When this book was published, Victorian audiences didn’t know what to make of it. It wasn’t the light, fluffy romance and romp that they were accustomed to. Instead, it was dark, violent, and stormy, and there was no happy ending for most of the characters.
‘Wuthering Heights’ is about love, but it’s not romantic. It’s about dysfunction, selfishness, misunderstanding, bullying and manipulation. Much like Heathcliff and the Yorkshire moors on which the novel is set, it’s a bit dismal and morose most of the time, but it has power and substance that are fascinating and somewhat spellbinding.
I love the power of the writing and the tempest that inhabits the characters and their relationships. I am fascinated by the cleverness of the intrigue and mystery woven into the narrative. I enjoy the fact that the narrators, Nellie Dean and Mr Lockwood, tell the story as though they are objective onlookers, but when you delve into the story, you can see that neither of them is innocent or objective as the story develops. All the characters are flawed and selfish and broken in one way or another, and I remain unconvinced that we’re meant to actually like any of them. It really is a fascinating study of human psychology as much as it is a compelling work of fiction.
Even so, the story works because it is expertly written. The storytelling and the imagery are profound and beautifully constructed. The story appeals to our human nature, and to those voyeuristic tendencies that make people watch on with interest as things go wrong, take satisfaction in the misery of others, and slow down to get a better look at car accidents or natural disasters.
I have read ‘Withering Heights’ more times than I can remember, and I know I will read it again. It may have been published in 1847, but it’s a story that, for me at least, will never get old.
A beautiful vintage copy of Bleak House given to me by a friend as a birthday gift a few years ago, and the paperback copy I bought to replace my Penguin Classic edition which fell apart from overuse.
‘Bleak House’ takes Dickens’ readers off the streets and out of the factories of Victorian England, and immerses them in a complicated, old and bitterly fought legal case in which questions of inheritance, corruption and legality are explored. Dickens brings the court case to life through his characters who are, in one way or another, personally invested in the outcome.
It’s far more than just a legal drama, though. It’s an epic tale of family, personal entanglements, deception, and even murder. Some characters know little of the past, while others know far more than they are willing to tell.
I really love the way Dickens shrouds the past in mystery and develops an almost tanglible sense of intrigue in his storytelling in ‘Bleak House’. In contrast to ‘A Christmas Carol’, this is a much longer and more involved novel in which the development of both plot and characters is intricate and complex. It is written with Dickens’ typical satirical social commentary and acute insights into human nature.
This is one of the best of Dickens’ novels, and sits at the top of my list of favourites alongside ‘A Christmas Carol’.
I could have spent most of Fibromyalgia Awareness Month writing about my experience of this condition. I could spend a year writing what people don’t know or understand about it.
However, I plan for this to be my only post on that topic during this Fibromyalgia Awareness Month, because I don’t like to complain and I don’t want to sound like I am hiding behind my disease or making excuses.
Fibromyalgia is a diagnosed medical condition— now. It wasn’t always. It has a wide variety of symptoms, although they basically all contribute to chronic pain and overwhelming fatigue.
Because of Fibromyalgia, I have pain all the time. Think about that.
Pain. All. The. Time.
It doesn’t ever completely go away. The best I can hope for is that it will ease off a bit, and that I’ll have more good days than awful ones.
When people present to the Emergency Department or paramedics with pain, the standard procedure is to ask them to rank it between 1 and 10, assuming that 10 is the worst pain they have experienced. I wake up most days to a starting level of about 4 or 5 for me. With medication, I can generally keep it down to about a 3.
That’s why I have structured my working week so that I start a bit later in the mornings. It’s not because I don’t want to get out of bed: it’s because when I do, I am stiff and sore and it’s really hard to get moving. As the day wears on, my pain levels start to increase. My legs feel heavy and hard to lift when I walk. My feet begin to ache, and that often turns into a throbbing pain that starts to work its way up my legs. It can take hours for the aching to subside enough to let me sleep, especially if I have been on my feet a lot. A similar thing happens with my hands and arms if I am using them a lot, and especially if it involves holding or carrying anything with a bit of weight in it. It’s not unusual to end each day feeling like I’ve been either beaten up or body slammed by someone or something a lot larger than me.
Anytime I get stressed or anxious, or when my depression is messing with me, my pain levels flare. Overtiredness also increases my pain. Sometimes, I reach that level of tiredness by lunchtime and still have two classes to teach and a 40 minute drive home before I can rest. Add in a work deadline or two and things can get pretty horrid.
All of this is completely separate from my back pain, which is a different thing and a different type of pain altogether, and which I am able to manage fairly effective for the most part.
The problem with pain is that people can’t see it like they can if you have cuts and bruises or a cast. You can hide a lot behind makeup and a smile.
When they call this an invisible illness, they’re not kidding. If I had a dollar for every time someone said to me “But you don’t look sick,” I could quit work and live very nicely on the interest. It’s such a shame I can’t bill people for their insensitivity or ignorance.
I know it’s not a death sentence like some other diseases are. It is, however, a life sentence. As things stand, there’s no cure in sight. All I can do is keep up my painkillers and anti-inflammatories and hope for the best.
None of this makes me, or anyone else with Fibromyalgia, weak.
It takes strength and courage to get through each day, and sometimes that’s on a moment-by-moment basis. It takes resolve to blink away the tears and keep showing up for work or social or family occasions. It takes guts to say, “Actually, I’m not doing so well” when people ask, or to write a post like this one. In a world that prioritises health and beauty, brokenness is often an unpopular confession.
I have Fibromyalgia. I don’t want sympathy or pity. I don’t want people to tell me I am strong or brave. You bet I am!
What I really want is more awareness, better understanding, and more effective pain relief. And a cape. They can’t see my pain or my superpowers, but they’d be sure to know I have something if I were wearing a cape.
This weekend and last I achieved one of my ultimate theatre goals as an actor, singer, and not-quite-a-dancer in Monty Python’s Spamalot! The Musical.
A lot of people have done an incredible amount of work, both on stage and off, to bring the show to life and make it run smoothly and professionally.
It’s a really, really funny show. By the time our cast was done with it, it was non-stop hilarity and good times for the duration of each performance. To be honest, that was pretty much the order of every rehearsal, too,
Sure, there have been moments of frustration and, occasionally, despair for some of us. More than anything, though, it has been fun. It’s fair to say that however many tears may have been shed in tiredness or anxiety, a hundred times more have been borne of laughter.
From our first read-through of the script to taking our bows of the final night, we have laughed together, learned from one another, inspired and encouraged each other.
From the final week of January to the second week of May, the cast members have grown from acquaintances into friends. Those with whom I have worked most closely have begun to feel like family. It’s fair to say that they understand my love for theatre and performance more than most members of my family, and it seems they have fully accepted my own individual brand of weirdness and subversive humour. I have found my theatre tribe.
Today, dismantling the absolutely amazing sets and cleaning the theatre felt kind of surreal. Yesterday I had tears because I didn’t want it to be over. Today, tears threatened again as reality set in: the show really is done.
My heart is heavy, and even though my Fibromyalgia-plagued body and permanently rather dodgy spine are expressing a strong and well-earned sense of relief, I regret nothing.
At the end of it all, I am blessed to count these amazing people as my friends, and to be able to say “see you next time!” with every confidence that there will be another show and we will be keen to do it all again.
All photos in this post are by Joel Barker aka Sir Bedevere, and have been used with permission.
Tom Sawyer is one of those unforgettable characters of literature: cheeky, imaginative, adventurous and downright naughty. That he is able to get away with his mischief time after time is what has endeared him to generations of readers.
This is my personal favourite among the books by Mark Twain and, I believe, his best.
Fabulous reading for kids, teens, families, adults… this is a timeless classic that everyone should read at least once.
You’ve got to hand it to the Bronte sisters: they certainly had a handle on brooding, emotionally charged stories that made powerful observations about human nature and psychology.
Charlotte Bronte’s ‘Jane Eyre’ immerses the reader in the life of the young Jane, orphaned and unloved, and has them look on over her shoulder as she grows up, learning resilience and wisdom while finding her place in the word. The relationship between Jane and the reader is an intimate one, in which Jane tells her story and reveals her thoughts and feelings as if to a confidante.
Whether or not you agree with her choices, Jane is a in independent and spirited woman in an age where that was not really socially acceptable, and her story is certainly a compelling read.
Winnie the Pooh and his friends have been dearly loved for generations by readers all the world over. The stories of friendship, loyalty and fun are delightful entertainment for children and grownups alike.
Of course, Disney’s purchase of the production rights to the stories resulted in greater exposure to new generations, but it also gave the characters newly altered appearances and American accents. The movies and TV programs are fun, and I enjoy them immensely, but in my mind they are a different generation of a much loved family.
I really love the original stories and the illustrations by E.H. Shepard that accompanied them. The books that I had as a child have been passed on to other children in my family, but I do have a lovely set of paperbacks on my own shelf that still have all those original illustrations.
I also have a copy of the 80th anniversary edition of the book, complete with hard cover, dust jacket and colour illustrations, that is precious to me for a reason beyond the fact that it’s a book I love. This particular book was given to me by a family as a thank-you gift for teaching a number of their children and helping them get through senior high school English. I keep their ‘thank you” card inside the front cover to preserve the memory, although I doubt I will ever forget that beautiful gift and the kindness with which it was given.
‘Treasure Island’ is a ripping adventure story of pirates, treasure, mystery and courage that takes the young Jimn Hawkins from his home at the Admiral Benbow Inn to the Caribbean and back again.
It has been made into movies, cartoons for TV, comic strips, graphic novels and all sorts of adaptations over the years but, for me, nothing beats the original book.
The story is told richly, with an interesting and varied cast of characters. The most famous figure in the book is Long a John Silver, whose reputation exceeds that of anyone else in the story. People may not recognise the name of Jim Hawkins, the heroic young main character of the novel , but everyone knows of Silver as a notorious pirate.
‘Treasure Island’ is a great book for older children and teenagers. It’s a book that I still love reading, and I always enjoy enjoy teaching it because my students always respond positively to the story and it’s key ideas.
This is such an important book. Through the eyes and experiences of six-year-old Scout Finch, the reader comes to understand key lessons about prejudice, equality, and personal integrity that profoundly influence the way they see and interact with other people.
The story is told in a very matter-of-fact manner, yet it is laden with irony and quite intricately constructed layers of meaning that give it depth and enable it to have a powerful effect on the reader. The simplicity of Scout’s questions contrasts with the significance of the behaviour and beliefs challenged by her perplexity, while the wisdom of the adults to whom she turns for answers inspires the reader, too.
I have numerous favourite scenes and quotations from this book, but the one I love most is the tender scene between father and daughter at the close of the book, which really emphasises the message of the book as a whole:
This novella is a genius piece of political satire based on the events leading up to the Russian Revolution in 1917 and the rule of the dictators who followed.
The allegorical use of animals on a farm enables the author to be critical and insightful without making direct accusations. Indeed, the most effective use of insinuations and suggestions is a trait that Orwell shares with Snowball and Napoleon, the two most prominent characters in the book.
As the plot moves from incitement to revolution and then tyranny, each phase of influence and control is cleverly and powerfully exposed as those in charge exert their will over the rest of the characters.
Although it was published seventy years ago, this brilliant work retains a great deal of relevance today because, in all honesty, politics and politicians haven’t really changed that much.