A One-Off Inscription.

There is more truth than most people realise in the jokes about authors killing people off in their books.

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Yesterday I signed a paperback copy of my latest book for my best friend. I have written something personal and unique to her and our friendship in her copy of every one of my books.

Yesterday’s effort was by far my favourite.

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You should understand that this is not a promise I’m willing to make to just anyone. Anyone who has read ‘A Poet’s Curse’, for example, will have worked that out very quickly.

Jokes are frequently made about authors putting people in a book and killing them, but most don’t realise just how satisfying and therapeutic that can be.

Oh, we change the name and some minor details, but the important thing is that we know who we’re finishing off, even if the rest of the world doesn’t. And you know, it is important to conceal the true identities of our victims because, in the end, nobody wants it to backfire or get ugly.

I have, in fact, had a number of people ask me if a particular poem or story was about them. Rather than confirming or denying anything, I’ve gone the “self-examination” route. Each of them received the same answer: “If you think that’s a possibility, I suggest you to take a long, hard look at yourself and how you treat people. It might be time to do some repairs.

As an author, I can have my macabre little cake and eat it, too. And as an extra reward for good behaviour, I get to keep my best friend. Bonus!

Square Peg, Round Hole.

A response to intolerance.

I’ve never understood why people feel the need to pressure someone to conform. Why are they so intimidated by someone daring to think for themselves, pursue their own dreams and make choices according to their own preferences?

And what I really don’t get is how they can say they love someone and yet reject particular qualities that makes that person who they are.

These are the thoughts that have contributed to a poem I finished recently.

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The imagery is macabre and horrifying. The message is dark. None of that will surprise anyone who knows my writing.

I won’t discuss the details of the situations that led to it being written. Suffice to say that there are people in various “circles” in which I live and move who have, at one time or another, exerted significant pressure on me to be less individual and more compliant with the way they like or want things to be.

I have some bad news for them.

I will not submit to their peer pressure. As adults, they should know better.
I will not moderate my politics, my social conscience, or my rampant individuality for them.
I will not be submissive or silent in response to their bad behaviour, intolerance and hypocrisy.

If they don’t like it, they can go and boil their heads.

Of course, that’s all excellent news for me. In the immortal words of the Monty Python team, “I’m not dead yet!”

 

 

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Sledgehammer.

A short reflection on the significance of my newest poem.

I finished a new poem today. It’s only short, but it has great significance.

The idea for this poem came to me in a moment of reflection while I was thinking back to how broken I was just a year ago. Back then, I would not have been able to write this poem: it would not have been true.

In fact, it’s only since I did some “housekeeping” via the publication of ‘A Poet’s Curse’ at the end of August that I’ve actually begun to feel free of some of those things that were holding me down and tormenting me. I wrote in a post back then that it was a cleansing experience, but I had no idea just how liberating it would turn out to be.

I also wrote in my previous post that writing is, for me, really effective therapy. I’ve used it to resist and fight my own personal demons. I’ve used it to grieve, and to rejoice. And I’ve used it to say any number of things that it might not be appropriate to communicate in any other way.

‘Sledgehammer’ is not even defiance. For me, it’s like a milestone that shows me how far I’ve come.

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My walls may not be perfect— they have, after all, been damaged and repaired. I am, without a doubt, both stronger and harder than I was before. That’s not to say I am insensitive or uncaring: I’m not talking about being hard of heart. I’m referring to the kind of hardness that can not only resist the assault of a sledgehammer, but also remain completely indifferent to and unmoved by it.

As far as I’m concerned, that sledgehammer does not exist.

 

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One Door I Won’t Slam Shut.

A reflection on the experience of being completely, utterly rejected.

In the course of my life, I’ve had – as we all have – friendships and relationships that have faltered, grown distant and faded away.

A couple of times, I have had someone say to me that they never want to talk to me again. Once, and only once, it has been my decision to completely shut off contact. On those three occasions, I have had no difficulty slamming that door and leaving it that way. Nobody does a door slam like an INFJ, after all.

Last night, I read the equivalent of those words again. “Nice knowing you. I won’t ever talk to you again.”

It’s different this time. Even if I wanted to, I don’t think I could slam that door.

What I really want to do is reach through that door, grab her and pull her back through it. I want to hug her, and see for myself that she’s okay, and tell her I love her. And I can’t do any of those things.

I’m locked in by her decision. She’s 16 and has asserted her independence and her right to do whatever she wants. Check mate.

As with many of the decisions she has made lately, I have no choice but to wait and see what happens. I do hope that she will come to understand exactly what it is she has asked for – sooner rather than later – and decide that it’s not what she wants at all. In all honesty, I don’t know if that’s realistic or not.

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I am not her mother, but as her “other mother”, I have lived with her and loved her as my own since she was nine years old. Any influence I may have had over her or her decisions in the past is well and truly a thing of the past. She is quite obviously able and free to decide who she wants to have in her life. What she doesn’t realise is that my care and concern for her do not shut off simply because she wills it, as though it were some kind of emotional tap. She doesn’t get to decide that the time we spent together means nothing. And she cannot stop me, or the rest of her family, from loving her, missing her, or worrying about her.

Rejection is never an easy thing to experience. It really, really hurts. Even so, I know that my hurt is nothing like what her mother is experiencing— it’s a mere fraction of that.

Today has been an emotionally messy day in a succession of similarly messy and fraught weeks. I know we will get through this somehow. I have to keep telling myself that.

Like everything else life has thrown at me, I will face this head on. Maybe I can’t change anything, but I will not let this drag me down and defeat me.

Expect more poetry, though. It’s the only therapy I can afford.

Reciprocity: Magic or Myth?

A short lesson in how to be a positive and encouraging person.

I want to start by saying that the intention of this post is not to present myself as some icon of virtue or being any better than anyone else: I am definitely neither. But there are some things I am good at, and one of those things is supporting and encouraging other Indie authors.

I have always been very clear about the fact that nothing I do in the Indie Author community is done with the hope of receiving anything in return. I am more than happy to buy and review the books I do, share posts, help answer questions, and encourage others as much as I can.

You might be tempted to assume that, as a result, I have a veritable army of people ready to fall over themselves to do similar things for me. Well, that would be nice!

In fact, that’s very rarely how it works. More often than not, those who are generous with their time and energy receive very little in return. That’s life: I accept that, as do others I know in the same situation, and keep going.

There seems to be a groundswell of folk, however, who have taken it upon themselves to resent others that they perceive as being “more successful” or “more popular” than them, and to insist that they’re not going to do anything for anyone who hasn’t done anything for them.

Just last week there was a situation where a friend tagged some people in a Facebook post to ensure that her post was seen, and didn’t some of those tag-ees complain! One of them took the opportunity to launch a personal attack and completely degraded the conversation into a most hurtful state of affairs. Another had plenty of very demeaning things to say, not just about the friend in question but also those who sprang to her defence.

Well, isn’t it a good thing we don’t all work that way? What sort of a world would that be. where we all carried on like six-year-olds in the playground?

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Folks, that is not how we Indie.

Assuming that someone will share your post because you shared theirs will sometimes work out that way, but often not. Hoping that someone will buy your book because you bought theirs is not at all realistic.

There’s one thing you can be sure of, though: If an author – or anyone else, for that matter – is horrible to people, those on the receiving end are not going to forget that. There is absolutely zero chance that they will share the post, buy the book, or attend a Facebook event for someone who has abused or belittled them. In addition, the chances of their friends doing any of those things are remote. Tearing someone else down on social media— or anywhere— is entirely counterproductive.

As Indie authors, we’re all in the same boat. We’re all trying to find readers, sell books, write the next number one bestseller, and get noticed by the universe. We’re all tweeting, Instagramming, Facebooking, blogging and whatever-else-ing we can in the hope of putting our books, or whatever it is we’re doing to make our way in the world, in front of appreciative eyes who want what we’ve got to offer. We’d all like to be able to quit our jobs and pay the bills with our royalties.

2015-11-27 10.51.43 Choose The PositiveBut here’s the thing: this isn’t a competition. Readers will always be interested in another book, another genre, another great read. There is absolutely no need to snuff out someone else’s candle so that yours can burn. We make more light and warmth together than we can on our own. This is something that my friends, especially the Indie Fabs, and I have experienced and proven time and time again.

Encouragement costs nothing. It doesn’t even take much time or energy. If someone asks you for one or two clicks of a mouse button that doesn’t end in costing you money, where’s the harm? If someone does something praiseworthy, commend them. If someone has a great cover, or hits the bestseller list, or writes a great book, congratulate them… and then go one step further by telling others. Who knows? You may even find that they do return a favour one day, or you might discover that someone has done something for you out of the blue, just because they can.

Reciprocity as most people perceive it is a myth. But initiating goodwill by being positive and encouraging? That’s magic. And that is how we Indie.

Seriously, Universe… What Am I Doing Wrong?

Apparently, I never learn.

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Only on rare occasions am I ever tempted to feel as though I might just get on top of things.

Other days, like today, I realise yet again just how little most people value me, or anything I do.

Seriously, universe, what am I doing wrong?

I work hard, I’m a loyal friend, and I care more about people than most of them will ever realise. It’s true that I don’t come in the smallest package with the sleekest, glossiest wrapping, but if I’m given the choice of someone who “fits an image” or someone who will both help me and defend me or die trying, I know which person I’d pick to have on my team. I’m not perfect, but who is?

So, tonight I’ve spent a few hours trying to think through and process how I feel and why, In that process, the words of one of my own poems came back to me. I wrote ‘Cold Shoulder’ on a previous occasion when other people’s behaviour left me feeling a similar way.

COLD SHOULDER

Many years I’ve lived on the Cold Shoulder
An inhospitable, stony place –
Where there’s little but frosty silence,
No allowance for comfort or grace.

The chill wind of indifference
Cuts the air without making a sound,
Skittering icy flakes of apathy
And leaves’ skeletons over the ground.

A fine specimen of resilience,
I’m a fine diamond in the rough,
A survivor of hostile conditions
Where life is invariably tough.

I suffer no delusions of love –
For that loss I have frequently wept;
But knowing I don’t matter at all
Is the hardest of truths to accept.

Weary of relentless erosion,
I implore the stone lords for reprieve,
But there is no reward for devotion
To those in whom you don’t believe.

Let them preach not to me of salvation
When they hold all the power in their hands
To inflict such complete desolation –
One could never meet all their demands.

So I remain here on the Shoulder
In this treacherous, heartless place:
Although frigid, this landscape is honest,
And each rock only has the one face.

©2017 Joanne Van Leerdam

 

This is not new territory for me. I have survived every other “kick in the head”, and I’ll survive this one, because I refuse to lay down, shut up and die. And I’ll make all seven people who do actually care about me proud in the process… again.

It does make me wonder, though, why I fall into that same trap of assuming that anyone else ever actually tries to see my worth, or cares about it.
Apparently, I never learn.

 

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‘Cold Shoulder’ is published in ‘The Passing Of The Night’
by Joanne Van Leerdam.

ANZAC Day: It’s Part Of Who We Are.

ANZAC Day is more than just a very special day. It’s part of who we are.

Today is ANZAC Day: the day on which Australians and New Zealanders stop to commemorate and reflect on the sacrifice of all those who served our countries – very often side by side – in World War I, and ever since.

113 years after the ANZAC forces stormed the beaches and clambered up the cliffs at Gallipoli, we stand in sombre silence and remember the enormous losses of life suffered on that day, and every other day, during major conflicts like the two World Wars. Every year, attendance at dawn services, ANZAC Day marches, and commemoration ceremonies around Australia grows, even though all the soldiers who fought in World War I, and many who fought in World War II, have passed away.

2018-04-25 12.13.17Peter Rock, the MC at this morning’s ceremony at the cenotaph in my local town, made a profound observation in the early moments of his opening speech: “Those who are surprised by the fact that ANZAC Day commemorations continue to draw record attendance understand very little of our national character.” He went on to speak about how and why we remember those who fought and sacrificed themselves for our freedom. Their bravery is renowned, but so is their commitment despite adversity, their mateship, and their love for their country. He’s absolutely right – those are qualities that have indeed become part of our national character. Our freedom and our mateship are the rewards of their courage and service.

That’s something my town has been reminded of in recent weeks. This time, our enemy was fire, and our battle was fought with water and fire retardant foam, not with bullets and mortars. Those who faced the danger and fought to keep the rest of us safe did so knowing they were putting themselves at risk, but that didn’t stop them. Behind the fire front, they were supported by others who worked tirelessly to supply and feed them, but also to care for those who had to flee from the fires, and for all those who were traumatised by them in various ways. Of course, it’s a very different scale to what was experienced by the soldiers who went to war, but the selflessness and the determination to serve and protect is the same.

Thankfully, no lives were lost in that particular war, although there were numerous casualties in terms of homes and livelihoods. It has been relentless and exhausting, yet our community has come together yet again to help, support, and defend. People may have lost their houses, but they are not homeless: we are their home, and we will make sure they have what they need to start over and keep going. In true Aussie fashion, our local community has been incredibly generous, as have many people from beyond the local area. There really is no better place to live.

Today’s ceremony was, as always, very well attended. Representatives from service groups, churches, local government organisations, school students and professional organisations laid wreaths in memory of the fallen. Families stood together, some wearing medals that belonged to fathers, uncles, or grandparents who served in the military and have since passed on. The flags of both Australia and New Zealand were flown at half mast until after the minute of silent reflection, and the national anthems of both countries were sung. Tears – whether of sorrow for the fallen, of thankfulness for the freedom we enjoy, of patriotic pride, or a combination of all those factors – were shed.

 

This afternoon, there’s a big concert being held on the local football ground, not just to raise funds for fire relief, but also to give some joy and celebration back to a community that has done some really hard yards over the past six weeks. Talents from both the local area and further afield will be performing. Local businesses are providing catering, entertainment, and every other service that’s needed.

And you can bet your bottom dollar that the locals are going to turn out in force to support that concert, and each other, because that’s what we do. We stick together in times of trouble, and we cheer each other on in our victories. In doing that on ANZAC Day, we will continue to remember the lessons we learned from the ANZACS and all our other diggers.

At the going down of the sun, just as we did in the morning, we WILL remember them.

When Evil Seems To Win.

A poet reflects on what inspired her latest piece of dark poetry.

One of the things I find hardest to deal with in life is the perception that sometimes, evil seems to win.

I don’t know why it should surprise me each time it happens, but it still does. I don’t know why people’s cruelty and evil actions still shocks me, but it does.

Let me explain where this train of thought originated.

Not long ago, I witnessed the complete and irreversible downfall of someone I’ve known for some time. I haven’t always necessarily liked that person – less, in fact, as time went on, although that’s not really relevant to this post. I honestly thought that their behaviour couldn’t get any lower than what I had already witnessed, and what I already knew of him. I was wrong.

Please understand that in writing this post, I do not for one moment mean to suggest that I feel sorry for him. I don’t.
I do feel incredibly sorry for those whose trust he, and every other person like him, has broken and abused. My heart breaks for those who find themselves and the rest of their lives shattered among the trail of destruction they leave behind. These things leave permanent scars from which some people never recover.

And there is no denying that I am incredibly angry. How dare he? He can’t say he didn’t know it was wrong. He can’t say he didn’t know what he was thinking. He knew, and he went ahead and did it anyway.

So, as his life unravelled before my eyes, I was left feeling the same about him as I do about everyone who betrays the trust of the people they should be protecting.

Whether it’s broken friendship, corruption, or an absolute degradation of one person by another, I believe that there are powers in this world that celebrate when someone who has always taken a strongly moral stand falls from a position of leadership and finds themselves in a downward spiral of shame and humiliation, especially if it’s a person of faith.

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It was this chain of thought that led me to write ‘The Demons Dance’. It is grim imagery of demons dancing and celebrating around the crumpled form of their latest victim, upon whos miery and death they are completely drunk.

In this poem, as in a number of my others, my love of writing horror and the macabre has combined with my penchant for poetry to produce what I believe is poetry that is both grotesque and beautiful at the same time.

Click to read The Demons Dance.

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When Life Gets Out Of Control, I Write Poetry.

What makes an introverted poet breathe fire?

Two weeks ago, I had finished an incredibly busy first term at school and was looking forward to a well-earned break for a couple of weeks.
When people asked me, “Are you doing anything for the holidays?” I gave them my standard answer: “As little as possible.”
You’d think I’d learn not to tempt fate like that, but apparently not.

Family came to stay, visitors called in, things happened. I just needed to rest… but when was that ever going to happen? I wanted to write, but there was no time for that, either. I began to feel as though life was out of control.

And then, I started to get angry. It wasn’t directed at anyone or anything in particular – instead, it was a rumbling discontent within me. As the only introvert in a house full of rampant extroverts, I felt misunderstood and somewhat neglected.

One afternoon, my house fell quiet for a few moments. I sat in the comfy chair in my study with a book, took a deep breath, and before I knew it, I had dozed off.  It didn’t last long.

I woke up to a barrage of sound from the football blaring on the TV in the adjoining room, people talking loudly to be heard over it, and others talking loudly with a phone on “speaker” mode. They could have gone to another room. They could have closed my study doors and left me there in peace. But they didn’t.

That was when this poem erupted from within me.

The imagery of a dragon is not accidental: I wanted to incinerate them them all, or at least toss them around a bit with my tail. Knowing that I couldn’t breathe fire on them all like I wanted to – they are family, after all – I escaped to my bedroom, closed the door, closed the drapes, and promised myself that whoever dared to knock on that door— or, heaven forbid, walk through it— and interrupt me again definitely had it coming. Then, as I generally do, I unloaded my feelings in the most therapeutic way I know: angry poetry.

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It doesn’t tell the complete story. It’s really just a brief glimpse of a scene, but it reveals enough for the reader to understand. And I’m sure every exhausted teacher or parent, every person who is exhausted by constant demands, and every introvert who reads it will totally get it.

Awoken

Books, Authors, Double Standards and Snobbery.

There remains a commonly held view that all Indie books are somehow sub-standard. This perception could not be more wrong.

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I am perpetually frustrated by the disdain that many have for Indie authors. Indie artists, musicians, and filmmakers are applauded for daring to step out, break the mould and do their own thing in defiance of the industries that are perceived to have grown too big, too powerful, too rich.

Nobody hesitates to go to a doctor or lawyer who owns their own practice. People don’t think twice about having their car serviced by a mechanic who runs a local garage. They’re independent practitioners within their industry, too. Let’s face it, there are some shonky ones out there – in any industry – but they are the vast minority, and their behaviour should never be used as the yardstick by which all others are measured.

So why is the double standard against Indie authors still not only acceptable, but so widely endorsed?

woman with bookI won’t deny that I’ve picked up two or three books that I just couldn’t finish because they were either poorly written, poorly edited, or just not very good at all. But two or three out of more than 150 is a very small percentage, where the others have consistently ranged between very good and excellent quality in terms of both writing and production.

Having been an avid reader all my life, it’s also true that I’ve read – or rejected – a number of books that weren’t so great in the traditionally published world, too. Some I just couldn’t get into – even among the most famous and widely commended are certain ‘literary greats’ whose writing I just don’t appreciate. There are also traditionally published books that remain popular among less discerning readers and sell quite well, despite the fact that the writing and/or story lines really are… well… rubbish.

I’ve read almost exclusively Indie books for more than a year. I am continually impressed by the originality of the stories, the high standard of writing, and the depth of creative talent. I’ve posted countless book reviews for these books, and have shared my appreciation of both books and authors far and wide, because those books deserve to be read and appreciated.

Having been an avid reader all my life, I’ve read – or rejected – a number of books that weren’t so great in the traditionally published world, too. Some I just couldn’t get into – even among the most famous and widely commended are certain ‘literary greats’ whose writing I just don’t appreciate. There are also traditionally published books that remain popular among less discerning readers and sell quite well, despite the fact that the writing and/or storylines really are rubbish.

Indie authors are, more often than not, Indie by choice. For many, the first foray into traditional publishing has ended up being a very negative and traumatic experience. For some, their publishers have closed down, leaving the author without their rights, unpaid and unable to sell or market their work. Other companies have published books and then done nothing, leaving them to languish in obscurity unless the author does their own marketing.

Sure, that hasn’t happened to J.K. Rowling or George R. R. Martin. People need to understand, though, that they are the exceptions, not the rule. That kind of success doesn’t just happen for everyone who writes a fantastic book or series, and it’s well-established fact that it almost didn’t happen for Rowling either.

Last week, I saw someone comment on social media platform in a most derisive tone that “traditional publishers won’t touch anything that’s been self-published”. My response was that it’s their loss. And when it comes to my own work, they’re not welcome to.

Like many others, I choose to be Indie because I control my own intellectual property, I retain my legal rights to my work, and I earn the royalties for my books. My hard work is not lining the pockets of some faceless company that pays a small fraction of the earnings of a book to the author and gets fat on the rest, without actually doing much in the way of marketing or promotion. Marketing and promotion is really hard work, there’s no doubt about it. But if I have to do the schlepp work anyway, why would I let someone else have control of my work? And I can take pride in the fact that I have earned every review, every award, and every cent, on my own.

In the end, I choose to be Indie because there is nobody in this world as committed to my books or my career as an author than I am.

It’s time we got rid of the double standard that celebrates Indie music and art, and which takes pride in supporting local and artisan businesses, but considers Indie books and authors to be something less than their traditional counterparts.

Indie authors are doing their part by writing and producing excellent books.

Readers are doing themselves a gross disservice by accepting the kind of intellectual snobbery at the heart of this double standard. I’m confident they will be more than pleasantly surprised when they finally choose to set prejudice aside and find out what they’ve been missing out on.

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