Writing Tips: Avoiding Sentence Fragments.

We all know the basic elements of writing a sentence  in English: starting with a capital letter and finishing with some kind of ending punctuation appropriate to the form of the sentence, be it a statement, a question or an exclamation.

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Most people have mastered the fact that each sentence should communicate one key idea, and that they can use punctuation and conjunctions to extend that idea.

However, the use of sentence fragments is a problem I notice frequently, both as a teacher and as an avid reader. They are not the sole domain of people still learning to write: a novel I read over the weekend was littered with them, which frustrated me so much I was sorely tempted not to finish it.

A sentence fragment is a little bit of a sentences that don’t make sense on its own, and really needs either additional information or to be attached to the previous or following sentence in order to make sense.

It’s one thing to speak or send a quick text message using sentence fragments. We do it all the time without thinking twice. When writing for someone else to read our work, though, it’s important to express complete thoughts and to make sense on the first reading.

Example: I have been busy today. Writing this essay. It’s hard going.

This example sentence  fragment can be corrected it in any one of the following ways:

  • I have been busy today, writing this essay. It’s hard going.
  • I have been busy today. Writing this essay is hard going.
  • I have been busy today: writing this essay is hard going.

While it’s true that some writers use sentence fragments for stylistic effect, and may do so very effectively, it’s also true that they need to be proficient in constructing sentences and paragraphs so that they are able to make that technique work for them.  They are useful in writing conversations, communicating a train of thought, tacking on afterthoughts, or reflecting a nervous, excited or angry character.

Most people who write sentence fragments are, alas, painfully unaware that they are even doing it. Their sentence fragments don’t work for them, because they don’t communicate ideas clearly and effectively: in fact, it tends to have the opposite effect.

As writers, we should avoid anything that frustrates or confuses their readers, particularly if they hope to develop a broad and loyal readership.

This highlights the importance of careful proofreading and editing in the writing process.

One of the most effective strategies for finding sentence fragments is to read your work aloud. Your voice and ears will alert you when things don’t sound right, much faster than your eyes will discern it. This is because your brain already knows what you intended to say, and tends to make written errors almost invisible to the eye when reading silently.  

Avoiding Sentence Fragments.
#writingtips #writingadvice

Helpful Tips on How to Research Your Novel

Like Tyson Adams, I’m a writer and I’m very happy to be labelled a nerd. I’m also a History teacher, so I understand the value of research.

That value is never, ever so clear as when reading a book that is poorly researched and presents events or settings that are inconsistent with what one knows to be the truth.

Tyson makes some very good points about research here, but for me, the crucial point is believability. Our readers have to be able to accept what we write as not only conceivable, but also credible.

Tyson Adams

I’m just going to say it: I’m comfortable with the label of nerd.

More specifically, I’m a Nerdius scientifica.

Being a nerd is more accepted nowadays, what with our bulging brains and chiselled knowledge. And the reality is that us nerds have a lot to offer, like research skills.

Writing requires a lot of research and writers generally fall into two categories in this regard: those who need to learn how to research, and those who took up writing to justify those dodgy topics they’ve researched. This post will hopefully help the former. But if anyone does want to know how much slack rope you need to hang someone correctly from your homemade gallows, I have a spreadsheet calculator for you.

I stole am reblogging a post from Writer’s Digest with a few of my own comments.

Ernest Hemingway said writers should develop a built-in bullshit detector. I imagine one…

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The Myth of Writing Every Day: Realistic Tips for Increasing Your Productivity

Everything Jodi Herlick has written here is true: the snark, the realism, and especially the advice about self-care. Her words provide a very real reflection of my own writing experience.

Whatever your experience is, whatever your writing pace, and whatever the other demands on your time, each of us can only do what is achievable within our individual limits.

The takeaway is this: You do what you need to do, and write your own way when you’re ready. None of that is for anyone else to judge.

Jodi Herlick

We’ve all heard the well-intentioned advice: Write every day. It always seems to be spewed by privileged people who have a flexible schedule or a stable income without a day job or who have somehow managed to eschew all other commitments. And while there’s truth to the advice–I certainly find that writing is easier when I’m doing it consistently–for most of us, the pressure only leads to a cycle of despair that actually reduces our creative output.

Image result for crushing despair gif

So if you’re not one of the privileged few, here are some tips for getting all that daily writing in:

  1. Find yourself a wealthy significant other/sugar daddy/sugar mama/patron who will support your daily writing habit, and maybe buy you bonbons to munch on too.
  2. Wake up three hours early and get your writing in before your day job. Then hope that no one notices that you’re sleeping at your desk or in front…

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12 Writing Tips From Famous Authors

I have read most, but not all, of these quotations before, but I still find them to be very pertinent reminders of the ways in which I need to continue to develop and refine my craft as a writer. 

They’re all good advice, although my favourite is the contribution from Chekhov. Not only is it instructional, it’s so poetic and powerful.

I’m also very partial to the advice from Edgar Allen Poe, because he is someone whose work I love reading, and has been an enormous influence own writing.

This fabulous infographic image was created by the fine people at assignmenthelper.com

Thirteen Thoughts On Writing

I found these writing tips by Paul Skenazy to be very pertinent to myself as a writer.

I really like the one that says “Never lose your awkwardness,” I have awkwardness by the bucketload, so I’ve got that part covered.

Really, though, when I read and consider these points, they converge into an encouragement to be the writer only you can be, and to tell the story the way only you can tell it.

Individuality,
Awkwardness.

I think I’ve got this.

BREVITY's Nonfiction Blog

By Paul Skenazy

  1. Writing is an invitation to humility—you realize you’re on the wrong track, you’ve lost connection with a scene, an emotion, a voice. The return on that humility is when your imagination lets you slip into someone else’s skin. The tales you come up with tell the story you are trying to tell when you sit down to write and also the story of the years you spend working on the book. Rendering a/your life into art changes you.
  2. Trust your intuitions but trust (admit) that you don’t understand what your intuitions are telling you. They have their own truth and direction; your job is to follow where they lead. This doesn’t mean you don’t exert control, but you don’t exert as much control as you think you do. And you are often at your best when you don’t.
  3. Defend your story; don’t give up on it. At…

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