Tmesis: Abso-flaming-lutely!

Tmesis— pronounced teh-MEE-sis—  is an unusual word that many people will never have heard of, even though it’s the name for something we do frequently and quite naturally.

Tmesis is the name given to that linguistic behaviour by which we divide a word and insert another word into the middle. In the 21st century, the inserted word is often a swear word, but it doesn’t have to be. 

Image by hpgruesen on Pixabay

We do it to add emphasis and increase the strength of what we’re saying. 

The Ancient Greek word temnein meant ‘to cut’, and from that came the word tmesis, which meant ‘cutting’. It refers to the cutting or division of the first word in order to insert the second. 

The practice is centuries old. There are examples of it in Old Irish and Scandinavian poetry, although the earliest written examples of it being used in English only date back to the 1500s. 

Shakespeare used tmesis in a number of his plays:

  • “This is not Romeo, he’s some other where.” — Romeo and Juliet
  • “How heinous ever it be” — Richard II
  • “That man – how dearly ever parted.” — Troilus and Cressida

Tmesis also exists in the poetry of John Donne:


“In what torn ship soever I embark,
That ship shall be my emblem,
What seas soever swallow me, that flood
Shall be to me an emblem of thy blood.” — Hymn to Christ

From these examples, it is clear that the device has always been used to strengthen the idea or emotion being communicated, which is exactly how it’s still used today. 

In Australia, where we seem to love a good swear word and the power it gives our expressions, tmesis is so common that it seems to me to be part of our linguistic identity. Inserting a term such as ‘flaming” or ‘flipping’, or one’s preferred swear word, into words and phrases is a standard part of our speech. From “abso-flaming-lutely’ to “no freaking way!”, Australians have made tmesis their own without ever knowing that it was a literary device or that it has a name. 

Tmesis: Abso-flaming-lutely!
#language #English #grammar #speaking #englishvocabulary #wordynerdbird #blogpost 

10 Classic Examples of the Sonnet Form via Interesting Literature

This post via the Interesting Literature blog caught my attention because I love a good sonnet. A well-written sonnet is a thing of beauty.

I have long been an admirer of the form, and have recommended poems such as John Keats’ ‘When I Have Fears’, John Donne’s ‘Death, Be Not Proud’ or Charles Best’s ’Sonnet of the Moon’ on my blog before. Shakespeare wrote some magnificent sonnets, and Philip Sidney wrote the story of ‘Astrophil and Stella’ in a sequence of 108 sonnets, which is extraordinary!
 
 
Sonnets are hard to write. There are rhyme and rhythm patterns that one must observe and maintain, which force the poet to refine and craft their words meticulously so that no nuances of meaning are lost in the interests of obeying the rules.
 
 
I have written one sonnet of which I am very proud.
 
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I have also written several others which are pretty rubbish, and therefore will never publish them. I firmly believe that their value lies in the learning and the practice, rather than in the reading. Failure can, after all, be a most effective instructor.
 
 
I hope you enjoy the poems this post has to offer, and find yourself more informed about the beauty and complexity of the sonnet when you leave it than when you arrived.
 
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10 Classic Examples of the Sonnet Form via Interesting Literature

 

The sonnet form is one of the oldest and most popular poetic forms in European literature, having been invented in the thirteenth century and used since by poets as varied as Petrarch, Shakespeare, Wordsworth, Elizabeth Barrett Browning, Christina Rossetti, Tony Harrison, Carol Ann Duffy, and Simon Armitage. Below, we offer […]

Source: 10 Classic Examples of the Sonnet Form – Interesting Literature