More than a year ago, I began my book review of Eric Tanafon’s fabulous historical paranormal fantasy novel ‘Robin Hood: Wolf’s Head’ with this paragraph: “Every now and then, as a reader, I experience an incredible moment of revelation when I take in an expression or image of something that is so powerful, it takes my breath away.”
There is something incredibly magical about that moment when a writer’s words take my breath away. It doesn’t happened as often as one might like, but it has happened to me twice in the space of a week.
Once was when reading Cortney Pearson’s steampunk mystery ’The Perilous In-Between’. The second was when reading Bridget Collins’ historical fantasy novel ’The Binding’.
All three books are exquisitely written, full of incredible imagery, rich and imaginative world building, and powerful writing that make the reader’s emotions and mind soar.
Proudly, two of those books are by independent authors, published without the support of big traditional publishing houses and the budgets that the other enjoys. But if you picked up all three, and read them, you’d be pushed to know which was which if you were using the quality of writing or production as your yardstick. You’d only know by looking for a publisher’s imprint.
It is true that there are some rubbish books produced by independent authors who don’t bother having their work edited, proofread or produced properly. It is also true that there are also some rubbish books published traditionally. I’ve picked up a few books in my time that have, in all honesty, made me wonder exactly how they got published at all. Other people may think they are wonderful — and they are welcome to them.
And that is exactly my point. What makes a book ‘brilliant’ is highly subjective, and people will have many and varied reasons for the choices they make. Even so, the assumption that traditionally published books are of superior quality is becoming less and less valid as time goes on.
It’s fair to say that independent publishing has come a very long way, and the industry has become quite proficient in setting and achieving very high standards.
If you’re not reading Indie authors, you’re missing out on both discovering some incredible talent and reading some brilliant books.
Phoenix Project is a new and very exciting series of community events coming to my home town of Cobden, Victoria.
Phoenix Project really is the perfect name. Almost a year ago, Cobden, Camperdown, Terang, and much of the surrounding area was either destroyed or threatened by bushfires. Homes and livestock were lost – but miraculously, no lives. Our town, and those others nearby, emerged covered in soot and smelling of smoke, but determined to recover and keep on going as we always have done before.
That’s something I’ve had to do in my own life, too. I’ve been through some pretty tough seasons when it felt like my life was burning down around me. Yet I’ve emerged, covered in soot, and smelling of smoke and… you get the idea. As I observed last night, I’m a bit of a phoenix myself.
There’s no doubt the fires were an absolutely awful experience for everyone involved. But we got through it.
And those hard times in my life – I’ve come out braver and stronger than I’ve ever been. Well – mentally and emotionally, at least. My spine would tell you a different story.
I was very privileged to be one of the featured artists on the opening night of The Phoenix Project, alongside outstanding blues musician Alister Turril and Josh and Yas, spoken word artists from lowercase poetry in Geelong.
I shared some of the poems from ‘Smoke and Shadows’ that I wrote during and after the St Patrick’s Day fires, followed by some of my fantasy style poems because I didn’t want my bracket to be too heavy or confronting for a largely local audience.
The poems I shared all focused one way or another on the idea of resilience, and getting through the trials of life stronger and wiser than on the way in.
It was a great night. The music was cool, the poetry was powerful and thought-provoking, and the tone of the evening was 100% positive.
Phoenix Project continues this weekend with a great lineup of musicians and artists to feed the soul of everyone who comes along.
It’s our last week of Women in Horror Month 2019 and what a month it’s been. I’ve been exceedingly lucky to have so many talented writers grace Unusual Fiction with their presence. Today, I am delighted to welcome author of horror fiction and romance, Mary Bradford.
Mary Bradford is an Irish published author of two novels, My Husband’s Sin and Don’t Call Me Mum, with digital publishers Tirgearr, both part of the Lacey Taylor Story. At present, Mary is writing her third novel, Cregane Court. She has also written in adult romance (One Night in Barcelona, digital publishers, Tirgearr) and western genres, (Destiny, and The Runaway, self-published).
As a mother
whose family are raised, her writing reflects family relationships, not only
the good but also the difficulties and hardships that families endure. In a world where the family unit is forever changing, there is…
Lily Luchesi is the USA Today bestselling and award-winning author of the Paranormal Detectives Series, published by Vamptasy Publishing. She also has short stories included in multiple bestselling anthologies, and a successful dark erotica retelling of Dracula. Her Coven Series has successfully topped Amazon’s Hot New Releases list consecutively. She is also the editor, curator and contributing author of Vamptasy Publishing’s Damsels of Distress anthology, which celebrates strong female characters in horror and paranormal fiction.
Lily was born in Chicago, Illinois, and now resides in Los Angeles, California. Ever since she was a toddler her mother noticed her tendency for being interested in all things “dark”. At two she became infatuated with vampires and ghosts, and that infatuation turned into a lifestyle. She is also an out member of the LGBT+ community. When she’s not writing, she’s going to rock concerts, getting tattooed, watching the CW, or reading manga. And drinking copious amounts of coffee.
In Lily’s Own Words:
The horror I write is mostly urban fantasy mixed with horror. My author tagline is “horror with heart” because I believe, deep down, everything has light in it. Whether it’s a rogue vampire in the streets of Downtown Chicago or demons controlled by Nazis in World War Two, a story has to be more than just darkness, more than the “gore factor”. A true horror story has to have heart. It’s why the horror elements are elevated: when characters (and readers) are given something to care about, what rips it away is even worse. And I firmly believe, even in the most horrific situations, light wins in the end.
My stories are more than violence, though I have plenty of that. My stories are about people. The characters drive the stories, and in caring about them, you find yourself cringing when they’re injured, or when they fail to prevent an innocent victim from being torn to pieces or having their soul eaten.My books are about the half vampire who hates existing, disgusted by her hunger for blood. They’re about a psychic who wants to die rather than dream about those he cares for being tortured. A siren who was persecuted, first for being a monster and again for being Jewish. They’re about a teenage girl who has to fight against the evil that lives in her veins.Horror is more than a monster or torture. Horror is what lurks in the dark corners of our minds.
Stake-Out (Paranormal Detectives Book One)
In a city overrun with the undead, an ex-cop is given a chance to get revenge… Danny Mancini is on a case, following a murder suspect. When he catches him, he finds out that the perp isn’t even human: he’s a 200 year old rogue vampire! The department doesn’t believe him, and puts him on early retirement, despite his many years of service to the Chicago Police Department, which sends him into a downward spiral. Two years later, Danny gets an invitation from the beautiful, young and very attractive Detective Angelica Cross to join a secret branch of the FBI to help her track down Vincent, the wayward vamp. But renegade werewolves, meddling immortal witches and Danny’s strange visions of a life lived a century ago with Angelica make things more difficult than it should be.
Your blood does not define you. Harley Torrance’s parents were killed in a home invasion when she was three. Adopted by a nice couple, Harley begins to develop strange powers. At fourteen she brews a potion so strong it gains the attention of the Coven King, and changes her world forever. She’s not human, she’s a witch. Now a part of the magical community, Harley must learn to control her powers lest the Darkness already in her blood overcomes her. Can she dampen her lust for power in order to stop the Dark from taking over the Coven and killing everyone in their way?
Reader Review: “Luchesi kept the whimsy and wonder inherent in magical YA novels while exploring the darker side of the magical world and those who dwell in it. It’s everything I dreamed of in a magical YA novel and more!”— On My Kindle
In this standalone spin-off of the Paranormal Detectives Series, we discover the true horrors during Hitler’s reign. In World War Two, not all monsters were human.
Male siren Sean Wireman was ostracised from his small village in Israel in the sixteenth century, forced to wander the world until he settled in America in the 1920’s. Since he doesn’t age like a normal person, he was fit to fight in World War Two, to defend the heritage he spent his whole life running from.
Seventy years later, after he has lived a whole other life since Hitler was defeated, from attending law school to becoming a bona fide rock star, the monsters the Nazis released upon the Jews in concentration camps have returned, and he is the only one who can destroy them. But can he save his people once again, or will this fight take a deadly toll?
Reader Review: “The truthful elements woven into the fantastical produced an unstoppable read that will surely please current fans and those looking for a historical ride filled with both legitimacy and the dark paranormal. The rich historical elements were expertly dropped in context instead of sounding like a lesson, serving to add a realistic twist to Sean’s life and anchoring the reader to his story.”—Knightingale Reviews
WordyNerdBird’s note: I have just finished reading ‘Never Again’, and it really is an excellent horror read. Make sure you check Book Squirrel’s book blog for the review!
It should come as no surprise that when you’ve been listening to people say the same thing for a while, you get better at understanding what they really mean.
Person Z. Take, for example, a young woman who approaches her friends and family members and says something like, “Hey, so, I’m having a fancy brand-name plasticware/linenware/healthy and beauty product/accessory/clothing party at my house in a couple of weeks, and I really hope you’ll come.”
What she’s really saying: Option A: I got sucked into one of these parties by relative/friend X, and she looked so hopeful that someone would book a party so she’d get some reward, and my mouth was open before my brain could stop it.
What she’s really saying: Option B: There’s a thing this company makes, and I’d really like to have it, but it’s expensive so I’m having a party and anything you buy will help me get it cheaper.
I’ve been on both ends of the equation, and can totally sympathise. It’s fair to say I’ve smiled and nodded through a whole bunch of those evenings, and even bought a thing or three, to help friends and family members out. From time to time, I’ve also been the Option A person.
Person Y. In another example, a child approaches family members and friends and explains that the school is selling chocolates/holding a “fun run”/doing some kind of suffer-a-thon as fundraising for a new toilet block so the kids can “go” comfortably during breaks.
What the child is really saying: Option A: The school insists that I must do this thing and there’s no way out of it, so please give me some money toward it so it’s not for nothing.
What the child is really saying: Option B: There are prizes for doing this, and I really want the floppitywoppity that you can only get if you raise $5000, so please give me some money to give me a fair chance at winning one. Again, I’ve helped more than one kid out of the hole. I don’t know if any of them ever got the floppitywoppity, but I know I have helped to build more than one toilet block in my time.
Person X. Then, there’s the Indie author. Actually, it could be any Indie creative – an artist, musician, or crafter. I just decided to use an author as the example here, because that enables me to draw on my own experience again. Person X has a passion for writing, a message they want to get out to the world, and they finally get their book published. They tell their friends and family members that they have a book out, and they’re about to tell them what it’s about…
What the author is really saying: Option A: I finally fulfilled my dream. Aren’t you happy for me?
What the author is really saying: Option B: I did a thing! I may never become a millionaire, but I did a thing! Please proud of me!
What the author is really saying: Option C: Remember all those times I supported your party plan things? And your fun runs? And your kids’ school toilet blocks? And…
…But as Person X talks, there are virtual crickets chirping, and eyes looking nervously at the door, and people checking their phones, and remembering appointments they need to be at, and… What the others are really saying: Option A: Well, this is awkward… who ever thought he/she was brave enough to get out there and do the thing! What the others are really saying: Option B: Yeah, we know you’ve supported us and our kids, but we’d prefer not to mention that now, because I would rather put my cash toward fancy plastic ware/linen/clothes/beauty products/accessories or a gym membership than some book by someone nobody’s ever heard of.
What the others are really saying: Option C: What the heck are we supposed to do now? We hope he’s not going to ask us to actually read it… maybe if I don’t ask what it’s about, he’ll stop talking about it.
What the others are really saying: Option D: But… you’re my brother/sister/cousin/relative/friend… how could a book you wrote even be any good? A bit full of yourself, aren’t you?
Person W. The final example is the one person in the room who hugs you and says, “Awesome! That’s fantastic! I’ll buy your book! How much do you want for it? You’ll sign it for me, won’t you? I can’t wait to tell my friends what you’ve done!”
What they’re really saying: Option A: I’m proud of you, and I’m on your team.
What they’re really saying: Option B: I’ll probably never read it, but I’m proud of you, and I’m on your team.
What they’re really saying: Option C: “Awesome! That’s fantastic! I’ll buy your book! How much do you want for it? You’ll sign it for me, won’t you? I can’t wait to tell my friends what you’ve done!” then looking over their shoulder with a glare at the rest of the people in the room who were too selfish to do or say anything.
The moral of the story: Option A: I’m really thankful for every ‘Person W’ in my life. I had no idea when I embarked on my journey as an Indie author that it would hurt so much to know there were so many Zs and Ys in my circles, but I also had no idea how wonderful it would be to know who the Ws were, and that they were on my team.
The moral of the story: Option B: Always be a W. Even if you never read the book, be a W.
After a crazy-busy Christmas and New Year “silly season” followed by some medical events with my father, we managed to get away for a few days to one of our favourite destinations. It’s a little caravan park (aka ‘trailer park’ in American English) nestled into a bend on the Surry River on the south-western coast of Victoria, just down the hill from a small hamlet named Narrawong.
Many people might drive through Narrawong on their way from Warrnambool to Portland and suspect that there’s not much there. They’d be wrong.
This area is full of surprises. We’ve been spending part of our January here for years, but we are still finding new things to do and see.
This year’s unexpected bonus was a visit to the Bay of Whales Gallery, where wildlife artist Brett Jarrett creates and exhibits his amazing realist art of all sorts of animals and birds.
Visitors are welcome to talk with Brett and watch him work, which makes them feel very connected to his artwork. It’s a very relaxed and comfortable place, and it was lovely to be able to walk around and peruse Brett’s paintings at our own pace.
There is beauty outside the gallery, too. Peacocks and chickens roam the grounds of the building, which sits atop a hill that overlooks natural bush, farmland, beach and bay.
The Bay of Whales Gallery is open Wednesday to Sunday.
My friends and I can personally testify that very good coffee and a range of delicious home-made cakes are available on weekends.