A favourite since my childhood, ‘The Wind in the Willows’ features Mole, Rat, Toad and Badger as the main characters in a delightful story about friendship and adventure.
The stories are enchanting and memorable, conjuring images of rural England in days gone by.
This is a wonderful book for children, and a great choice for reading together as a family.
Many readers outside of Australia may not have heard of either this wonderful book or its author, but I would heartily recommend them to read it.
‘My Brilliant Career’ was the first Australian novel to be published. Franklin sent her manuscript to Henry Lawson, who liked it so much that he wrote a foreword and submitted it to his own publishers.
Although presented as a romantic story, It’s actually something of an anti-Romance. Sybylla Melvyn is an artistic and independent young woman who experiences a series of downturns in her family’s circumstances and finds herself at the wrong end of the same social expectations and judgements to which she had always been resistant.
While not opposed to the idea of love, that is not where Sybylla sets her hopes for happiness. The book does reflect the growing influence of the women’s movement in Australia and the changing values and expectations of young Australian women at the turn of the 20th century.
The story is so realistically and vividly written that it caused Franklin considerable grief: people assumed the book was based on her own life and family and made such awful judgements about her that she withdrew the book from publication until after her death. While there may indeed have been autobiographical elements in the story, it was only ever presented as a work of fiction. In the end, it is a very poor reflection on those readers who chose to be so critical that they entirely missed the beauty and depth of a wonderfully told story.
There are lots of vampire stories being written and read today, but ‘Dracula’ is where they all started. It’s classic Gothic horror in a story told through letters, diary entries, newspaper clippings in addition to the narrative, so it has multiple narrators. None of them have all the information and some are not even first-hand witnesses, so it’s a bit like piecing together a puzzle as you read. It builds up a lot of intrigue and suspense as the story becomes darker and deadlier.
‘Dracula’ has inspired many films, TV shows, books, comics, cartoons and plays over the years. Other writers and filmmakers have created their own vampire stories, and some of them are really good. Even so, Bram Stoker’s sheer originality, powerful writing and ingenious storytelling style make the original classic really hard to beat.
You’ve got to hand it to the Bronte sisters: they certainly had a handle on brooding, emotionally charged stories that made powerful observations about human nature and psychology.
Charlotte Bronte’s ‘Jane Eyre’ immerses the reader in the life of the young Jane, orphaned and unloved, and has them look on over her shoulder as she grows up, learning resilience and wisdom while finding her place in the word. The relationship between Jane and the reader is an intimate one, in which Jane tells her story and reveals her thoughts and feelings as if to a confidante.
Whether or not you agree with her choices, Jane is a in independent and spirited woman in an age where that was not really socially acceptable, and her story is certainly a compelling read.
‘Treasure Island’ is a ripping adventure story of pirates, treasure, mystery and courage that takes the young Jimn Hawkins from his home at the Admiral Benbow Inn to the Caribbean and back again.
It has been made into movies, cartoons for TV, comic strips, graphic novels and all sorts of adaptations over the years but, for me, nothing beats the original book.
The story is told richly, with an interesting and varied cast of characters. The most famous figure in the book is Long a John Silver, whose reputation exceeds that of anyone else in the story. People may not recognise the name of Jim Hawkins, the heroic young main character of the novel , but everyone knows of Silver as a notorious pirate.
‘Treasure Island’ is a great book for older children and teenagers. It’s a book that I still love reading, and I always enjoy enjoy teaching it because my students always respond positively to the story and it’s key ideas.
This is such an important book. Through the eyes and experiences of six-year-old Scout Finch, the reader comes to understand key lessons about prejudice, equality, and personal integrity that profoundly influence the way they see and interact with other people.
The story is told in a very matter-of-fact manner, yet it is laden with irony and quite intricately constructed layers of meaning that give it depth and enable it to have a powerful effect on the reader. The simplicity of Scout’s questions contrasts with the significance of the behaviour and beliefs challenged by her perplexity, while the wisdom of the adults to whom she turns for answers inspires the reader, too.
I have numerous favourite scenes and quotations from this book, but the one I love most is the tender scene between father and daughter at the close of the book, which really emphasises the message of the book as a whole:
This novella is a genius piece of political satire based on the events leading up to the Russian Revolution in 1917 and the rule of the dictators who followed.
The allegorical use of animals on a farm enables the author to be critical and insightful without making direct accusations. Indeed, the most effective use of insinuations and suggestions is a trait that Orwell shares with Snowball and Napoleon, the two most prominent characters in the book.
As the plot moves from incitement to revolution and then tyranny, each phase of influence and control is cleverly and powerfully exposed as those in charge exert their will over the rest of the characters.
Although it was published seventy years ago, this brilliant work retains a great deal of relevance today because, in all honesty, politics and politicians haven’t really changed that much.
I may be cheating by covering a whole series instead of just one of the novels, but how does one choose a single favourite among such an incredible set of books?
Supposedly written for children, The Narnia Chronicles fill me with as much joy and wonder now as they ever did. They are stories that never, ever get old.
I collected a mismatched set of the books over several years as a child, and then as a teenager I indulged my slightly OCD book-neediness and bought a boxed set with matching covers. I can’t find any of the first lot, and only one of the boxed set remains on my shelf. I’ve lost a few in different classrooms over the years and others courtesy of unreturned loans, so several years ago I bought the complete set in one volume so I could read them all again.
While each book in the series is a unique and brilliant story in its own right, as a collection they are remarkably cohesive and unified.
The Narnia Chronicles really are the works of a master storyteller.
‘Vanity Fair’ is the story of Becky Sharp, a woman who starts out with very little and demonstrates that with ingenuity and determination, one could work one’s way up the ranks of society, despite the upper classes pretensions that this could never be so.
Written with considerable wit and thoughtful insight, it’s a really entertaining story, but it also delivers a fascinating study of human nature and quite biting commentary on social status and those who possess it.
Although our society has changed significantly since this book was published in 1848, human nature hasn’t, so ‘Vanity Fair’ remains quite a relevant commentary on people and how they see and treat one another.
Many people assume that this is a book all about love and courtship. That comes into it, of course, but really only the sense that Jane Austen is blowing an enormous raspberry to the way society did those things.
‘Pride and Prejudice’ is full of delicious snark and subversive humour, parody and caricature, that make its observations far more rapier than romantic.
Of course, Mr Darcy is smolderingly handsome and, as an introvert, I totally get that he was regretting being dragged along to that party long before he even got there, and by the time he was offending all the locals, was busy trying to think of ways to leave without anyone noticing. Further evidence of that is found in the fact that he falls for the one brainy chick who is happy in her own company and reading a book without needing someone affirming her delicate sense of self every three minutes.
Elizabeth is smart and sassy enough to stand up for herself, and to not settle for the first nincompoop who tried to marry her, nor does she agree to marry Darcy just because he’s loaded. No, she is a woman of substance.
Those things are enough to make us love them both more than the rest of the characters, most of whom are either quite socially acceptably bland or rather horrid.
If you’re not sure where to find the sarcasm, it all starts with the very first line. Let’s be honest: what rich man, living the dream and enjoying his wealth, is desperate to find a wife to keep him at home and spend his money for him?
Yeah. I don’t think so, either.