Ghostly Inspirations: 'The Trial for Murder' by Charles Dickens (1865)

As is evident in my favourite classic book admiration posts on Bleak House and A Christmas Carol, I love Charles Dickens’ writing. He has always been one of my favourite authors and a source of inspiration.

This is one of Dickens’ short stories that I have not yet read, so it’s fair to say that this blog post that alerted me to that fact made my day! I hope to read it this afternoon.

I’m excited to share the story with you, too — and I’d love to know what you think of it!

Paula Cappa

The Trial for Murder  by Charles Dickens  (1865)

Tuesday’s Tale of Suspense    February 11, 2020

This week, February 7, is the birth date of Charles Dickens. How many of us have read his ghostly inspired The Trial for Murder? Let’s focus on Dickens today to remember this timeless author and his life.

A quick 30-minute read, this story is a dive into 19th century England, murder, a trial, and a ghost.  Because Dickens was a court reporter during Victorian times, we can appreciate the accuracy and characterization of this murder trial.

During the 1830s, Dickens covered Parliament and British elections for the Morning Chronicle. Many of his fans know that Dickens owned a beloved raven “Grip.” Dickens  believed that his pet raven was immeasurably more knowing and “could make a very queer character of him.”

He was a member of the Ghost Club along with Arthur Conan…

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The 2019 Golden Squirrel Awards

Book Squirrel has announced the winners of the 2019 Golden Squirrel indie Book Awards

Just to make it clear, this is not a contest that people can vote on. This is an entirely subjective and preference-driven selection process. Book Squirrel knows what he likes, and that’s what he reads. When he reads, he always leaves a review. And on the Book Squirrel blog, he awards gold, silver or bronze acorns instead of a star rating system. 

At the end of the year, he chooses the best of the books he has read and reviewed, and gives some nice shiny awards to the wonderful authors who entertained and enlightened him in the past twelve months. 

This year, gold and silver awards were given to books in 20 genres, across a variety of age ranges, interests and styles. 

While Book Squirrel is fully committed to being as fair and impartial as a squirrel can be, so you can be sure that the winners of Golden Squirrel Awards are excellent reads, and worthy of recognition. 

Check out the winners here!



The Most Beautiful Reading Experiences

More than a year ago, I began my book review of Eric Tanafon’s fabulous historical paranormal fantasy novel ‘Robin Hood: Wolf’s Head’ with this paragraph: “Every now and then, as a reader, I experience an incredible moment of revelation when I take in an expression or image of something that is so powerful, it takes my breath away.” 

There is something incredibly magical about that moment when a writer’s words take my breath away. It doesn’t happened as often as one might like, but it has happened to me twice in the space of a week. 

Once was when reading Cortney Pearson’s steampunk mystery ’The Perilous In-Between’. The second was when reading Bridget Collins’ historical fantasy novel ’The Binding’. 

All three books are exquisitely written, full of incredible imagery, rich and imaginative world building, and powerful writing that make the reader’s emotions and mind soar. 

Proudly, two of those books are by independent authors, published without the support of big traditional publishing houses and the budgets that the other enjoys. But if you picked up all three, and read them, you’d be pushed to know which was which if you were using the quality of writing or production as your yardstick.  You’d only know by looking for a publisher’s imprint. 

It is true that there are some rubbish books produced by independent authors who don’t bother having their work edited, proofread or produced properly. It is also true that there are also some rubbish books published traditionally. I’ve picked up a few books in my time that have, in all honesty, made me wonder exactly how they got published at all. Other people may think they are wonderful — and they are welcome to them. 

And that is exactly my point. What makes a book ‘brilliant’ is highly subjective, and people will have many and varied reasons for the choices they make. Even so, the assumption that traditionally published books are of superior quality is becoming less and less valid as time goes on. 

It’s fair to say that independent publishing has come a very long way, and the industry has become quite proficient in setting and achieving very high standards. 

If you’re not reading Indie authors, you’re missing out on both discovering some incredible talent and reading some brilliant books. 

For great Indie book recommendations, follow Book Squirrel on WordPress, Twitter, Facebook or Instagram

Thursday Thoughts: I’m Textually Active.

If you’ve been following my blog for any amount of time, you’ll probably know that when I’m not blogging, reading or writing, or strutting my stuff on stage in musicals, I’m a teacher. 

Teaching is demanding and tiring and stressful, but I am always up for a great booknerdy discussion with my students, who I happen to believe are some of the coolest kids on the planet. That is one of the parts of my job that I really love. 

Last semester, my Year 9 English class studied ‘Beowulf’ and Year 11 studied both ‘Richard III’ and ‘A Christmas Carol’

The fun continues this semester. I’m excited to be teaching four more texts I really enjoy. 
My Year 9 English class are going to study ‘Much Ado About Nothing’  and ‘Treasure Island’
My Year 11 English class will be studying ‘The Complete Maus’ and ‘The Book Thief’. 

Teaching teenagers can be a tough gig sometimes, but it also has its perks.

If you had a teacher you liked, I’d love to know what it was about them that appealed to you or inspired you. Leave a comment and inspire me!

A Big Thing For An Indie.

Yesterday afternoon I took some friends to one of my favourite bookstores — which I lovingly refer to as book rescue shelters — in Bendigo. 

While looking through the Historical Fiction section, I was delighted to find two books from the ‘Plantagenet Embers’ series by Samantha Wilcoxson that I really enjoy. 

What made that such a cool thing for me is that Samantha is an Indie author from Michigan with whom I have interacted on social media. I have read several of her books on Kindle, and they are really well written. 

As Indies, most of our sales are on Kindle, Kobo or other ebook stores. We don’t get big, fancy distribution via a global publishing company. so it’s great to see that Samantha’s papaerbacks have made it to Australia! That’s really exciting! And now I own two of them, because I knew right away I couldn’t leave them there. 

These are excellent books that I am proud to have in my collection.
And now that I have books 2 and 3, I may have to see if I can buy a signed copy of book 1 direct from the author. That would be an awesome addition to my bookshelf! 

Nominated!

Guess who got nominated again for Top Female Author 2019? 

I did, that’s who!

‘Smoke and Shadows’ has been nominated in the Poetry category – the same one in which Nova won in 2017.

It’s fair to say I am excited!

It couldn’t have come at a better time. The crazy busy pace and emotional demands of the last three weeks and the stress I have been under because of things outside my control have really worn me down, and while I’ve enjoyed the release of ‘A Rose By Any Other Name’, I haven’t really given my books or my writing the attention they deserve at all the past month or so.  I’ve started a number of poems lately, but haven’t finished any of them… yet.

It’s really nice to know someone loved my book enough to nominated it. I love it, and I’m proud of it for so many reasons – but that is no guarantee that anyone else is going to. The reviews have been good, though, so I have reason to hope that others will enjoy reading it, too. 

It’s also very timely reminder that there are things which transcend those times of stress and exhaustion in our lives that seem to take over and leave no time or energy for anything else.  

Of course, we know that, but sometimes we forget to keep that thought in our mind. It’s amazing the difference a little bit of encouragement and support can make. 

Winners are announced on July 8th. I’ll be sure to let you know if I win! 

The Power of Historical Fiction

I love a great historical fiction read, so when I discovered this article yesterday, I thought it well worth sharing.

I fully agree with the author’s comments about what distinguishes excellent historical fiction from the rest. There is no substitute for research and ensuring that a story is entirely consistent with the time, place and people involved.

In keeping with the encouragement to pick up a work of historical fiction, I’d like to recommend some that I have found to be excellent.

  • To Be A Queen by Annie Whitehead
  • Miriamne the Magdala by J.B. Richards
  • A Daffodil for Angie by Connie Lacey
  • Blood and Ink by DK Marley
  • The Artist by Lyra Shanti

I do hope you enjoy this excellent post by Steve Cochrane.

The Power of Historical Fiction

Encounters of Faith in Asia: Past, Present and Future

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I love to read. For the past 20 years plus, I’ve read on average 150 books a year. I even keep a list in my journal of all those books, so could prove it to you if you wanted! Books on history always figure prominently on that list, but not only non-fiction. I also love the genre of historical fiction. My latest one is titled Cutting for Stone by Indian-American writer Dr. Abraham Verghese.

This book has the elements of what I value in historical fiction. It is set in Ethiopia over a period of about forty years, dealing with issues of immigration from India and set in a hospital in the capital of Addis Ababa. The first element I value is what this book has in rich measure, a well researched context. Historical context must be accurate, or the book should rather be in the science fiction…

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A Favourite Shakespeare Play: ‘Macbeth’

Macbeth is a play that has always fascinated people, engaging their superstitions as well as their imaginations. For this reason, its often called The Scottish Play by actors and theatre folk, as it’s believed to be unlucky to say ‘Macbeth’ in a theatre.

It’s a cracker of a story. The supernatural ‘weird sisters’ tell Macbeth he’s going to be Thane of Cawdor, and then tell him he is going to be king. In response, Macbeth does everything in his power to make it happen, only to be haunted by his victims and unable to actually enjoy his success when it does. You really do have to wonder how it would have all worked out if he’d responded with, “That’s nice!” and let things happen as they would. 

Of course, you can’t just blame it all on Macbeth. His wife – whom I like to call Lady Macdeath – plays a significant part in engineering him onto the throne, mostly by bullying him into doing things he doesn’t really want to do.

The play has some fabulous macabre moments— the witches are spooky, their prophecies are uncanny, and you can bet your last dollar you don’t want to eat what they’re cooking in that cauldron. Even better is the part where Banquo’s ghost shows up for dinner shaking his “gory locks”: that is my favourite scene in the whole play.

Laced with suspense, intrigue, and dramatic irony, ‘Macbeth’ keeps the audience hooked to the very end, even though we all know by now how it’s going to work out. There’s more magic than just “Double, double, toil and trouble / Fire burn and cauldron bubble” in this play. 

Strangely enough, reading the text has brought me some odd comfort this weekend as I contemplate the fate of people who manipulate, lie and use others for their own nefarious purposes. I have taken dark satisfaction in seeing those who chose to do evil get what they deserved in the end. It may not be gracious, but it is quite therapeutic to think that maybe the Fates really do have things under control. Sometimes you need to take your catharsis wherever you can get it. 

That, of course, is the genius of all Shakespeare’s plays. He deals in the emotions we all understand – ambition, greed, love, anger, jealousy, pride, and the experience of being at the receiving end of the bad behaviour of others. The language may have changed slightly, but human nature certainly has not. 

Shakespeare doesn’t have to work hard to make the audience dislike Macbeth and his cold-hearted shrew of a wife: we get it. We have all seen people succeed by means of deceiving and manipulating others, or by stabbing someone else in the back, and we don’t like them, either.

Ten Great Reasons To Preorder That Book!

Authors making their books available for preorder is becoming more and more popular these days. It’s natural. They’re excited about that upcoming New Release, and they want you to be a part of it. 

Apart from the obvious value of supporting authors and encouraging their creativity, there are some very good reasons why you will benefit from preordering a pending book release. 

Why You Should Preorder That Book 

  1. You will have it as soon as it releases. 
  2. It satisfies that “I want it now” feeling that we all have upon seeing a beautiful cover and reading an intriguing blurb.
  3. It’s convenient: you don’t have to remember to go back and order it later. 
  4. You get to share in the excitement of a pending arrival. Consider it a baby shower gift for someone who has worked hard for months to make that book a reality.
  5. Anticipation is a positive and highly motivating emotion. 
  6. For less than the price of a coffee, you can make someone’s day AND get a great read at the same time. 
  7. Books have zero calories, so it’s a guilt-free way of treating yourself to something wonderful. 
  8. It’s like giving yourself a gift. You order it, and a short time later, a wonderful surprise appears in your eReader. 
  9. You will have the satisfaction of knowing your supported someone’s creativity and talent. 
  10. Positive Karma.

What’s not “feel good” about that list?
If you have any more great reasons, feel free to add them in a comment!

Why I Love Shakespeare

I’m currently reading a great book titled ‘Blood and Ink’ by DK Marley. It is a really well written historical fiction novel that explores, in part, one of the theories about the identity of the man we know of as William Shakespeare.

Rumours and theories that Shakespeare’s works were written by someone else have abounded for a long time. Various people have been proposed as the actual author. 

That’s all very interesting, of course, but the fact is, I really don’t care whether his name was actually Filchin McFarkle. 

My love for Shakespeare isn’t about the person: it’s about the language, the writing, and the craftsmanship that combine to be the genius of the writer. What his name was doesn’t matter one bit. 

The power of Shakespeare’s plays and poetry is that they take something ordinary and transform it into something extraordinary.

Themes of love, passion, ambition, revenge, hatred, despair, desire, and family dysfunction make his work interesting and relatable to just about everyone. And while there are at least a dozen ways to write any story, the way Shakespeare tells each story is absolute magic. 

Shakespeare used rhythm and poetic devices like imagery, allegory and highly emotive language to heighten the feelings and drama of the situations his characters find themselves in. He enmeshes them in a complex web of conflicting emotions and ambitions and then exposes their innermost  thoughts in the most profound ways. He really is the master of intrigue and dramatic irony, able to hold the audience spellbound, even though they probably already know what’s going to happen and what the various characters are thinking.

To be honest, some of the storylines are pretty rubbish. There are very convenient coincidences, leaps of logic, and plot holes galore, particularly in the comedies. The history plays are at times more fiction than history. Despite all that, Shakespeare dramatises the stories and scenes in such a compelling way, and so deeply engages the audience in the dilemmas and conflicts experienced by the characters, that any issue of credibility actually doesn’t matter.  

I will still pick up a play and read it, or watch a performance, or read the sonnets and be as entranced as ever. Even when interpretations change, the magic with which the words are crafted and woven never gets old.