Shakespeare’s Sonnet 18: An Expression of Grief

Today was hard. It is the anniversary of both Helen’s passing and of Dad’s funeral. I still love them and miss them both enormously. They are both still part of me, and always will be.

Photo by Joanne Van Leerdam: A rose from Helen’s funeral.

I tried to stay busy and keep my mind on other things. That only works to an extent: the knowledge and the memories are always right there, whispering into every moment and activity.

Poems like this help me to remember and they help me to heal and keep going. I love the beauty of the language and the power of the ideas and message.

I hope you enjoy it, too.

Shakespeare Nerd

Shall I compare thee to a summer’s day?
Thou art more lovely and more temperate:
Rough winds do shake the darling buds of May,
And summer’s lease hath all too short adate;
Sometimetoo hot the eye of heaven shines,
And often is his gold complexion dimm’d,
And everyfairfrom fair sometime declines,
By chance or nature’s changing courseuntrimm’d:
But thy eternal summer shall not fade,
Nor lose possession of that fair thouow’st,
Nor shall Death brag thou wand’rest in his shade,
When in eternal lines to time thou grow’st.
So long as men can breathe or eyes can see,
So long lives this, and this gives life to thee.

William Shakespeare, Sonnet 18

This sonnet is popularly believed to be a poem of love and admiration. That may be a fair interpretation of the first two lines, and I suppose that might be as far as some people read.

However, when…

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A Reflection on the Relentlessness of Time.

I have been contemplating Shakespeare’s 65th sonnet this weekend:

Since brass, nor stone, nor earth, nor boundless sea,
But sad mortality o’ersways their power,
How with this rage shall beauty hold a plea,
Whose action is no stronger than a flower?
O how shall summer’s honey breath hold out
Against the wrackful siege of batt’ring days,
When rocks impregnable are not so stout,
Nor gates of steel so strong, but Time decays?
O fearful meditation! Where, alack,
Shall Time’s best jewel from Time’s chest lie hid?
Or what strong hand can hold his swift foot back?
Or who his spoil of beauty can forbid?
	O none, unless this miracle have might,
	That in black ink my love may still shine bright.

                                           William Shakespeare, Sonnet 65
		 

A year ago today, I was sitting beside my father in the last days of his life. Three days later, it was my beloved cousin and friend Helen whose hand I was holding as she, too, fell prey to time and mortality.

Saying my final farewells to them both in the space of five days was certainly a “wrackful siege of batt’ring days”. I wrote poetry and reflections to both express and process my thoughts and feelings. I wanted people to know how I felt. I wanted people to understand who both these jewels were and why they would always matter, despite their having been being reclaimed from  this life.

I learned more about grief, and I learned more about letting go. I had no choice, because there is no human hand or will strong enough to hold back the relentless march of time and mortality.

This sonnet expresses a reality of life: nothing can withstand the relentless power of time.  Erosion, degradation, and decay overwhelm not only the frail, but also the mighty. True, rocks and brass may outlast flowers and flesh, but they too will yield eventually.

It is a poem of contemplation and resignation, but also one of defiance: time may be relentless, and there may be no way to “hold his swift foot back”, but one who is immortalised or memorialised in ink lives on, albeit in a different way. We can continue to remember and honour them, and to express our love for them.  Our memories and mementos remain long after those who have fallen prey to time and mortality.

In Shakespeare’s time, they had fewer options for immortalising those who passed away than we do. They had eulogies and poetry – the black ink  in which “my love may still shine bright”. They could create drawings and paintings. Now, in addition to those, we have photographs, video, and voice recordings.

Poetry and eulogies still touch our souls just as powerfully, though— whether written in the 21st century or the 16th, our written tributes and reflections endure and move us still.

Some of my own black ink, in which my love shines bright:
Old Man written for my father
Farewell, My Friend written for Helen

The Insidious Return of Impostor Syndrome

Photo by Ibolya Toldi on Pexels.com

Over the past couple of weeks, I have been an unwilling host to an enormous case of impostor syndrome.

This post  is not a plea for reassurance or confidence.
Nor is it an accusation against anyone else.

Rather, it is an honest, soul-wrenching confession of someone who doesn’t want to be a fake, but at times desperately fears she might be.

I may well be a poet and author, but I haven’t managed to write much at all in the past few months. I have a collection of poems edited and ready for publication, and I can’t quite seem to manage that next step. Part of that is being extraordinarily busy — the other part is fear that it won’t be welcomed or appreciated by readers.

The play I have been co-directing for Camperdown Theatre Company has been in full swing of rehearsals, set design and construction, venue preparation and various other elements of production and promotion.
My co-director is sensational, and the cast, crew and set are all excellent. My doubts keep telling me that they would all have done just as fine a job without me.

I have a three-quarters-written blog post that I have been working on for a couple of weeks now I know what I want to say, I just haven’t had time to write it. This has been a source of both frustration and disappointment, particularly given that it involves two of my favourite things: words and Shakespeare!

A good proportion of the demands on my time over recent weeks has come from a considerable increase in my teaching load, which arose without warning and with some urgency: unexpected events meant that the school needed people to step up, so I did. That my boss asked me to do it demonstrated  confidence in my ability and professionalism. I know I am a good teacher, but I’m not feeling that way at the moment. I have been so stressed and stupidly exhausted lately that I feel like I am continually not quite keeping up.

All of this combines to play on my insecurities and doubts about myself.

Last week I hit a real low— I knew it was happening, I could recognise it for what it was and analyse it as it was happening, but I could neither stop it nor escape it. And the barbs came thick and fast:

You’re a fake.

Give up now – nobody will even notice. Your poetry sucks anyway. Nobody would miss you if you didn’t show up. As if anyone actually wants to be with you.

You’re a terrible friend.
All you do is hurt people.

You’re so selfish – thinking about your own feelings instead of what others need.

You’re useless.Do you even know what you’re doing?

Maybe that student is right: you’re a terrible teacher and a horrible person.

Pathetic, feeling sorry for yourself like this. Who do you think you’re kidding?

A day as lousy as this is exactly what you you had coming.

It has been quite awful. The emotions that rage within me at these times are raw and powerful, but they are also subtle and stealthy in the ways that they lurk in the dark corners, preying subtly on every raw nerve ending and every perceived failure. The tears have often been close to the surface, and have been quickly blinked back each time they threaten to overflow. The sense of powerlessness has been overwhelming.

On one level, I know those accusations are not true but, at the same time, it honestly feels as though they are. The more my brain says those things, the more believable they become.

I also know from previous experience that it won’t last. It may come and go, but it’s not permanent.

That doesn’t make getting through it any easier, though.
Because … what if it *is* true?

That’s the fear that keeps me from confessing how I feel until afterwards. Even if I told someone, any reassurance they gave me would be met with the doubt that they might just be saying it for my benefit. I would continue to doubt the legitimacy of any encouragement they might give me. So, I just hold on and wait for it to pass. So how do I weather this kind of storm?

I have got through it with the support and encouragement of a few key people who remind me that I am valued, loved and wanted.
They have helped me in small ways to do what I needed to do, often without realising they were doing that. None of them knew the truth of how I have been feeling.

Support from a colleague helped me walk into the next classroom.

A message from a family member asking hopefully if I was leaving work and coming home soon reassured me that  I was missed, and would be welcomed when I got there.

A little kiss on my forehead and ‘I love you’ from my niece reminded me that I didn’t have to prove anything to her.

The sensitive empathy of my dog demonstrated, like she has done so many other times,  that love is sometimes as unconditional as it should be.

A kind word of appreciation from a couple of different cast members made me feel valued, despite my doubts.

Once again, all those things demonstrated that I don’t need to be able to control the storm. I just need to be able to know where I can find shelter.

Photo by Pixabay on Pexels.com

Author’s Note: the fact that I have posted this means that I have started to come out the other side of this negativity. I’m okay.

The Man With A Walking Stick

It’s funny how one minute you can be having quite a good day, and then something happens that makes you stop and realise how much you really miss someone. 

This afternoon I was parked by the river, having some downtime before my theatre company rehearsals tonight, and enjoying the filtered sunlight through the trees and the breeze blowing off the river. 

Image by icsilviu from Pixabay

An older gentlemen with a cane walked past me. He was tall but a bit bent over, quite well dressed but too thin for his trousers, and he walked along the path almost shuffling gait of someone who is no longer quite confident about where to put his feet. Lots of things about that remind me of my father; what moved me most, though, was the way he swung his cane as he walked: just like Dad used to, not so much relying on the cane like he was supposed to, but rather using it as a fashion accessory. 

It was just a little thing, but I couldn’t hold back the tears. I suddenly wanted more than anything else to be able to hug my dad and tell him I love him. In that turn of a moment, the sense of loss was so profound, and the tears are still flowing as I type.

My head tells me I am being silly, but my heart is telling me that it hasn’t healed yet. 

In a few minutes it will be time to dry my tears and head off down the highway. I’ll be fine by the time I am there, but I won’t forget the man with the cane. I don’t know who he is, but I hope he is as loved cherished, and well-cared-for as my dad was. 

Carnival

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I mentioned to someone yesterday that I would be at my school’s athletics carnival today.

“Ooooh, car-nee-vah-lee!” they exclaimed with a twinkle in their eye.

Brightly coloured images of vivid costumes, scantily clad women and wild parties in Rio de Janeiro flashed through my mind.
“Er… not quite!” I responded. “It’s not that colourful! And it’s a school event, so let’s keep it family-friendly, shall we?”

This got me thinking about the different meanings of carnival, and wondering what a rowdy celebration or a colourful parade might have to do with a school track and field sports day.

In my mind, the answer was obvious: not much.
So, as is my usual habit, I turned to Etymonline for some insights.

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The English word carnival dates back to the 1540s, when it was used to refer to a “time of merrymaking before Lent”. This was derived from French carnaval, which in turn came from the Italian word carnevale which referred to Shrove Tuesday. This came from older Italian forms such as Milanese carnelevale and Old Pisan carnelevare which meant to remove meat, presumably referring to changing one’s diet for the period leading up to Easter.

Etymonline also offered the folk etymology — that is, a popular but generally untrue story about the origins of a word— that carnival came from the Medieval Latin words carne and vale meaning ‘flesh, farewell!’

In the late 1500s , carnival had come to mean feasting or revelry in general.

Carnival being used in reference to a circus, sideshow or amusement fair developed in American English in the early 20th century.

Photo by Elly Fairytale on Pexels.com

That was as far as Etymonline got me, so I looked up a few other websites, but none of them shed any more light on the answer to my question.

I am still no closer to understanding why a series of track and field events is called a carnival.

Consequently, I am left performing some folk etymology of my own: perhaps it relates to the celebration of the physical achievements of the competitors, or the cheering and noise made by the spectators.  It could even relate to the pre-competition parading of competitors, team colours and mascots that used to be popular but, thankfully, is much less fashionable now.

Perhaps, though,  it’s just one of those weird quirks of English that I’ll never really understand.

Sources:
Celebrating an Etymological Carnival
Etymonline

Zarf.

Zarf is a word you might never have heard or used, but it relates to something with which most of us are quite familiar.

These days, the word zarf refers to that cardboard or silicone band on a portable coffee cup that insulates it and stops your fingers getting too hot while holding your drink. Some call it a cup sleeve or a cup holder: zarf is a far more evocative and interesting word.

The word zarf comes from Arabic via Turkish, and simply means ‘envelope’. Thus, its adoption for a cardboard sleeve to go around a disposable coffee cup is logical, and it soon came to be applied to anything that went around or held a cup to make it more comfortable to hold.

Many people assume that the zarf was a late 20th century invention that came about with the advent of the disposable, followed by the the reusable, takeaway coffee cup. Those people are wrong.

The zarf began as a holder for a hot coffee cup in Turkey and across the Middle East as early as the 1600s.

Image credit: nokta_cizgi on Pixabay.

When the Ottoman Empire banned alcohol in the 16th century, coffee became the premier drink of the people. Within one hundred years, coffee houses became such important centres of gathering, culture and political discussion that the Empire banned coffee, too.

As any coffee lover could predict, that didn’t work. The people responded so profoundly that the Empire decided not to stand between the people and their caffeine ever again, but added a significant tax on coffee instead, in keeping with the age-old governmental proverb: if you can’t beat them, tax them. 

image credit: Activedia on Pixabay

As the traditional coffee cups had no handles, the zarf evolved as a functional holder, but soon became elaborately decorative. These are still used today.

Traditionally, the  more ornate and beautiful the zarf, the higher the esteem in which the drinker is held. An ornate zarf can indicate status or affection and respect, which means that a lover, a close friend or a family member might serve coffee in a zarf as beautiful as that served to a sultan or emir.

The zarf and the coffee served in it are just two of the many wonderful things we have inherited from Eastern history and culture. Coffee houses are still cultural and social hubs in the Middle East, a legacy reflected in the popularity of coffee shops and cafes worldwide.

Anyone inclined toward prejudice against Eastern and Muslim cultures should remember that when sipping their morning cup of joe: it would be impossible to live as we do without their contributions and influence.

Sources:
Macquarie Dictionary
The Story of the Zarf
What is a zarf? The bizarre story behind this everyday object.

Zarf.
#words #coffee #coffeelovers

Thank You… I Think

It hurts when someone who we think should love and/or appreciate us does not.
It’s also a fact of life that not everyone is going to like, appreciate or love us.  After all, we don’t like, appreciate or love absolutely everyone else, do we?

This poem expresses the truth of that, but also adds a positive spin: when we accept that and grow through it, we become stronger. When we are true to ourselves, we find the people who do love and appreciate us, and they become our tribe.

Family isn’t just who you are born to, or the people connected to that group in one way or another. Sometimes, the best family is the one you find while being the person you are meant to be.

Photo by Francesca Zama on Pexels.com

How ironic
That you don’t like it
When I stand up for myself:
You’re the one
Whose weapon words
Gave me real-time training
In the art of self defence.
Had I not learned
To deflect your contempt
And resist your hateful words,
I would not be here today.

You prompted my resistance,
Inspired my defiance,
And forced my indifference
To anything else you have to say.

So thank you, I think,
For helping me become someone others like
Infinitely more than you do.

ⓒ2020 Joanne Van Leerdam

Thank You… I Think
#poem #Poetuit

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New Year’s Eve, 2020

Today, I am juggling the mixed emotions of finally reaching the end of a traumatic year, and knowing that the ticking over of a clock, or the turning of a page of the calendar, doesn’t actually make a miraculous, instantaneous difference?

What else does one do with all of that but turn it into a poem?

Photo by Tairon Fernandez on Pexels.com

It’s December 31, 2020:
Christmas is back in its box,
And I’m ready to cheer
For the end of this year
Full of tragedy, heartbreak and shocks.

I’m not sure next year will be better
After all, it’s only tomorrow,
And if people don’t care
For how other folk fare,
We could be in for more sorrow.

Still, as this horrid year closes,
I’m hoping for a reprieve:
A little more joy,
A lot more hope—
That’s my prayer this New Years Eve.

ⓒ2020 Joanne Van Leerdam

New Year’s Eve, 2020
#NewYearsEve #newyearseve2020 #PoetsTwitter

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Christmas Eve, Without You.

I’m usually a real kid about Christmas. It’s one of my favourite times of year.

This year, though, I’ve really had to try hard to muster my Christmas mojo, and I’m not sure I really succeeded.

Christmas Eve was particularly hard this year. I felt so disconnected and indifferent, and I didn’t know what to do with that.

My response was the same as always: write something!

Verbalising these feelings helped me deal with them. They were — and are
— still there, but I have been able to relax and let them coexist in counterbalance with my enjoyment of Christmas Eve and Christmas Day.

Today is what today is. My feelings are what they are. It’s all part of the process of grieving and moving forward and reconciling conflicting emotions while continuing to live.

Image by PeggyChoucair on Pixabay.

Joy is elusive this Christmas Eve,
Anticipation is aloof.
The empty chair, the missing gift,
The place not set at the table,
All murmur a silent, sorrowful chorus
Like a incantation, warding off
The overruling spirit of the season.
The magic of tinsel, baubles and tree
Cannot dispel the indifference
Cast by Memory and Grief as they linger,
Neither out of sight nor mind
Amid the coloured lights and carolling
On Christmas Eve without you.

ⓒ2020 Joanne Van Leerdam

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With Love, Me.

I wrote this poem not just for myself, but also for my family and friends who are really feeling the absence of a loved one this Christmas.

I don’t think it requires any explanation. I just wanted to share it with you here.

As always, any feedback is greatly appreciated.