovereading
#epicreads
#amreading
#bibliophile
#lovetoread
#bookaddiction
#readingbooks
#readabook
#igreads

My final piece of good news is that if you have been using a blocked hashtag, you can rescue your posts and make them fully visible again.

1. For each post, click on the three dots to the right of your username.

2. Choose edit from the menu.

3. Scroll to your hashtags and change or remove the banned one.

4. Click on ‘done’ and your post will be back to full visibility.

 

Handy hint: if you “like” your own post once you’ve changed it, your post will re-enter the general Instagram feed.
It’s a good idea to do this one or two posts at a time, not all at once, so you don’t flood your followers’ feeds.

Nine Things You Can Do With A Bookmark – Without Actually Putting Your Book Down!

When you don’t want to put your book down, here are nine great uses for a bookmark.

Using a bookmark to keep one’s place in a book when putting it down is common behaviour for readers.2018-03-06 17.31.19

Some, however, do not like to put the book down. It’s far more preferable to just keep on reading right to the end. I’ve been known to lose all track of time, and on more than one occasion I’ve forgotten to eat. It’s probably a good thing I wasn’t reading ‘War and Peace’ at the time.

 

When you don’t want to put your book down, here are nine great uses for a bookmark:

1. Mark a beautifully written sentence or passage.

2. Keep the place of a quote you want to use.

3. Save the location of a favourite event or conversation in the story.

4. Provide sensory pleasure by playing with the tassel while you read.

5. Fan yourself when the weather – or the story – warms up.

6. Shield your eyes from artificial lighting, or from the sun if you’re reading outdoors.

7. Swat at flies or mosquitoes that might be tempted to buzz or bite while you’re trying to read.

8. Lure someone — parent, sibling, best friend, or significant other, for example– into thinking you haven’t actually been reading all day when there were other things you were supposed to do, by tucking it about 20 pages previous to where you’re currently reading.

9. Hold it up as an unspoken barrier between yourself and anyone who might try to interrupt you. Pretend that it deflects any sound they might make, so that you can just keep on reading.

 

©2018 WordyNerdBird

What Will Make Me Refuse To Review Your Book?

You can’t promote anything worthwhile with bad behaviour.

This is a Public Service Announcement.

I find myself to be in an awkward situation: there are some individuals who have decided that it is appropriate to send messages to my inbox and to my email, asking with varying degrees of insistence that I might read and review their books.

I know everyone wants reviews and sales. I do, too. It seems they have overlooked the fact that I, too, am an author. Perhaps they think I am a professional reviewer – I’m not.

I read and review as much as I can, but I can’t and won’t take requests or demands from authors. I read and review what I want to, because it interests and entertains me, not because I am asked to, and certainly not out of any sense of obligation.

If it’s okay – and it is – for people to not want to read and review my books because they don’t read either of my genres, it has to be okay for me to make that same choice.

For that reason, there won’t be a lot of certain genres on my TBR list or book blog. I just don’t want to read them.

I don’t accept free books. It is only on a very rare occasion that I ever have. I buy books so that I can give a verified purchase review. In fact, I buy a LOT of books, and I’m more than happy to do that.

But I will not buy something I am not interested in. I work too hard for my money and my time is in too much demand for that.

So please, don’t embarrass us both by asking, or insisting, or nagging me to read and review your books. If I am interested in them, I will. If my inbox is full of your repeated demands, there is absolutely zero chance that it will happen.

I’m disappointed I had to write this post. Sometimes, though, one has to make a stand in the interests of self-preservation.

Those responsible should consider themselves warned: the next step will be a permanent block.

How to Achieve A Visually Attractive Twitter Feed.

Just because you can use 280 characters, doesn’t mean you should.

Over the past few weeks, I’ve noticed a lot of people commenting on how they love the new 280 character limit for Twitter. I’ve also noticed a lot of people writing long tweets with no line breaks, and barely any space in them to take a breath.

My message here may be unpopular with those folks, but it must be said: just because you can use 280 characters, doesn’t mean you should.

Remember, people are basically lazy. They don’t want to have to work to figure out what you’re saying, and they don’t want to wade through thirteen hashtags to do so, either.

When it comes to writing tweets, I’ve always assumed that the rule of “less is more” applies. I want my message to be short, easily understood and digested, and easily acted upon.

ScreenHunter_439 Feb. 20 21.34

I’ve always tried to keep my tweets to well under the 140 characters, as short as 100 characters if possible. A short, effective message is more attractive to people than a slab of text.

As an author, I’ve heard more people than I care to try to count tell me that they don’t like reading. (I know, right? I don’t understand it either.) However, it’s something that I’ve taken to heart when writing anything promotional. Any ad, tweet, or invitation is completely ineffective if it puts people off before they even really look at it.

I always leave a line of space between my main message and my hashtags. It breaks up the tweet so it looks more accessible. I also think that it makes the hashtags a bit more obvious, given that some people might take notice of those before the actual message.

When it comes to hashtags, I wrote a few months back about ‘How To Avoid Hashtag Hell’ in social media. I advised then to use two well-chosen hashtags, and no more. Given the increased word limit, I’m about to start experimenting with using three to increase the discoverability of my tweets, but that would be my upper limit. This isn’t a rule, as such, but simply my desire to keep my tweets looking simple and attractive. I’m no expert in advertising or design, but I go by what I experience myself: when a message is easy on the eye, it’s going to get more attention.

On that same assumption, I always include an image. People are very visually oriented and will, more often than not, look at the picture before the text. I try to make the image relevant to the post, and will often superimpose text and web addresses on the image in a way that won’t detract from the visual effect I hope it will achieve. Where appropriate, I use logos that will build familiarity with my work. Otherwise, I use my own images or stock images that are copyright and royalty free, so that I’m not infringing on copyright, either. There are lots of places that offer them, but I find pexels.com and pixabay.com to be excellent sources of quality images that are free for reuse for any purpose.

ScreenHunter_437 Feb. 20 21.33I use a link shortening service so that half the tweet isn’t taken up by an enormous web address or link. Bit.ly is free, so are many others. I use Buffer to schedule my tweets, and it shortens links automatically, so that’s a double win!

A further advantage of using Buffer is that it enables me to recycle my tweets so that I don’t have to spend hours each week coming up with new content. I regularly change the hashtags and messages on a reused tweet so that I’m not just giving people the same old thing time after time.

When it’s done a few rounds, I’ll rest a great tweet for a while, and pick it up again down the track if it’s still relevant. I save them in files in Evernote, so all I have to do when I come back is copy and paste it into a new message, attach the image, and off I go.

ScreenHunter_439 Feb. 20 21.33

Some of my tweets don’t have links. This is a deliberate decision on my part – sometimes I just want to offer a thought, a joke, or a compliment to my audience without asking them to do anything in return. That’s not a rule either – it’s just how I like to do things.

Finally, mix it up. If all you tweet is ads for your book or service, or quotations from your work in progress, it can get a little humdrum. I keep things varied by tweeting about great books, free reads, short reads, book reviews, magazines, great blog articles, and interesting tidbits of history, science and general interest far more than I tweet ads for my own books. My books are worthy of advertising and attention, and I would love to find more readers, but I don’t believe in shoving them in people’s faces at every opportunity, either.

I know all that seems like a lot of work, but being active on social media does take effort and thoughtfulness if you’re going to have something meaningful to offer.

Since I have been following these guidelines, I have had new followers every day. I started 2017 with just over 300, and now I have 3000 more than that. It’s slow growth, but it’s organic growth – my audience actually wants to be my audience! And that is worth far, far more than being able to fit a bunch of stuff in one tweet.

T.S. Eliot’s letter of advice to a sixteen year old aspiring writer

This article is a marvellous piece of writing in itself.  I really hope you’ll take the time to read it. 

Every now and then, I stumble across an absolute gem of inspiration. Sometimes it’s in a book. Sometimes it’s a quotation. Sometimes, as it was tonight, it was a blog post written by someone else.

This article is a marvellous piece of writing in itself.  It’s beautifully put together and composed, and the content is just magnificent.

15960194728_e48e03bb3b_b
It’s something every author, whether published or aspiring, should read because it addresses that infernal question with which we all torture ourselves: What’s the right way to do this? And the answers come from T.S. Eliot himself, esteemed 20th century author and poet.

I really hope you’ll take the time to read it.

You’ll find the post titled T.S. Eliot’s letter of advice to a sixteen year old aspiring writer on the Nothing In The Rule Book blog,

The Problem With Sentence Fragments.

I’ve read a couple of books lately that have been rather good, although plagued with something that is becoming the bane of my life as a reader: sentence fragments. 

Words and Phrases

 

I’ve read a couple of books lately that have been rather good, although plagued with something that is becoming the bane of my life as a reader: sentence fragments.

There was one book I started reading a couple of weeks ago where this was rampant, along with other issues, to the point where I couldn’t continue.

A sentence fragment is something that presents as a sentence in that it starts with a capital letter and ends with a period, but doesn’t actually make sense on its own.

A sentence fragment is often added as an afterthought when it really should be tacked onto the previous sentence with either a comma or a semicolon.

Consider the following example:

Jack went into his bedroom and closed the door, preferring privacy for reading his new book. Which was something that he knew annoyed his little brother.

 

That last sentence fragment actually makes no sense without the previous sentence.

If this happens just once or twice in a book, it’s still too often. However, it happens a lot. To be completely honest, it’s something I mark my senior high school English students down on. It’s what I consider quite a basic error: it’s not that hard to read something you’ve written down and ask yourself if it makes sense.

I understand that some readers don’t notice it, but many others will find it very frustrating indeed.

The exception is in direct speech or train of thought writing. People do speak like that, and they often think in fragments of thoughts, especially when under stress or in pain. If it’s something a character is thinking or saying, there is no problem. When it is part of the narrative, however, it really is an issue.

I don’t want to come across as being all finicky and fussy. My intention is that writers might recognise and self-correct this problem in their writing, even if it means  revising an entire manuscript so that their book reads better.

This is also another argument for having any manuscript thoroughly proof-read and edited before you publish anything, especially as an Indie author who wants to be taken seriously as a writer.

In the end it will earn you more stars and more readers.

When your story is great, and your message is important, please don’t allow something that is easily fixed to compromise the success of your book.

Instead, take the time and effort to make sure that your writing, and the overall quality of your book, is the best it can be. You owe it to your readers, and you owe it to yourself.