Shakespeare’s Sonnet 18: An Expression of Grief

Today was hard. It is the anniversary of both Helen’s passing and of Dad’s funeral. I still love them and miss them both enormously. They are both still part of me, and always will be.

Photo by Joanne Van Leerdam: A rose from Helen’s funeral.

I tried to stay busy and keep my mind on other things. That only works to an extent: the knowledge and the memories are always right there, whispering into every moment and activity.

Poems like this help me to remember and they help me to heal and keep going. I love the beauty of the language and the power of the ideas and message.

I hope you enjoy it, too.

Shakespeare Nerd

Shall I compare thee to a summer’s day?
Thou art more lovely and more temperate:
Rough winds do shake the darling buds of May,
And summer’s lease hath all too short adate;
Sometimetoo hot the eye of heaven shines,
And often is his gold complexion dimm’d,
And everyfairfrom fair sometime declines,
By chance or nature’s changing courseuntrimm’d:
But thy eternal summer shall not fade,
Nor lose possession of that fair thouow’st,
Nor shall Death brag thou wand’rest in his shade,
When in eternal lines to time thou grow’st.
So long as men can breathe or eyes can see,
So long lives this, and this gives life to thee.

William Shakespeare, Sonnet 18

This sonnet is popularly believed to be a poem of love and admiration. That may be a fair interpretation of the first two lines, and I suppose that might be as far as some people read.

However, when…

View original post 382 more words

A Reflection on the Relentlessness of Time.

I have been contemplating Shakespeare’s 65th sonnet this weekend:

Since brass, nor stone, nor earth, nor boundless sea,
But sad mortality o’ersways their power,
How with this rage shall beauty hold a plea,
Whose action is no stronger than a flower?
O how shall summer’s honey breath hold out
Against the wrackful siege of batt’ring days,
When rocks impregnable are not so stout,
Nor gates of steel so strong, but Time decays?
O fearful meditation! Where, alack,
Shall Time’s best jewel from Time’s chest lie hid?
Or what strong hand can hold his swift foot back?
Or who his spoil of beauty can forbid?
	O none, unless this miracle have might,
	That in black ink my love may still shine bright.

                                           William Shakespeare, Sonnet 65
		 

A year ago today, I was sitting beside my father in the last days of his life. Three days later, it was my beloved cousin and friend Helen whose hand I was holding as she, too, fell prey to time and mortality.

Saying my final farewells to them both in the space of five days was certainly a “wrackful siege of batt’ring days”. I wrote poetry and reflections to both express and process my thoughts and feelings. I wanted people to know how I felt. I wanted people to understand who both these jewels were and why they would always matter, despite their having been being reclaimed from  this life.

I learned more about grief, and I learned more about letting go. I had no choice, because there is no human hand or will strong enough to hold back the relentless march of time and mortality.

This sonnet expresses a reality of life: nothing can withstand the relentless power of time.  Erosion, degradation, and decay overwhelm not only the frail, but also the mighty. True, rocks and brass may outlast flowers and flesh, but they too will yield eventually.

It is a poem of contemplation and resignation, but also one of defiance: time may be relentless, and there may be no way to “hold his swift foot back”, but one who is immortalised or memorialised in ink lives on, albeit in a different way. We can continue to remember and honour them, and to express our love for them.  Our memories and mementos remain long after those who have fallen prey to time and mortality.

In Shakespeare’s time, they had fewer options for immortalising those who passed away than we do. They had eulogies and poetry – the black ink  in which “my love may still shine bright”. They could create drawings and paintings. Now, in addition to those, we have photographs, video, and voice recordings.

Poetry and eulogies still touch our souls just as powerfully, though— whether written in the 21st century or the 16th, our written tributes and reflections endure and move us still.

Some of my own black ink, in which my love shines bright:
Old Man written for my father
Farewell, My Friend written for Helen

The Man With A Walking Stick

It’s funny how one minute you can be having quite a good day, and then something happens that makes you stop and realise how much you really miss someone. 

This afternoon I was parked by the river, having some downtime before my theatre company rehearsals tonight, and enjoying the filtered sunlight through the trees and the breeze blowing off the river. 

Image by icsilviu from Pixabay

An older gentlemen with a cane walked past me. He was tall but a bit bent over, quite well dressed but too thin for his trousers, and he walked along the path almost shuffling gait of someone who is no longer quite confident about where to put his feet. Lots of things about that remind me of my father; what moved me most, though, was the way he swung his cane as he walked: just like Dad used to, not so much relying on the cane like he was supposed to, but rather using it as a fashion accessory. 

It was just a little thing, but I couldn’t hold back the tears. I suddenly wanted more than anything else to be able to hug my dad and tell him I love him. In that turn of a moment, the sense of loss was so profound, and the tears are still flowing as I type.

My head tells me I am being silly, but my heart is telling me that it hasn’t healed yet. 

In a few minutes it will be time to dry my tears and head off down the highway. I’ll be fine by the time I am there, but I won’t forget the man with the cane. I don’t know who he is, but I hope he is as loved cherished, and well-cared-for as my dad was. 

Tattoo

Today is new tattoo day.

My new ink.

This tattoo honours my late father, my family, and my unique identity within it. My family’s surname is Dutch: Groenenboom, which translates to ‘green tree’.

I am thankful to be starting the new year by doing something to deeply meaningful. It is a positive way of acknowledging those who have passed, including my dad and my beloved cousin six months ago, those who remain and are still flourishing, and my connection to them all.

I spent months choosing the tree design, as there are myriad options available and many are gorgeous. I chose this one because it symbolises strength, beauty and grace. The maple leaf represents me, obviously— unique among the other leaves, but strongly connected and coming from the same source.

I am so proud that this symbol is now part of me.

The word tattoo is interesting because the one word has two completely different sets of meanings that have come from entirely distinct sources.

That makes it a homophone, a homograph, and a homonym all at the same time: as it is pronounced and spelt identically for each of its various meanings.

Tattoo.
#tattoo #tattooart #symbolism

Auld Lang Syne.

The fireworks over Sydney Harbour were sensational.

Last night, at the turn of the new year, we watched the fireworks over Sydney Harbour on TV, followed by this beautiful rendition of ‘Auld Lang Syne’ by the cast of the musical Hamilton.

Traditionally sung on New Year’s Eve, ‘Auld Lang Syne‘ is a song about remembering the friends and loved ones we have known in the past.

For the first time in my lifetime of knowing this song, it brought tears to my eyes: not only was 2020 brutal in numerous ways, I knew I was not the only one who was painfully aware of missing a beloved someone. I was blown away by the realisation that this song is as much about grief as it is about wistfulness, friendships of the past, and happy memories.

“Should auld acquaintance be forgot
And never brought to min’?
Should auld acquaintance be forgot
And auld lang syne?”

Robert Burns, 1796

The song we sing now is part of a longer song written by the Scottish poet Robert Burns in the late 18th century. Sadly, though, many people sing it without really knowing what it means.

Auld Lang Syne is a sweet little Scots phrase that means ‘for old time’s sake’. It translates literally to “old long since”.
This song was a reinvention of an older song. Burns wrote about his song in separate letters to different people:

“It is the song of the olden times, which has never been in print… I took it down from an old man’s singing.”
“Light be on the turf of the heaven-inspired poet who composed this glorious fragment.”

Robert Burns

Just as the original song was much older than Burns’ version, the words themselves are very old. Auld and lang both come from the Old English of the Anglo-Saxons, while syne dates to the 1300s.

It is a beautiful phrase to say: it feels nice in the mouth, and it sounds just lovely, especially when spoken with a Scottish accent.

From now on, when I hear ‘Auld Lang Syne’, I shall think of the wonderful people I have known and loved in my life, and of the happier times of the past, but I will also think of the beautiful words that have been passed down to use from auld lang syne, too.

I’d like to take this opportunity to wish all my readers a happier, more hopeful new year. Lang may yer lum reek.

Auld Lang Syne.
#words #AuldLangSyne #NewYear2021

These books, both in my personal library, were used as references in the preparation of this post.

Christmas Eve, Without You.

I’m usually a real kid about Christmas. It’s one of my favourite times of year.

This year, though, I’ve really had to try hard to muster my Christmas mojo, and I’m not sure I really succeeded.

Christmas Eve was particularly hard this year. I felt so disconnected and indifferent, and I didn’t know what to do with that.

My response was the same as always: write something!

Verbalising these feelings helped me deal with them. They were — and are
— still there, but I have been able to relax and let them coexist in counterbalance with my enjoyment of Christmas Eve and Christmas Day.

Today is what today is. My feelings are what they are. It’s all part of the process of grieving and moving forward and reconciling conflicting emotions while continuing to live.

Image by PeggyChoucair on Pixabay.

Joy is elusive this Christmas Eve,
Anticipation is aloof.
The empty chair, the missing gift,
The place not set at the table,
All murmur a silent, sorrowful chorus
Like a incantation, warding off
The overruling spirit of the season.
The magic of tinsel, baubles and tree
Cannot dispel the indifference
Cast by Memory and Grief as they linger,
Neither out of sight nor mind
Amid the coloured lights and carolling
On Christmas Eve without you.

ⓒ2020 Joanne Van Leerdam

View original post

Writing It Instead Of Carrying It

When this image appeared on my Instagram feed this morning, my immediate response was “Yes!”

Image text: Remember. If you are not speaking it, you are storing it, and that gets heavy. Christina Isobel.
I don’t know who created this image. I acquired it via Instagram.

This is why I have been writing and posting poetry and blog posts to help me deal with my feelings about my first Christmas without two very special people in my life, my father and one of my closest friends, both of whom passed away within five days at the end of June.

I have been doing everything I can to make Christmas joyful. Part of that has been working through my feelings and accepting the changes in life that have happened in this mixed up and turbulent year.

It is not that I have no joy or excitement. It doesn’t mean I don’t want to celebrate or focus on the positives in life. It means I need to works out how to manage the shades of guilt I experience when I feel joy, and the weight of sorrow at the very same time as enjoying the lightness of excitement and anticipation.

I fully realise that Christmas is very different for many, many people this year. Lockdowns, halted travel plans and distance have made sure of that. Like me, many people are grieving. Others are facing different sets of challenging circumstances.

The fact is, though, that it is my life that I am living. I have to manage my grief and work out how to balance things for myself. Nobody else can do it for me, and it has to be done. To refuse or fail to deal with my feelings isn’t healthy.

So, I write poetry and blog posts. I blurt my feelings and ideas down onto the page, then shape and craft them into something that both expresses how I feel and lets  others in similar situations know that they are not alone, and that their feelings are not wrong or abnormal.

That is my Christmas gift to the grieving people of the world; empathy, understanding and the room to feel as they do without judgment.

Writing It Instead of Carrying It
#emotions #grief #WritingCommunity

With Love, Me.

I wrote this poem not just for myself, but also for my family and friends who are really feeling the absence of a loved one this Christmas.

I don’t think it requires any explanation. I just wanted to share it with you here.

As always, any feedback is greatly appreciated.

67 Years.

This morning, my sister and I visited Mum and Dad’s grave on the 67th anniversary of their marriage.

On this date, every year since 2011, I have been purposeful in spending quality time with Dad as he spent the anniversary without Mum. He often had some tears, as did I, and we would talk about family times and happy memories. There would invariably be coffee and cake involved at some point of the day.

This year, Mum and Dad are together again, and we are without them both for the first time.

Instead of coffee and cake, we went out for breakfast together before heading up to the pretty little cemetery on top of the hill.

Nature blessed us with a beautiful morning: sunshine, blue sky, white fluffy clouds, and a light breeze. The grass is starting g to cover the grave now, so it looks less  fresh and confronting. Still, it was the first time my sister, brother-in-law and husband had been back to the grave since the day of Dad’s funeral, so in that respect it was harder for them than for me.  I quite like cemeteries, and I have been back to visit Mum and Dad’s grave on several occasions. 

Neither my sister nor I had a big howly cry, which we wouldn’t be ashamed to admit because we have both done it several times before, but we both had some tears. We’re not ashamed of those, either. Crying is healthy, and so is owning your emotions.

Christmas won’t be the same this year. For the first time in our lives, we will be doing it without our father. I haven’t bought boxes of chocolate-coated ginger or liquorice allsorts for the first time in decades.

It’s all kind of weird, and it hurts, but we are doing our best to make it positive and memorable. Before visiting the cemetery, we went out for breakfast with our husbands. We bought a little Christmas poinsettia, which Mum always loved, to decorate their grave instead of taking fresh flowers this time.

Most importantly, my sister and I are spending Christmas together. I am so enormously thankful that, after months of lockdown and closed state borders, she and my brother-in-law can be here.

There are gifts under the tree, plans for special meals and treats, and neither of us has to navigate the first Christmas as orphans on our own. Our other siblings and my nieces can’t be with us, but they will be with family. We will video call and spend time together that way. It’s not perfect, but it beats not being together at all.

As I observed in my post on Dad’s birthday, the firsts are hard. There are so many feelings, and it can be challenging to know how to mark the date without being morose. It’s good to honour the memories, but the fear of people thinking you spend too much time in Memoryville or Griefland is real.

Will they want to read another Facebook post or blog about it? The fact is, some won’t, and that’s okay. At the same time, there are plenty of others who will. We are not the only ones grieving for a loved one for the first time this Christmas.

It matters to me, and to them, that we know we are not alone in our feelings, nor are we weird or wrong for feeling the way we do. It’s completely natural, and the best thing to do is acknowledge it: cry and laugh when we need to, retell the family stories, share memories, and deal with it in the most positive and constructive ways we can.

It’s also important to be deliberate about creating new memories and treasuring our time together, so that we make this first Christmas as merry and bright as we can.

Yet Another Reason Why I Love Where I Live.

Our local council has created this gorgeous candlelight memorial for all the people in our local government area  of Corangamite Shire who have passed away in 2020.

Most of these people‘a families were very limited in how many they could have at the funeral. The way we have mourned and comforted one another has had to change. Our ability to travel and see each other has been limited or, at times, impossible.

Gestures like this help us to feel less alone, and to know that our loved ones are remembered. It’s very touching that the community as a whole is able to acknowledge their absence from the towns and social circles in which they lived.

There are 129 lights burning through the night. That’s 129 families like mine that have been changed forever. And, I’m sure, it’s 129 families who appreciate the thoughtfulness of a local government that thinks beyond budgets and logistics to stop for as long as it takes to light 129 candles, and invite the community to stop, remember and reflect.

My sister and I went to see the memorial tonight, to pay tribute to our dad and to share the sight with our family interstate via video.

Thank you to the Corangamite Shire and the local community members who helped make this happen. It is very much appreciated.