The Benefits of Reading Aloud During the Editing Process

Reading aloud when proofreading and editing is excellent practice because far fewer errors escape our notice.

I teach my students to do it. I recommend other authors and bloggers do it. And even though I have been teaching English for 30 years, I know I am not infallible, so I still do it, too.

Renea Guenther

The Benefits of Reading Aloud During the Editing Process

By this point, we’ve put so much work into our stories, we believe there couldn’t be anything left to handle.

The plot’s cohesive, the stakes are high, our characters are compelling, we’ve kept the reader interested to the end

Everything is as it should be.

Then we edit.

Only to find our story doesn’t read as it should, things can be worded better, overused words and phrases that need to be cut or substitutions found…

Editing can be a huge mess, especially if you’ve never done it before.

It’s not always as easy as one might expect. Nor are the mistakes always obvious.

We know what we wrote and expect it to read as we remember it.

So we skim through our writing, catching a mistake here and there, but often missing key problems.

Our minds often fill in the blanks for missing words, especially in…

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Writing About Family and Friends.

Authors: keep your writing from causing problems with your family and friends.

Writing about family can be fraught with danger. The last thing you want to do as a writer is offend or alienate your family, especially if things are already fragile in some way.

 

That poses a challenge: what happens when there’s something you desperately want to write about? For starters, writers should know to always, always change names and details.  If possible, don’t mention names at all. Even when writing about positive feelings or experiences, people who aren’t used to putting themselves out into the public eye might hesitate to have something written about them and published. A great idea for a story or poem should never be pursued at the cost of an important relationship.

 

When I do write something about friends or family, I make sure they’ve seen it first, and I tell them I’m going to publish it. That way, they can’t say they didn’t know.

 

For example, I recently wrote a poem after two completely separate events: one was the wedding of my nephew, the other was a conversation with a friend who had recently lost her own nephew in tragic circumstances.  The poem, titled My Child, does not mention anyone by name, nor does it mention those particular situations. It is an expression of my feelings – and my friend’s feelings – for those whom we have loved, held, and helped to raise.  This is what I sent to “my children” and to my friend, well over a week before I posted it. That same text is what I posted on my writing blog where I published the poem today. Poem My Child

 

The other alternative, of course, if you feel you must write about something or someone, is to disguise the situation and details enough so they don’t know it’s about them. I’ve written plenty of poems about broken friendships, people in my life who have been determined to cause me trouble, and others who really deserve some special treatment from Karma, but it’s always been presented as me facing an invisible, unnamed challenger or enemy… or a certain black cat named Friday who metes out justice to people who really deserve it. It is not possible for anyone to identify who I was writing about at the time, and that’s a very good thing.

As a writer, it’s important to protect oneself. The last thing you want is something coming back to haunt you.

 

And if you’re a friend or family member of a writer,  remember that age old piece of advice: Never annoy a writer, or they might put you in a book and kill you. It’s true. 

 

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