Why Indie Authors Should Have Their Books on Bookbub

BookBub presents a great opportunity for authors to put their books in front of readers.

There is massive irony in authors complaining that they can’t reach readers or find an audience while failing to list their books on a site where readers will actively look for books in their genre.

Sure, BookBub began as niche marketing, but it has very quickly become mainstream to the point where it’s becoming as popular among readers as GoodReads. There are good reasons for that: BookBub is very user-friendly, well organised and easy on the eye. Sharing a book from BookBub to other social media is straightforward, achieved simply by clicking a couple of buttons. 

As a reader and reviewer, I’m always dismayed when I read a great Indie book and find that I can’t review it on Bookbub because the author or publisher hasn’t listed it there. 

Not only are those authors missing out on free promotion, they are overlooking a place where readers flock to find something new to read. 

As an author, I love BookBub. 

When readers mark one of my books as “Want to Read” all their followers see that. When readers review or recommend one of my books, everyone sees that.  

I get a weekly email that tells me how many profile views, recommendations and new followers I’ve had that week. And it’s completely free to be an author on BookBub. You don’t have to pay for promotion there if you choose not to: that’s totally optional. 

If you’re an author and your books aren’t on BookBub, that’s something you should probably fix sooner rather than later. Unless, of course, you’re happy with lower visibility and fewer opportunities to reach readers. That’s a choice that is entirely yours to make. 

Why Indie Authors Should Have Their Books on BookBub #IndieAuthorsBeSeen #IndieBooksBeSeen #authorlife #bookmarketing #IndieAuthors #BookBub

The Importance of PreOrders: An Author’s Perspective

Picture this scene: a baby is due soon.
The mother has spent months anticipating the birth, making sure everything is okay, getting the nursery ready, and making sure she’s booked into the birthing suite at the hospital of her choice at the right time. 

Wouldn’t it be a little…well, weird if she didn’t tell anyone at all it was happening? 
Wouldn’t it be far more likely that she’d be sharing snapshots of the baby’s room and first teddy bear? And her friends would probably be liking those pictures, commenting on the anticipated arrival, and buying gifts for the baby shower. 

Setting up a preorder for a new book is, for an author, akin to getting the nursery ready and inviting one’s friends to the baby shower. Every preorder sale is like a baby shower gift that shows love for the author and excitement for the new arrival. 

To some, the analogy might seem far-fetched. As an author, I can assure you that it’s really not. 

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Preorders really can make a huge difference to a new book’s start of life. 

Once you’ve got the writing, editing, formatting and publication organised, you can give your book a boost by making it available for preorder and getting some advance sales. 

Without going into a whole lot of technical details, there are some really good reasons to do so:

  • It’s convenient. When someone preorders a book, it is delivered straight to them upon release. They don’t have to think about saving links, bookmarking sites, or following up later. 
  • It allows you to tap into the “I want it now” mentality that is so strong these days. Enabling people to order your book right away and satisfy their impatience is a clever marketing strategy. 
  • Having your book available on preorder enables you to build excitement and anticipation for your release. It’s one thing to be able to say “this is being released on Friday”, but another entirely to be able to say “Reserve your copy now! Be the first to get it as soon as it’s released! You won’t have to wait!” Remembering that tone is everything, it can’t hurt to have some excitement injected into your pre-release social media chatter. 
  • Those advance sales push your book further up the rankings, so that vendors show it to more people, enabling it to get even more sales. If you can achieve a spot in the “top new bestsellers” list for a day or even a week, that’s going to mean a lot more potential customers seeing your book without you having to go out and find them. If you’re lucky enough to win a “Number 1 New Release” ribbon on Amazon or Barnes & Noble, that gives you more marketing momentum and appeal.
  • Strong sales in the first week help to get your book noticed by other readers. It will show up in the “customers also bought” or “based on your browsing/purchase history” lists for more readers, and again, get new eyes on your book that you don’t have to go and find on your own. 

In my experience, making my books available for preorder has definitely been a good strategy.

I’ve been lucky enough to gain the “#1 New Release” ribbon for poetry twice, and obviously I’d love to do that with ‘A Rose By Any Other Name’ when it releases on Friday. Although it is in the much more competitive categories of Fantasy and Fairy Tales, which is a much greater challenge, but it’s not impossible. It’s also in the category of ‘Mashup Fiction’ so it has a good chance there. 

Whether my book makes a big splash or simply becomes a drop in the ocean, I will have given it my best shot. And that knowledge and confidence is something that you can’t put a price on. 

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If you’d like to join in my “baby shower”, you can preorder ‘A Rose By Any Other Name’ at
Amazon or your other preferred digital store.

Why You Need To Outsource Book Promotion

In yesterday’s post I discussed the importance of book promotion and the ways in which I can prepare for and present my upcoming new release in ways that will attract readers to my book.

Even though I provide book promotion for other authors, I would not ever suggest that what I do is everything they need. I certainly cannot achieve all the book promotion I need on my own, either. 

That’s why I believe it is necessary outsource some of my book promotion on a regular basis. 

There are some excellent reasons to do so:

  • Other people can do things I don’t know how to do
  • Other people reach different audiences and followers
  • Other people use different platforms than I do
  • As I pointed out yesterday, people are far more inclined to take my word about someone else’s book than about my own.  

In terms of what’s available, there are a number of options to consider:

Genre specific promotion: Some promoters focus on one or two genres and have invested significantly in reaching that specific audience. 
Using this kind of promotion ensures that your book is shown to people most likely to be interested in it.

Things to consider: It’s generally not inexpensive. While you’re getting established and building awareness of your book or profile as an author, you can’t expect to break even. 

Book blogs offer a variety of ways to promote your book.
Some offer a read and review service.
Some create posts from your book’s reviews and use that to generate publicity.
Others use their social media reach to promote with ads that may be created by them, or by you. 

Things to consider: this is usually either free or inexpensive, but usually not genre-specific. It will put your book in front of readers, though. 

Social media platforms all offer ways to use one of your posts to create an advertisement by paying to have it shown to people who don’t already follow you. This can help you get new followers, if not book sales. 

Things to consider: the costs can add up if you’re not paying attention, and you set the price up front so that you pay regardless of whether or not your boosted post is actually successful.

Amazon Ads promise to show your book to readers in various ways.
You set up your promotion using your author central account, and set a “price per click” amount.  
It is either genre or audience specific, and there are options for ways in which you might reach different readers.

Things to consider: your “price per click” amount is not a guarantee.
It is really more like a bid to compete with others wanting to advertise their book in the same genre or audience as yours. If you set your price per click too low, you’ll get very little response. 
Amazon ads are also inclined to work sometimes and not others depending on the current algorithm over at the Zon, which means that the exact same ad that worked for you last month won’t work again now. Have fun working that out. 

What I do: I tend do a bit of most of those things. 

  • I engage some genre specific promotion for my horror titles from time to time. I will also do this for my upcoming fantasy release. Some services are more effective than others, but there are two I have found to be really good. 
  • I also buy some promotional services through a multi-platform service that has a very good level of audience engagement for a variety of genres. This has proven to be very good promotion, and I will use that service again. 
  • I usually have Amazon ads running for two of my books at a time. I have mixed success with them and the results vary greatly, so this is not sufficient promotion to gain consistent sales. 

Doing those things allows me to use my own Facebook and Twitter profiles sparingly. The last thing I want to do is sound like I am hawking my own wares all the time, as that is the the quickest way to put people off. 

When I do post on my personal profiles, I try to maintain a fine balance.

  • I generally try to stick to about one tweet in 50 for my own books. That will change this week, as I have a new release coming up. My ratio will change then to one in ten, which equals once a day.
  • On Facebook, I avoid any more than one post a day about my own books, and always post via my page. From there, I share it onto my personal profile and into one or two groups that I own or administer, and where I engage regularly with other members. 

What I don’t do:

  • Boosted Facebook posts. In my experience, this is a total and utter waste of money. The actual audience reach of a boosted post has never been anywhere near what was estimated when I was setting up the promotion, and I don’t think it has ever won me a book sale. 
  • Use the same promotion or service every month. Variety is the spice of life, after all.  
  • Spend more than I can afford. This should be a no-brainer, and entirely self-explanatory. 

Sadly, nothing is guaranteed. All you can do is try different things and see what works for you.

Obligatory disclaimer statements: because it is the 21st century and people can be nasty, it’s necessary for me to state the following:

  • I don’t have all the answers. I’m simply stating what I do, why I do it, and what I have found to work or not. What works for me might not work for you, and vice versa: our books are different, and our readers probably are, too.
  • This post is in no way designed to direct you to my book promotion services. If that is what you think of me, please do not seek to engage my services. It’s entirely possible that we may not be able to play together nicely.

The Danger Of Dirty Links

With all the attention given among the Indie community to the removal of book reviews by Amazon, I’m amazed at the number of authors who still post dirty links to their books on social media. This is a rookie-level mistake that can actually do more harm than good. 

A dirty link helps the algorithm at Amazon to determine if there are connections between author and reader that might suggest collusion or partiality.. Even if a review is from a verified purchase, a simple connection via a shared link can be enough to make them suspect that it’s not unbiased or from an unrelated party.

If the link used by multiple customers can be traced directly back to the author, that’s one of the reasons they will start flagging and eventually removing reviews. 

The simple solution is to ensure your links are clean before you post them.

A dirty link occurs when one copies and pastes a URL without removing all the extra information that gets tacked onto it by searching for a product, copying links from a website, linking from another product, or using a bookmark created from a searched item.For example, if I search for one of my books on Google and click on the Amazon link, I get this as the URL: 

This is more information than is needed to actually find my book. In the image below, I’ve denoted the “dirty” part of the link by making it red. 

The highlighted part of this link is the “dirty” part. If I were to give this link to someone else to use, it tells Amazon how they got the link. 
All you need to post is the part of the link that directly goes to your book page. In the link above, that’s the part that is still black. Once the link identifies which display page your book has, no further information is necessary. 

You can check the clean link you want to post by pasting it into a new browser window and seeing that it goes directly to your book product page. 
Even if you use a link shortening service like bit.ly or buff.ly, or a customised branded link, you must ensure that the links you provide are clean. Just because you and your audience don’t see the extra information on a shortened or customised link doesn’t mean it isn’t there. 

That way, stores will have no reason to suspect you or your readers’ integrity, and your verified purchase reviews will remain proudly on your book page. 

How Not To Do Book Promotion.

I can’t tell you what kind of book promotion is guaranteed to work, but I can tell you what doesn’t.

Every author I know dreams of finding the perfect ‘set and forget’ book promotion. 

I’m here with some bad news: it doesn’t exist. 

Effective book promotion is about engagement and communication.  It’s letting people know your book exists, what it’s about, and why they should read it… without stuffing it in their face and demanding that they buy it. 

What many people don’t realise is that effectively promoting your book is a process, not an event.  You cannot simply advertise it once, post it on Facebook and/or Twitter, then sit back to wait for the sales to roll in. 

Personally, I’d love to think that everyone I know who sees my book will buy it, and that would flow on to lots of people I don’t know buying it. That isn’t how it works. The people you know are often less likely to be interested and willing to buy and read your book than complete strangers. 

You’ve got to make them interested. Bait the hook the right way, and they’ll bite. But the bait that works for one won’t necessarily work for another. Effectively promoting your book is complex: you’ve really got to be exploring different angles and be patient enough to follow them through to see if they work. If they don’t, you try something different. If they do, that’s great – but that doesn’t mean those same things will work again next time. 

As for what works, I don’t have all the answers. I wish I did. 
I do know what doesn’t work, though. 

Being pushy doesn’t work. Can you imagine how you’d feel if someone wandered around a bookstore holding a card in front of your face that told you where to find the book they wrote? Or if they followed you around, begging you to buy it?

Even worse, actually demanding that people buy your book is a complete turn off. Temper tantrums fall into the same category.

Making every social media post you ever write a “buy my book” post doesn’t work. Put that stuff on your page or author profile, share some of it by all means, but use your personal profile as exactly that. 

Taking advantage of the kindness of others doesn’t work – well, it might for about 30 seconds, but once they’re onto you, even the most supportive friend will back away and wear a necklace made of garlic cloves every time they see you coming. 

Abusing people and talking down to them doesn’t work. Those walls will go up faster than anything you’ve seen before. Not only will they not buy your book, they will tell everyone else what you said, and they won’t buy your book either.

Ignoring or dismissing those who help you along the way is entirely counterproductive. You’ll find yourself quite lonely and without the support you once enjoyed.

Assuming loyalty will not work. Sad to say, some people who know you in person might actually think that anything you write might not be that great. That doesn’t mean it isn’t excellent – but changing their perceptions is tricky. Humans are odd like that, and finding one who believes in you is like the proverbial needle in the haystack. 

The only way to go about it is to build engagement and develop a reputation for excellence

If you’re going to make the grade, your book needs to be top shelf: professionally edited, a well-designed cover, clean formatting, and engaging content. Without those things, your book might be good, but it’s competing with a market full of other good books that have had more time and effort invested in them to make them attractive to readers. 

It takes time, energy and commitment. Sometimes it takes sheer grit and determination, but you’ve got to manage all that without anyone really seeing that part of the job. 

But if you’ve got a story to tell, or a message to communicate to the world, there’s nothing stopping you. Just make sure you do it well

That will give you the best possible chance of promoting your book effectively and successfully. 

Why All My Books Are Not In One Basket.

Wide distribution is a boon for Indie authors and for readers.

I’ve never been a believer in keeping all my eggs in one basket, so to speak. I use more than one bank. I store my important files in more than one place. And I have always had my books available in more than one place.

In recent months, I’ve become more and more thankful that Amazon is not my sole venue for book distribution.

kobo

All my books are available on Kobo Nook, iBooks, and a number of other stores in addition to Amazon. You can find all the links for each book at jvlpoet.com/books.

 

Like the kindle app, the Kobo, Nook and iBooks apps are completely free.
And from an author’s point of view, there are significant differences:nook-icon
  • Those stores don’t remove readers’ reviews – but Amazon does.
  • Those stores don’t insist you spend $50 before you can leave a rating or a review – but Amazon does.
  • Those stores don’t care which country you live in – but Amazon does.
  • They don’t want to know who your friends are, or mistrust you because you might know some people. Amazon does, though.ibooks_ios_7_icon_update_by_hamzasaleem-d6stc29.png

As far as I know, I am the only Joanne Van Leerdam selling books in any of those stores. If you search for me, you’ll find me.

Amazon doesn’t necessarily make life as an Indie author smooth sailing. Sure, they’re the biggest beast in the eBook zoo… but that doesn’t mean it’s the only one that should be fed.

So, I’m going to start favouring different distributors when I buy eBooks, and still give the same support to my fellow Indie Authors through buying, reading and reviewing their books.
I’d love to see more people doing this, just to show we’re not reliant on a company that thinks it can do whatever it pleases, without consequence.

Let’s face it, if a dog bites your hand enough times, you’ll stop patting it. And if that dog doesn’t learn not to bite, it’s likely to end up very lonely. The only people who can teach it that lesson are the people with the option to pat the dog or not.

Personally, I think I’m going to make Kobo my first choice. Some may see it as the proverbial runt of the litter, but that just makes me want to support them. And in 24 months of working with them, I’ve never had anything but excellent service.

I’m also going to try to encourage others to buy my books somewhere other than Amazon.

In addition to adjusting my advertising and promotions, I think I may create a slight price advantage for those who buy from a non-Zon source. That’s easily achieved through my Draft2Digital account, and it might just drive some increased interest in my books on the other platforms. An additional advantage of using Draft2Digital is that their payment threshold is $10, not $100 as it is on Amazon.

On a final note, please don’t think I’m single-handedly trying to bring Amazon down. I’m not, at all. I’ve had good sales there and I’ve bought many, many books there, too.
I’m just very disappointed in some of their “developments” of late, and happy to find alternatives that don’t screw myself or my fellow Indie authors over at all.

The Thrill of the Chase.

This week, I did something I haven’t done in quite some time: I put an item I really wanted on my “watch list” on eBay. That set in motion the next chain of events: checking in daily– or more often, as the end drew nearer– to see if anyone had placed a bid, choosing the precise time at which I would place my first bid so that nobody else could click the “Buy It Now” button, waiting with anticipation as time ticked away, and then moaning about how slowly time moves in that last half hour.

Honestly, that last half hour of an auction for an item you really want is like walking through glue. After a whole week of saying, “Far out! How is it 4pm already?”, yesterday afternoon d r a g g e d like you wouldn’t believe.

By the time there were just ten minutes left, I was poised like a cat watching the proverbial mouse. I was ready to bid if someone else outbid me. I was prepared for that battle of one-upmanship that often happens in the last five minutes, yet still breathing the mantra “nobody see this… please, nobody else see this.” The tension gripped my shoulders and I had to work to keep my breathing steady. When the auction finished without anyone else bidding, relief washed over me like a wave, right before the excitement of winning put me on a high for the rest of the day.

You may think I’m exaggerating, but this is a scene that is all-too-familiar to people accustomed to buying things on eBay and similar auction sites. It’s the thrill of the chase and a cat-and-mouse game, without even leaving the room. It can be quite addictive, although I only indulge occasionally.

Sure, I use eBay now and then for everyday items that my local stores don’t carry. Most of those, you can just buy casually because they always have more than one set of stainless steel drinking straws, for example. What I’m talking about here is the one-off item that you don’t want to miss out on.

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The last big thing I bought like this was a set of antique books – a complete set of Charles Dickens novels published in 1911, that I snapped up for $76. I’m pretty sure that whoever sold it didn’t know what they were selling, or how to list it properly, because that was an absolute steal. But hey – there it was, and there I was… what’s a book-loving girl to do?

Yesterday, the item in question was an out-of-production collectable teddy bear by Charlie Bears, a UK firm who make the most adorable bears ever. Their faces are ever so expressive, and every bear is just a little bit individual.

percival-2.jpg

I have a number of these bears already, but there’s always room for one more. As my husband says, “Some women buy shoes. Some women gamble. For Jo, it’s books and bears.”

This is Percival. He is super cute, and was listed for about a third of the retail price. Again, what’s a bear-loving girl to do? It just wouldn’t be right to leave a poor little bear all homeless and alone, would it? Just think of me as one of those altruistic animal rescuers, giving otherwise miserable bears a new chance at life in a sanctuary with others of their own kind.

If you follow me on Facebook, Twitter, Pinterest or Instagram, you will most likely have seen some of my bears posing with my books. It’s a marketing angle I’m trying out since Facebook and Instagram in particular seem to favour posts that major on visual appeal rather than advertising value. In a social media world where everyone needs to find their own niche for marketing, “A Book and A Bear” is mine. People seem to enjoy the posts and respond very favourably, so I’m running with it.

 

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Now that the auction is over, the next phase begins.
We just have to be patient and wait for Percival to arrive. It’s fair to say that Diesel is as excited as I am.

 

 

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