Why Indie Authors Should Have Their Books on Bookbub

BookBub presents a great opportunity for authors to put their books in front of readers.

There is massive irony in authors complaining that they can’t reach readers or find an audience while failing to list their books on a site where readers will actively look for books in their genre.

Sure, BookBub began as niche marketing, but it has very quickly become mainstream to the point where it’s becoming as popular among readers as GoodReads. There are good reasons for that: BookBub is very user-friendly, well organised and easy on the eye. Sharing a book from BookBub to other social media is straightforward, achieved simply by clicking a couple of buttons. 

As a reader and reviewer, I’m always dismayed when I read a great Indie book and find that I can’t review it on Bookbub because the author or publisher hasn’t listed it there. 

Not only are those authors missing out on free promotion, they are overlooking a place where readers flock to find something new to read. 

As an author, I love BookBub. 

When readers mark one of my books as “Want to Read” all their followers see that. When readers review or recommend one of my books, everyone sees that.  

I get a weekly email that tells me how many profile views, recommendations and new followers I’ve had that week. And it’s completely free to be an author on BookBub. You don’t have to pay for promotion there if you choose not to: that’s totally optional. 

If you’re an author and your books aren’t on BookBub, that’s something you should probably fix sooner rather than later. Unless, of course, you’re happy with lower visibility and fewer opportunities to reach readers. That’s a choice that is entirely yours to make. 

Why Indie Authors Should Have Their Books on BookBub #IndieAuthorsBeSeen #IndieBooksBeSeen #authorlife #bookmarketing #IndieAuthors #BookBub

Can the Cold Case of Book Marketing Be Solved?

Everything David Gittlin has written in this post sounds remarkably familiar to me, as my own experiences are very similar.

This is precisely one of the reasons that I developed some budget-friendly book promotion options for Indie authors via Book Squirrel – it costs a lot less per month to get your book seen by people than it cost me, or David Gittlin, or countless others for that matter, for the months of promotion paid for with very low return. 

Of course, I don’t pretend that Book Squirrel is the entire solution. No one package ever is. But his options for book promotion definitely offer a few affordable opportunities, and provide some valuable parts of a good overall promotion plan. 

The other thing to keep in mind that promotion will not always directly result in sales. It’s also about building familiarity with your book and brand, getting your name out there, developing some credibility and presenting opportunities for people to think about your book as well as to buy it. Realistically, very few people will immediately buy a book by someone they haven’t heard of: in fact, very few people immediately buy a book by someone they have heard of. Those readers who have a “one click” response to books and authors are worth their weight in gold. 

A Writer's Path

by David Gittlin

Comparatively speaking, writing a novel is the fun, easy, first step of the self-publishing process. The second step, creating an attention-getting book cover, offers its own unique set of challenges. However, the most intimidating and difficult undertaking, to most authors, is the third step—marketing. The word strikes terror in many authors’ sensitive little hearts because they want as little to do with the outside world as possible.

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Why I Don’t Keep All My Book Promotion Eggs In One Basket.

As a promoter of Indie books and Indie authors, I’m always trying to find different ways to help authors put their books in front of readers. 

The ever-changing and often-frustrating Facebook algorithm means that Facebook is becoming less and less fruitful for book promotion. My own recent frustration with that particular platform has provided further encouragement to look further afield.

This isn’t particularly devastating for me, as I have always believed that it’s better not to keep all your eggs in one basket, so to speak. My aim has always been to spread my promotions as widely as ever, and I have applied this principle to my promotions of others’ books as well as my own. 

From the outset of my writing career, I have worked hard to build good reach on a variety of social media platforms. I have grown my following organically, through engagement and sharing, so that my audience is one actually interested in my content.  That has paid off in the form of followers who respond in a positive way: with likes, shares, comments and engagement.

That is why I have confidence in Book Squirrel’s new promotional feature.

The ‘Book of the Week’ promotion provides a blog post including the book’s cover and blurb, and two reviews of the author’s choice from Amazon or Goodreads.   This blog post is then shared throughout the week on Twitter and Pinterest in addition to Facebook. A “Book of the Week” post is also made on Instagram. 

The social media posts will be accompanied by clear, attractive images like this:

As with all of Book Squirrel’s promotions, the price is deliberately set to be affordable for Indie authors on a tight budget. After all, I know what it’s like to want to promote your book, and not have at least $50 to make it happen. 

The Importance of PreOrders: An Author’s Perspective

Picture this scene: a baby is due soon.
The mother has spent months anticipating the birth, making sure everything is okay, getting the nursery ready, and making sure she’s booked into the birthing suite at the hospital of her choice at the right time. 

Wouldn’t it be a little…well, weird if she didn’t tell anyone at all it was happening? 
Wouldn’t it be far more likely that she’d be sharing snapshots of the baby’s room and first teddy bear? And her friends would probably be liking those pictures, commenting on the anticipated arrival, and buying gifts for the baby shower. 

Setting up a preorder for a new book is, for an author, akin to getting the nursery ready and inviting one’s friends to the baby shower. Every preorder sale is like a baby shower gift that shows love for the author and excitement for the new arrival. 

To some, the analogy might seem far-fetched. As an author, I can assure you that it’s really not. 

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Preorders really can make a huge difference to a new book’s start of life. 

Once you’ve got the writing, editing, formatting and publication organised, you can give your book a boost by making it available for preorder and getting some advance sales. 

Without going into a whole lot of technical details, there are some really good reasons to do so:

  • It’s convenient. When someone preorders a book, it is delivered straight to them upon release. They don’t have to think about saving links, bookmarking sites, or following up later. 
  • It allows you to tap into the “I want it now” mentality that is so strong these days. Enabling people to order your book right away and satisfy their impatience is a clever marketing strategy. 
  • Having your book available on preorder enables you to build excitement and anticipation for your release. It’s one thing to be able to say “this is being released on Friday”, but another entirely to be able to say “Reserve your copy now! Be the first to get it as soon as it’s released! You won’t have to wait!” Remembering that tone is everything, it can’t hurt to have some excitement injected into your pre-release social media chatter. 
  • Those advance sales push your book further up the rankings, so that vendors show it to more people, enabling it to get even more sales. If you can achieve a spot in the “top new bestsellers” list for a day or even a week, that’s going to mean a lot more potential customers seeing your book without you having to go out and find them. If you’re lucky enough to win a “Number 1 New Release” ribbon on Amazon or Barnes & Noble, that gives you more marketing momentum and appeal.
  • Strong sales in the first week help to get your book noticed by other readers. It will show up in the “customers also bought” or “based on your browsing/purchase history” lists for more readers, and again, get new eyes on your book that you don’t have to go and find on your own. 

In my experience, making my books available for preorder has definitely been a good strategy.

I’ve been lucky enough to gain the “#1 New Release” ribbon for poetry twice, and obviously I’d love to do that with ‘A Rose By Any Other Name’ when it releases on Friday. Although it is in the much more competitive categories of Fantasy and Fairy Tales, which is a much greater challenge, but it’s not impossible. It’s also in the category of ‘Mashup Fiction’ so it has a good chance there. 

Whether my book makes a big splash or simply becomes a drop in the ocean, I will have given it my best shot. And that knowledge and confidence is something that you can’t put a price on. 

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If you’d like to join in my “baby shower”, you can preorder ‘A Rose By Any Other Name’ at
Amazon or your other preferred digital store.

Facebook’s Delicate Community Standards

Facebook’s “community standards” did not enter my thoughts last night when I was posting about what I love and hate about Facebook. Had I been writing that post today, it would have been a very different story. 

This afternoon, I set up a new page on Facebook with the aim of extending my reach to new readers by using a popular bookish hashtag phrase, What To Read, as the title. 

As soon as I had set up the page, Facebook started coaching me to complete certain steps to make my page more visible. 

Profile photo: check.
Cover photo: check. 
First post: check. 

Oops! My first post violated Facebook’s delicate community standards. 
Want to know what it said? 

So… people can freely incite hate, vilify and shame others, put up pictures of them humiliating themselves… but I can’t suggest that my friends might like a page about books? 

Wow. 
Maybe I should have said something dumb instead. 

May the fates be in my favour when I actually start encouraging people to read. 

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Update: it took me three attempts to share this blogpost on Facebook.
If they don’t want me to be snarky, they’re going the wrong way about it.

Why You Need To Outsource Book Promotion

In yesterday’s post I discussed the importance of book promotion and the ways in which I can prepare for and present my upcoming new release in ways that will attract readers to my book.

Even though I provide book promotion for other authors, I would not ever suggest that what I do is everything they need. I certainly cannot achieve all the book promotion I need on my own, either. 

That’s why I believe it is necessary outsource some of my book promotion on a regular basis. 

There are some excellent reasons to do so:

  • Other people can do things I don’t know how to do
  • Other people reach different audiences and followers
  • Other people use different platforms than I do
  • As I pointed out yesterday, people are far more inclined to take my word about someone else’s book than about my own.  

In terms of what’s available, there are a number of options to consider:

Genre specific promotion: Some promoters focus on one or two genres and have invested significantly in reaching that specific audience. 
Using this kind of promotion ensures that your book is shown to people most likely to be interested in it.

Things to consider: It’s generally not inexpensive. While you’re getting established and building awareness of your book or profile as an author, you can’t expect to break even. 

Book blogs offer a variety of ways to promote your book.
Some offer a read and review service.
Some create posts from your book’s reviews and use that to generate publicity.
Others use their social media reach to promote with ads that may be created by them, or by you. 

Things to consider: this is usually either free or inexpensive, but usually not genre-specific. It will put your book in front of readers, though. 

Social media platforms all offer ways to use one of your posts to create an advertisement by paying to have it shown to people who don’t already follow you. This can help you get new followers, if not book sales. 

Things to consider: the costs can add up if you’re not paying attention, and you set the price up front so that you pay regardless of whether or not your boosted post is actually successful.

Amazon Ads promise to show your book to readers in various ways.
You set up your promotion using your author central account, and set a “price per click” amount.  
It is either genre or audience specific, and there are options for ways in which you might reach different readers.

Things to consider: your “price per click” amount is not a guarantee.
It is really more like a bid to compete with others wanting to advertise their book in the same genre or audience as yours. If you set your price per click too low, you’ll get very little response. 
Amazon ads are also inclined to work sometimes and not others depending on the current algorithm over at the Zon, which means that the exact same ad that worked for you last month won’t work again now. Have fun working that out. 

What I do: I tend do a bit of most of those things. 

  • I engage some genre specific promotion for my horror titles from time to time. I will also do this for my upcoming fantasy release. Some services are more effective than others, but there are two I have found to be really good. 
  • I also buy some promotional services through a multi-platform service that has a very good level of audience engagement for a variety of genres. This has proven to be very good promotion, and I will use that service again. 
  • I usually have Amazon ads running for two of my books at a time. I have mixed success with them and the results vary greatly, so this is not sufficient promotion to gain consistent sales. 

Doing those things allows me to use my own Facebook and Twitter profiles sparingly. The last thing I want to do is sound like I am hawking my own wares all the time, as that is the the quickest way to put people off. 

When I do post on my personal profiles, I try to maintain a fine balance.

  • I generally try to stick to about one tweet in 50 for my own books. That will change this week, as I have a new release coming up. My ratio will change then to one in ten, which equals once a day.
  • On Facebook, I avoid any more than one post a day about my own books, and always post via my page. From there, I share it onto my personal profile and into one or two groups that I own or administer, and where I engage regularly with other members. 

What I don’t do:

  • Boosted Facebook posts. In my experience, this is a total and utter waste of money. The actual audience reach of a boosted post has never been anywhere near what was estimated when I was setting up the promotion, and I don’t think it has ever won me a book sale. 
  • Use the same promotion or service every month. Variety is the spice of life, after all.  
  • Spend more than I can afford. This should be a no-brainer, and entirely self-explanatory. 

Sadly, nothing is guaranteed. All you can do is try different things and see what works for you.

Obligatory disclaimer statements: because it is the 21st century and people can be nasty, it’s necessary for me to state the following:

  • I don’t have all the answers. I’m simply stating what I do, why I do it, and what I have found to work or not. What works for me might not work for you, and vice versa: our books are different, and our readers probably are, too.
  • This post is in no way designed to direct you to my book promotion services. If that is what you think of me, please do not seek to engage my services. It’s entirely possible that we may not be able to play together nicely.

Pondering Promotion

One of the things I do in all the spare time I don’t have is creating book promotion for other Indie authors. 

Over the past few years, I have learned a lot about creating promotional images, writing effective tweets, putting images and text together for different platforms and using it all to put books in front of people who hopefully want to read them. 

Ironically, it’s a process that works better when you are advertising someone else’s book and not your own. If I tell a person that Charlie’s book is good, they are likely to take my words at face value. When I tell them my book is good, they tend to assume I have no idea. 

I have been pondering these things afresh while organising the preorder promo for ‘A Rose By Any Other Name’. 

Despite my obvious bias, it’s up to me to get my book seen by readers.
How can I make people want to read my book? How can I pique their interest? How can I get their attention? 

Those are the million dollar questions every author or promoter mst ask. 

The key lies in making them attractive to the target audience. An interesting story, well written and thoroughly edited, proofread, checked, formatted and checked again. A great cover that catches the eye and suits both the story and the genre. Promo images that are varied in colour and style, relevant to the story and genre, using clear and appropriate fonts. Not too wordy, and not too plain. 

Hopefully, those things will combine to have a positive effect. 
The fact is, before you can sell the book, you have to be able to sell the idea of the book. That’s why blurbs and taglines matter.  That’s why a cleverly worded tweet will sometimes have more effect than a beautifully written excerpt. 

Don’t get me wrong. A great excerpt is an effective way to win a reader, but you’ve still got to make people want to read it in the first place. 
So, for the next ten days until the book’s release date on June 14, I have prepared a bunch of teeets, some short Facebook posts, three different 16×9 promotional images ideal for Facebook and Twitter, and three square promo images for Instagram. 

There are hints but no spoilers. There is a mixture of information, humour and invitation. The hashtags are varied so that I reach more users than if I just stick to four or five basic tags. The images are different colours and styles, but all consistent with the story and genre.

Every post must have:

  • A promotional image that includes the book cover
  • Some information about the story or character
  • Clear indication of the genre
  • The link for ordering/buying the book
  • A mixture of popular and useful hashtags 

My goal is to achieve preorders for my book so that it has some sales momentum as soon as it launches, and then to continue promoting it to generate sales after that. That means creating different images, different tweets, and so on, on a regular basis. There is, after all, no such thing as “set and forget” promotion. 

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A Rose By Any Other Name’ is available for preorder here