A Quick Guide To Using A Semicolon.

A semicolon provides a pause in a sentence that is longer than a comma but shorter than a full stop.

There are a number of ways in which one can use a semicolon to good effect; they are very versatile little punctuation marks. 

A semicolon can be used to extend a sentence using two closely related ideas without using a conjunction. Therefore, a semicolon works differently than a colon does: they are not interchangeable. Examples:

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  • A semicolon is a much misunderstood piece of punctuation; while many people avoided them, those who use them achieve greater eloquence and refinement in their writing.
  • You may have as many donuts as you like; however, the lemon meringue pie is all gone.

A semicolon can also be used to create a complex list in which each entry is accompanied by additional information before the list continues. Examples:

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  • When editing, I have to remember many things: my punctuation, because that tells people how to read my work; my spelling, because words are often confusing; my paragraphs, because they enable me to organise my ideas; and my word choices, because some words are really similar!
  • The guests came from Melbourne, Australia; Paris, France; Montreal, Canada; and various other places.

How To Use A Semicolon
#grammar #writingtips

Why the W is called ‘Double U’ instead of ‘Double V’.

Why do we call the W ‘double U’ instead of ‘double V’?

For the answer to this, we need to go back to Rome, where they made no distinction V and U, nor between the letters I and J, even though one of each pair is a vowel and the other a consonant.

This means that in Roman times, these pairs of letters– U and V , and I and J –were what we call allographs. An allograph is an alternative form of the same letter, like upper and lower case letters, or the same letter in plain or italic, or in different fonts. Replacing one with the other does not change how the words are said.

Thats why you’ll see AVGVSTVS instead of AUGUSTUS or IVLIVS instead of JULIUS on old Roman coins.

Images used under Creative Commons Licences: Image 1 Image 2

The Romans did not have a letter for the /w/ sound because they didn’t really use it. In contrast, the Anglo-Saxons of early medieval England used the sound a lot in their language, so they needed a letter for it when they started writing things down using the Latin alphabet instead of the runic alphabet they had used previously. They originally wrote it as uu– which makes sense as the /w/ sound comes right at the end of the long /u/ sound– but then reverted to using the runic character wynn to represent the sound. When the Normas arrived in England in the 11th century, they brought back the usage of the conjoined uu to represent the /w/ sound, and it literally became the double U.

Even in today’s English, the previous identity of U and V is reflected in the varied spelling of similarly pronounced words such as flower and flour, guard and ward, or lour and lower.

Sources:
Grammarphobia
Lexico.com

Why the W is called ‘Double U’ instead of ‘Double V’.
#English #language #history

Writing Tips: Avoiding Sentence Fragments.

We all know the basic elements of writing a sentence  in English: starting with a capital letter and finishing with some kind of ending punctuation appropriate to the form of the sentence, be it a statement, a question or an exclamation.

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Most people have mastered the fact that each sentence should communicate one key idea, and that they can use punctuation and conjunctions to extend that idea.

However, the use of sentence fragments is a problem I notice frequently, both as a teacher and as an avid reader. They are not the sole domain of people still learning to write: a novel I read over the weekend was littered with them, which frustrated me so much I was sorely tempted not to finish it.

A sentence fragment is a little bit of a sentences that don’t make sense on its own, and really needs either additional information or to be attached to the previous or following sentence in order to make sense.

It’s one thing to speak or send a quick text message using sentence fragments. We do it all the time without thinking twice. When writing for someone else to read our work, though, it’s important to express complete thoughts and to make sense on the first reading.

Example: I have been busy today. Writing this essay. It’s hard going.

This example sentence  fragment can be corrected it in any one of the following ways:

  • I have been busy today, writing this essay. It’s hard going.
  • I have been busy today. Writing this essay is hard going.
  • I have been busy today: writing this essay is hard going.

While it’s true that some writers use sentence fragments for stylistic effect, and may do so very effectively, it’s also true that they need to be proficient in constructing sentences and paragraphs so that they are able to make that technique work for them.  They are useful in writing conversations, communicating a train of thought, tacking on afterthoughts, or reflecting a nervous, excited or angry character.

Most people who write sentence fragments are, alas, painfully unaware that they are even doing it. Their sentence fragments don’t work for them, because they don’t communicate ideas clearly and effectively: in fact, it tends to have the opposite effect.

As writers, we should avoid anything that frustrates or confuses their readers, particularly if they hope to develop a broad and loyal readership.

This highlights the importance of careful proofreading and editing in the writing process.

One of the most effective strategies for finding sentence fragments is to read your work aloud. Your voice and ears will alert you when things don’t sound right, much faster than your eyes will discern it. This is because your brain already knows what you intended to say, and tends to make written errors almost invisible to the eye when reading silently.  

Avoiding Sentence Fragments.
#writingtips #writingadvice

Writing It Instead Of Carrying It

When this image appeared on my Instagram feed this morning, my immediate response was “Yes!”

Image text: Remember. If you are not speaking it, you are storing it, and that gets heavy. Christina Isobel.
I don’t know who created this image. I acquired it via Instagram.

This is why I have been writing and posting poetry and blog posts to help me deal with my feelings about my first Christmas without two very special people in my life, my father and one of my closest friends, both of whom passed away within five days at the end of June.

I have been doing everything I can to make Christmas joyful. Part of that has been working through my feelings and accepting the changes in life that have happened in this mixed up and turbulent year.

It is not that I have no joy or excitement. It doesn’t mean I don’t want to celebrate or focus on the positives in life. It means I need to works out how to manage the shades of guilt I experience when I feel joy, and the weight of sorrow at the very same time as enjoying the lightness of excitement and anticipation.

I fully realise that Christmas is very different for many, many people this year. Lockdowns, halted travel plans and distance have made sure of that. Like me, many people are grieving. Others are facing different sets of challenging circumstances.

The fact is, though, that it is my life that I am living. I have to manage my grief and work out how to balance things for myself. Nobody else can do it for me, and it has to be done. To refuse or fail to deal with my feelings isn’t healthy.

So, I write poetry and blog posts. I blurt my feelings and ideas down onto the page, then shape and craft them into something that both expresses how I feel and lets  others in similar situations know that they are not alone, and that their feelings are not wrong or abnormal.

That is my Christmas gift to the grieving people of the world; empathy, understanding and the room to feel as they do without judgment.

Writing It Instead of Carrying It
#emotions #grief #WritingCommunity

Great Gift Ideas for Writers

Christmas is just around the corner, but these gift ideas would work just as well for birthday gifts, or just to say “keep going!” when the writer in your life needs a little encouragement.

Notebooks. Bookstores, stationers and newsagents carry a range of different notebooks to suit any budget.  There are beautiful notebooks available, from leather bound journals to new-fangled clever notebooks that enable your device to take a photo of a note and import it into Evernote or OneNote as a fully editable note. You can get plain, dotted or lined pages, so there are plenty of options.  Any writer, journaller or blogger is going to enjoy using a notebook given out of love. 

Things to write with: the gist of a nice pen shows you respect their craft. However, so does the gift of a pack of their favourite ball point, gel or felt tip pens in their preferred colour ink. Some writers use a favourite brand of pencil. 

Sticky notes. The humble sticky note is a fabulous tool for planning, plotting, sequencing, tracking character trajectories, and keeping track or writing ideas. There is a huge range of colours, and sizes available, but there is also quite a range in quality. Sadly, the cheapest ones tend to lose their stick rather quickly. A range of lined and plain notes in various sizes and colours, and some page flags and place keepers might be just the ticket. 

A gift voucher from a stationers or office supply store is basically a free ticket to a treasure hunt In writer’s heaven. Some people shy away from vouchers as gifts because they seem impersonal, but a writer will think this is a perfect gift. 

Coffee or Tea. Writers seem to thrive on coffee and tea. A gift of freshly roasted beans or a favourite blend of tea will always be appreciated. Vouchers or gift cards from a favourite barista or coffee shop will likewise be welcomed by anyone whose writing thrives on caffeine. 

Writing snacks. Fuel their writing with a box or basket of their favourite chocolate, nuts, candy, pretzels and trail mix. 

Writing time! Often, writers are limited by the demands of life. A voucher that promises uninterrupted writing time while you mind their kids, walk their dog, cook dinner for their family or clean their house for them is a great way to show your love  and appreciation for them.  Keep in mind, though, that if you choose this option, you need to keep that promise or you will have a very sad reader on your hands!

Book promotion credits. One of the things that authors often struggle with is having the time and resources to promote their books. A gift of book promotion for a month or more is sure to be well received and very much appreciated. Book Squirrel offers a range of promotion options tailored for Indie authors at very affordable prices.

The Average Earnings of Authors

I’m always interested to see how different people react when I tell them I’m a published author. You can never really tell which way it’s going to go.

I’m accustomed to people saying, “Oh, that’s nice” or “Oh, interesting! I’ve never met an author before!”. Some people look at me with pity, others adopt an expression that suggests I have three heads.

I am, I confess, always puzzled by people who say, “I don’t read”. I have absolutely no idea what that kind of existence must be like, so I just smile and nod.

The response I find most confronting, though, is “Oh, you must be rich!”

I have two favourite responses for those people: I either say “Nobody gets rich writing poetry!” or “You don’t become a writer if you’re looking for an easy way to make a buck.” To write really well is hard work. It takes time, commitment, energy and attention to detail – and those things generally don’t see a vast return in cash.

My motivation as a writer doesn’t come from money – if it did, I’d have quit after the first book. Sure, I’d like to sell more books, and be able to quit my job and write full time. That would be great… but it’s not likely to happen anytime soon.

For me, writing is a passion, a drive that I find it almost impossible to resist. When I write something good, I feel fulfilled. When I refine it, edit it, craft it, polish it and finally publish it, it’s both exciting and immensely satisfying.

The real thrill comes when a reader responds positively to my work, especially my poetry. To know someone has enjoyed one of my stories or been touched by one of my poems is the best feeling because that doesn’t happen accidentally.

This post by Sara Wolf, which I found on Ryan Lanz’s blog, addresses the issue of the vast differences between what the majority and the minority of authors earn. It’s a well-written article with a message that comes as no surprise to me or any other Indie author.

Most authors aren’t rich. Some manage to make a living. Only a very small percentage make it into the big league and get rich and super famous.

A Writer's Path

by Sara Wolf

It is a frequent occurrence in the news to hear about authors cutting multi-million (or even billion) dollar book or movie deals. Famous examples of ridiculously successful authors, such as J.K. Rowling, E. L. James, and Stephen King, often lead people to think that becoming an author will undoubtedly lead to an equally as lucrative outcome. However, it turns out that the average author makes much, much less.

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P!nk and Poetry

In my post on Songs and Poetry, I explored the idea that lyrics of songs are often poetry. Indeed, one could argue that the more poetic and emotive the lyrics, the greater chance of that song becoming an anthem for some listeners. This is certainly true in my own experience. 

One of the artists in my “Anthems” playlist is P!nk. I love her attitude, her style, and her voice. Even more, I have found some of her lyrics to be enormously powerful and emotive, and very relatable. She may be a rock goddess who knows how to entertain, but she is also a poet who knows how touch someone’s soul. 

That’s why it came as no surprise to me that she used to write poetry. It shows. 

What P!nk says about the therapeutic effects of writing poetry is true, too. It does feel good to get the darkness out, and to shape it into something that is meaningful to others as well as oneself. As I have often commented, writing poetry is the most effective therapy I have ever had. 

She’s Baaaaaaack!

Sometimes, fiction is only slightly more horrific than real life.

Yesterday I wrote something other than a blog post for the first time in a couple of weeks. After being ill, having surgery, and then finding myself entirely without focus, it felt so good to have the words flowing again. I knew it would happen; I just had to wait for my muse.

As it turns out, my muse has a very dark sense of humour. As I commented to my best friend this evening, “It’s a bit sad that a horror story can be so highly autobiographical.”

The story is one I started at some point during my illness, most likely when I had started to come back to life after failing to die at the hands of whatever disease it was that I had, although I don’t remember writing it then.

I’m not going to give any spoilers, but I will say that I love the opening line, and while I am confident that this gruesome little story does reflect my own experiences of the past three weeks, it also holds some twists that even surprised me as I was writing it.

After some sleep and a bit of thoughtful editing today, I have made ‘Contaminus’ available to read for free on WordyNerdBird Writes.

The Problem With Sentence Fragments.

I’ve read a couple of books lately that have been rather good, although plagued with something that is becoming the bane of my life as a reader: sentence fragments. 

Words and Phrases

 

I’ve read a couple of books lately that have been rather good, although plagued with something that is becoming the bane of my life as a reader: sentence fragments.

There was one book I started reading a couple of weeks ago where this was rampant, along with other issues, to the point where I couldn’t continue.

A sentence fragment is something that presents as a sentence in that it starts with a capital letter and ends with a period, but doesn’t actually make sense on its own.

A sentence fragment is often added as an afterthought when it really should be tacked onto the previous sentence with either a comma or a semicolon.

Consider the following example:

Jack went into his bedroom and closed the door, preferring privacy for reading his new book. Which was something that he knew annoyed his little brother.

 

That last sentence fragment actually makes no sense without the previous sentence.

If this happens just once or twice in a book, it’s still too often. However, it happens a lot. To be completely honest, it’s something I mark my senior high school English students down on. It’s what I consider quite a basic error: it’s not that hard to read something you’ve written down and ask yourself if it makes sense.

I understand that some readers don’t notice it, but many others will find it very frustrating indeed.

The exception is in direct speech or train of thought writing. People do speak like that, and they often think in fragments of thoughts, especially when under stress or in pain. If it’s something a character is thinking or saying, there is no problem. When it is part of the narrative, however, it really is an issue.

I don’t want to come across as being all finicky and fussy. My intention is that writers might recognise and self-correct this problem in their writing, even if it means  revising an entire manuscript so that their book reads better.

This is also another argument for having any manuscript thoroughly proof-read and edited before you publish anything, especially as an Indie author who wants to be taken seriously as a writer.

In the end it will earn you more stars and more readers.

When your story is great, and your message is important, please don’t allow something that is easily fixed to compromise the success of your book.

Instead, take the time and effort to make sure that your writing, and the overall quality of your book, is the best it can be. You owe it to your readers, and you owe it to yourself.

 

The Passing Of The Night 

Most of my poems reflect some element of my own life in an honest and hopefully creative way.
I want people to understand that life is full of challenges and trials as well as moments of victory and celebration. I want people experiencing those trials and challenges to know they are not alone, and that someone else knows what it’s like to go through that.

The Passing Of The NightPoetry isn’t always whimsy and romance. In fact, my poetry is only ever infrequently either of those things. 

Most of my poems reflect some element of my own life in an honest and hopefully creative way. I want people to understand that life is full of challenges and trials as well as moments of victory and celebration. I want people experiencing those trials and challenges to know they are not alone, and that someone else knows what it’s like to go through those things. 

The Passing Of The Night is a new collection of my poems that reflects those truths honestly and, I hope, in beautiful language through varied and interesting imagery. It’s true that there is a piece of my soul on every page. 

People experience all kinds of night: loneliness, grief, depression, anxiety, fear, pain, and countless other darknesses. 

This newly released collection of profound lyrical poems explores the poet’s own experiences and observations of both dark and light, revealing her determination to not only survive, but to conquer whatever tries to overcome her. 

At the end of it all, the poet demonstrates that the smallest sign of light is enough to help a wandering soul find hope in the passing of the night. 

The Passing Of The Night is available on Amazon and all other major digital stores.