Indie and Proud!

Indie Pride Day 2018: A Fantastic Way To Celebrate Being Indie!

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July 1 was Indie Pride Day, on which Indie authors  worldwide posted selfies with their books to show the world what we have achieved. Posts were made with key hashtags to get those tags trending and get attention across all social media platforms.

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It’s just one way we can stand up and say “we’re here!” to a world that still focuses on traditional publishing and looks down its nose at Indie authors, even though Indie artists and musicians are almost revered as  artistic heroes – which, of course, they are.

The encouragement I’ve received from other Indie authors today has been incredible. I’ve seen people following other writers on social media, sharing other authors’ pictures, leaving encouraging comments, and cheering one another on. It has been an enormous wave of positive reinforcement, friendship and camaraderie that any other industry would, and should, envy.

So, while my social media posts for Indie Pride Day  may at first glance appear as though I’m trying to sell my books, that’s not my intention. To be perfectly honest, I don’t think putting my face beside anything is going to help sell it.  Those pictures of me with my books are intended to be an encouragement to others to be loud and proud about what we do, and to encourage writers to embrace Indie as a viable and legitimate route toward getting their work read by audiences worldwide.

It’s also fair to say that, having made a mission of going out to take themed photos, I had quite a bit of fun doing it. These shots didn’t make the final cut, but they’re actually some of the ones I like best.

And all you readers out there? If you choose to bypass books because they’re Indie, you’re missing out on some truly excellent reads.

Why All My Books Are Not In One Basket.

Wide distribution is a boon for Indie authors and for readers.

I’ve never been a believer in keeping all my eggs in one basket, so to speak. I use more than one bank. I store my important files in more than one place. And I have always had my books available in more than one place.

In recent months, I’ve become more and more thankful that Amazon is not my sole venue for book distribution.

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All my books are available on Kobo Nook, iBooks, and a number of other stores in addition to Amazon. You can find all the links for each book at jvlpoet.com/books.

 

Like the kindle app, the Kobo, Nook and iBooks apps are completely free.
And from an author’s point of view, there are significant differences:nook-icon
  • Those stores don’t remove readers’ reviews – but Amazon does.
  • Those stores don’t insist you spend $50 before you can leave a rating or a review – but Amazon does.
  • Those stores don’t care which country you live in – but Amazon does.
  • They don’t want to know who your friends are, or mistrust you because you might know some people. Amazon does, though.ibooks_ios_7_icon_update_by_hamzasaleem-d6stc29.png

As far as I know, I am the only Joanne Van Leerdam selling books in any of those stores. If you search for me, you’ll find me.

Amazon doesn’t necessarily make life as an Indie author smooth sailing. Sure, they’re the biggest beast in the eBook zoo… but that doesn’t mean it’s the only one that should be fed.

So, I’m going to start favouring different distributors when I buy eBooks, and still give the same support to my fellow Indie Authors through buying, reading and reviewing their books.
I’d love to see more people doing this, just to show we’re not reliant on a company that thinks it can do whatever it pleases, without consequence.

Let’s face it, if a dog bites your hand enough times, you’ll stop patting it. And if that dog doesn’t learn not to bite, it’s likely to end up very lonely. The only people who can teach it that lesson are the people with the option to pat the dog or not.

Personally, I think I’m going to make Kobo my first choice. Some may see it as the proverbial runt of the litter, but that just makes me want to support them. And in 24 months of working with them, I’ve never had anything but excellent service.

I’m also going to try to encourage others to buy my books somewhere other than Amazon.

In addition to adjusting my advertising and promotions, I think I may create a slight price advantage for those who buy from a non-Zon source. That’s easily achieved through my Draft2Digital account, and it might just drive some increased interest in my books on the other platforms. An additional advantage of using Draft2Digital is that their payment threshold is $10, not $100 as it is on Amazon.

On a final note, please don’t think I’m single-handedly trying to bring Amazon down. I’m not, at all. I’ve had good sales there and I’ve bought many, many books there, too.
I’m just very disappointed in some of their “developments” of late, and happy to find alternatives that don’t screw myself or my fellow Indie authors over at all.

Books, Authors, Double Standards and Snobbery.

There remains a commonly held view that all Indie books are somehow sub-standard. This perception could not be more wrong.

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I am perpetually frustrated by the disdain that many have for Indie authors. Indie artists, musicians, and filmmakers are applauded for daring to step out, break the mould and do their own thing in defiance of the industries that are perceived to have grown too big, too powerful, too rich.

Nobody hesitates to go to a doctor or lawyer who owns their own practice. People don’t think twice about having their car serviced by a mechanic who runs a local garage. They’re independent practitioners within their industry, too. Let’s face it, there are some shonky ones out there – in any industry – but they are the vast minority, and their behaviour should never be used as the yardstick by which all others are measured.

So why is the double standard against Indie authors still not only acceptable, but so widely endorsed?

woman with bookI won’t deny that I’ve picked up two or three books that I just couldn’t finish because they were either poorly written, poorly edited, or just not very good at all. But two or three out of more than 150 is a very small percentage, where the others have consistently ranged between very good and excellent quality in terms of both writing and production.

Having been an avid reader all my life, it’s also true that I’ve read – or rejected – a number of books that weren’t so great in the traditionally published world, too. Some I just couldn’t get into – even among the most famous and widely commended are certain ‘literary greats’ whose writing I just don’t appreciate. There are also traditionally published books that remain popular among less discerning readers and sell quite well, despite the fact that the writing and/or story lines really are… well… rubbish.

I’ve read almost exclusively Indie books for more than a year. I am continually impressed by the originality of the stories, the high standard of writing, and the depth of creative talent. I’ve posted countless book reviews for these books, and have shared my appreciation of both books and authors far and wide, because those books deserve to be read and appreciated.

Having been an avid reader all my life, I’ve read – or rejected – a number of books that weren’t so great in the traditionally published world, too. Some I just couldn’t get into – even among the most famous and widely commended are certain ‘literary greats’ whose writing I just don’t appreciate. There are also traditionally published books that remain popular among less discerning readers and sell quite well, despite the fact that the writing and/or storylines really are rubbish.

Indie authors are, more often than not, Indie by choice. For many, the first foray into traditional publishing has ended up being a very negative and traumatic experience. For some, their publishers have closed down, leaving the author without their rights, unpaid and unable to sell or market their work. Other companies have published books and then done nothing, leaving them to languish in obscurity unless the author does their own marketing.

Sure, that hasn’t happened to J.K. Rowling or George R. R. Martin. People need to understand, though, that they are the exceptions, not the rule. That kind of success doesn’t just happen for everyone who writes a fantastic book or series, and it’s well-established fact that it almost didn’t happen for Rowling either.

Last week, I saw someone comment on social media platform in a most derisive tone that “traditional publishers won’t touch anything that’s been self-published”. My response was that it’s their loss. And when it comes to my own work, they’re not welcome to.

Like many others, I choose to be Indie because I control my own intellectual property, I retain my legal rights to my work, and I earn the royalties for my books. My hard work is not lining the pockets of some faceless company that pays a small fraction of the earnings of a book to the author and gets fat on the rest, without actually doing much in the way of marketing or promotion. Marketing and promotion is really hard work, there’s no doubt about it. But if I have to do the schlepp work anyway, why would I let someone else have control of my work? And I can take pride in the fact that I have earned every review, every award, and every cent, on my own.

In the end, I choose to be Indie because there is nobody in this world as committed to my books or my career as an author than I am.

It’s time we got rid of the double standard that celebrates Indie music and art, and which takes pride in supporting local and artisan businesses, but considers Indie books and authors to be something less than their traditional counterparts.

Indie authors are doing their part by writing and producing excellent books.

Readers are doing themselves a gross disservice by accepting the kind of intellectual snobbery at the heart of this double standard. I’m confident they will be more than pleasantly surprised when they finally choose to set prejudice aside and find out what they’ve been missing out on.

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Calling All Romantics!

Attention: Romantics. This is for you!

Happy_Valentine's_Day...!

In addition to being Women in Horror Month, February is also celebrated worldwide as the month of love. Valentines Day is the most popular day for declarations of love, marriage proposals, fancy dinners, and gifts of long stemmed roses and chocolates.

We all know, though, that these things aren’t really what love is all about. It’s way more complex, and far more frustrating, than that.

I’ve been privileged to be part of a group of authors who have collected excerpts about different aspects of love from their books into ‘All About Love’ an online magazine, completely free for all readers, which is available now for your reading pleasure. I’m not someone who enjoys reading a lot of romance, especially if it’s clichéd, but I’ve enjoyed reading this magazine because the pieces are varied and interesting, and have been drawn from different genres and styles of writing.

If reading about love and romance doesn’t interest you, feel free to keep scrolling past. We won’t be offended. But for all the romantics, the dreamers, the lovers and the hopeful folk out there – this one’s for you.

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We hope that you enjoy this collection, and that you find some great books in there that you’d like to read in full.

Enjoy!

The Problem With Sentence Fragments.

I’ve read a couple of books lately that have been rather good, although plagued with something that is becoming the bane of my life as a reader: sentence fragments. 

Words and Phrases

 

I’ve read a couple of books lately that have been rather good, although plagued with something that is becoming the bane of my life as a reader: sentence fragments.

There was one book I started reading a couple of weeks ago where this was rampant, along with other issues, to the point where I couldn’t continue.

A sentence fragment is something that presents as a sentence in that it starts with a capital letter and ends with a period, but doesn’t actually make sense on its own.

A sentence fragment is often added as an afterthought when it really should be tacked onto the previous sentence with either a comma or a semicolon.

Consider the following example:

Jack went into his bedroom and closed the door, preferring privacy for reading his new book. Which was something that he knew annoyed his little brother.

 

That last sentence fragment actually makes no sense without the previous sentence.

If this happens just once or twice in a book, it’s still too often. However, it happens a lot. To be completely honest, it’s something I mark my senior high school English students down on. It’s what I consider quite a basic error: it’s not that hard to read something you’ve written down and ask yourself if it makes sense.

I understand that some readers don’t notice it, but many others will find it very frustrating indeed.

The exception is in direct speech or train of thought writing. People do speak like that, and they often think in fragments of thoughts, especially when under stress or in pain. If it’s something a character is thinking or saying, there is no problem. When it is part of the narrative, however, it really is an issue.

I don’t want to come across as being all finicky and fussy. My intention is that writers might recognise and self-correct this problem in their writing, even if it means  revising an entire manuscript so that their book reads better.

This is also another argument for having any manuscript thoroughly proof-read and edited before you publish anything, especially as an Indie author who wants to be taken seriously as a writer.

In the end it will earn you more stars and more readers.

When your story is great, and your message is important, please don’t allow something that is easily fixed to compromise the success of your book.

Instead, take the time and effort to make sure that your writing, and the overall quality of your book, is the best it can be. You owe it to your readers, and you owe it to yourself.

 

The Passing Of The Night 

Most of my poems reflect some element of my own life in an honest and hopefully creative way.
I want people to understand that life is full of challenges and trials as well as moments of victory and celebration. I want people experiencing those trials and challenges to know they are not alone, and that someone else knows what it’s like to go through that.

The Passing Of The NightPoetry isn’t always whimsy and romance. In fact, my poetry is only ever infrequently either of those things. 

Most of my poems reflect some element of my own life in an honest and hopefully creative way. I want people to understand that life is full of challenges and trials as well as moments of victory and celebration. I want people experiencing those trials and challenges to know they are not alone, and that someone else knows what it’s like to go through those things. 

The Passing Of The Night is a new collection of my poems that reflects those truths honestly and, I hope, in beautiful language through varied and interesting imagery. It’s true that there is a piece of my soul on every page. 

People experience all kinds of night: loneliness, grief, depression, anxiety, fear, pain, and countless other darknesses. 

This newly released collection of profound lyrical poems explores the poet’s own experiences and observations of both dark and light, revealing her determination to not only survive, but to conquer whatever tries to overcome her. 

At the end of it all, the poet demonstrates that the smallest sign of light is enough to help a wandering soul find hope in the passing of the night. 

The Passing Of The Night is available on Amazon and all other major digital stores.

How To Write A Bestseller.

The question I hear most from aspiring authors is, “How do I write a bestseller?”

The question I hear most from aspiring authors is, “How do I write a bestseller?”

My answer is always the same: “You can’t. Nobody can do that. All you can do is write the story you want to write in the best way that you can. What happens after that is up to the audience.”

It’s a sad fact of life for writers, but there’s no proven formula for producing a best-seller.
J.K. Rowling must hear that question an awful lot too – that’s my assumption, but when you see an American news service running headlines like “JK Rowling gives ‘words of wisdom’ to emerging writers” you can safely bet that she’s answered the question a few times.

Her advice is good. Write what you’re passionate about. Don’t be discouraged by rejection. Keep going. Make it as good as it can be. And then keep going some more.

To that, I would add: Make sure you’ve got your word choices, punctuation, and paragraphing right. Don’t settle for a mediocre cover. And don’t be afraid to go Indie and self-publish: that’s how Charles Dickens and Walt Whitman started out, too.

In fact, some of the very best books I’ve read over the last 12 months have been Indie books. I honestly believe that people who dismiss Indie books as “not good enough” are missing out on some of the best books available.

If you’re an aspiring author, listen to advice from those who know.

It can be disheartening. I can be really hard, even when you know you have put a great book out there, and people don’t seem to be catching on that you’re a literary genius. These things take time.  But if you keep going when others give up, sooner or later, someone is going to notice you and, even more importantly, your book.

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Just… wow!

I got published… again! In two issues in a row!
This is such an unbelievable feeling!

I got published… again! In two issues in a row!
This is such an unbelievable feeling!

I shared a fortnight ago that The Australia Times Poetry Magazine published one of my poems in their Vol 4, No. 25 issue.

I’ve just opened Vol 4, No. 25 to find that it contains another of my poems, Rogue Wave. That’s the poem that was shortlisted by Wildsound Festival of Poetry in November, and performed by Michelle Alexander as part of the Wildsound Festival.

Why My Books Are Not Free.

Seriously… who else is willing to work for free?

There are a lot of authors giving their books away – free – on Amazon and various other services.

I won’t be one of them.

To be quite frank, I believe my work is worth more than that. I believe that is true of most of the authors who discount their work. It’s certainly true of almost every book I’ve been willing to buy. For the record, the ones I haven’t liked were not on Amazon – one was a classic and one was a bestseller.

I fully understand not everyone will buy, read, or be interested in, my books. In the same way, some folks don’t like chocolate or pizza or coffee, and not everyone on the planet is going to like or understand me. I’m cool with that.

Even so, I believe that my work and what I have to say through it, are valuable.
If I discount my book, doesn’t that cheapen my work? Doesn’t that just make it less attractive? Doesn’t that make it seem like I don’t think it’s worth reading?

And really – who else works for free? I’d like to see people try to get a plumber, or doctor, or garbage collector to work for nothing because someone doesn’t feel like paying.

So, I have decided that $2.99 is a fair price for an electronic copy of my latest book, and probably the next one.

It’s less than a cup of coffee. It’s less than a slice of pizza or a sandwich.

And I’m worth it, dammit.  L’Oréal said so.

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Published again!

So, after spending a November on the very attractive pages of Yours & Mine magazine, my work is now gracing the pages of The Australia Times Poetry Magazine!

So, after spending a November on the very attractive pages of Yours & Mine magazine, my work is now gracing the pages of The Australia Times Poetry Magazine!

The amazing editors there have given me a great bio and a three page spread for my poem, ‘The Sea’, enhanced by some lovely photography, on pages 22-25 of Issue 24.

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It’s always a thrill to find out someone likes something that I’ve written. That kind of connection is why writers write, and why artists paint, sculpt and create.
Can you imagine my excitement when I saw the beautiful treatment they’ve given my poem?

I hope you’ll take the time to click through and read my poem.

Of course, my poem isn’t really just about the sea. It uses the sea, and the shore, as an allegory for depression and anxiety. The poem itself is about living with and through that, and surviving.

TAT Poetry is a great magazine every month, and I am really honoured to be featured in it!

I’d also really appreciate it if you’d share it around on twitter, facebook, or your other preferred social media.