Misunderstood Shakespeare: “The World’s Mine Oyster”

When people say this, they usually assume it means that the world is at their feet and they are in a position where everything is going to work in their favour. Others say it to imply that they are “the pearl” and they are being cultivated for greatness. 

However, when these lines were spoken in Shakespeare’s ’The Merry Wives of Windsor’, the intention is actually quite different. 

In a conversation between two less-than-reputable characters, this conversation takes place: 

In other words, if Falstaff won’t give him money, Pistol will go and take it forcibly from other people. It’s about taking what one is not entitled to, and it has quite violent connotations. 

An oyster does not willingly open – it has to be forced.
An oyster does not willingly give up its pearl, which can take years to develop, and the oyster is often damaged or killed in the process of extracting the pearl. 

This is an image of violence, and not one of happy or fortunate circumstances at all. 

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Misunderstood Shakespeare: “Star-cross’d Lovers”

Just like ‘Wherefore art thou Romeo?”, this commonly misunderstood famous line comes ‘Romeo and Juliet’

I have witnessed so many people talking about Romeo and Juliet as “star-cross’d lovers” in the sense of their meeting and relationship being their destiny, and that the two were somehow fated to be together. 

This couldn’t be more wrong. 

The actual meaning of the term becomes clearer if one thinks of it in terms of the stars actually crossing them. 

Romeo and Juliet were never meant to be together. The fates were against them, right from the start, and it was never going to work out well. 

It’s important to remember that ‘Romeo and Juliet’ is a tragedy, not a comedy or romance. In Shakespeare’s tragedies, the main characters always die. There are no happy endings. That’s a convention of the genre, and it is pointless to expect anything else. 

Not only that, but Shakespeare gives us the spoilers right there in the prologue, the opening speech of the play, which is where the phrase comes from. They’re going to die, and as they are laid to rest, so too will be buried the feud between their families, which is what made their love forbidden in the first place. 

The prologue to Romeo and Juliet by William Shakespeare.

If, as some believe they do, the stars were to control one’s fortunes in life, the last thing you’d wish for is to be “star-crossed” in any way. 

Misunderstood Shakespeare: “Wherefore art thou Romeo?”

Of all the lines written by Shakespeare, this is possibly the single most misunderstood by a 21st century audience.

While it might be a romantic notion for a lovesick teenager to look out her window— not a balcony, by the way— and wonder where her beloved might be, that’s all it is. That is not what is happening in this scene. 

In early modern English, “wherefore” meant “why”.

Juliet is not asking where Romeo is.  She is asking why, of all the families in Italy, did her new boyfriend have to belong to the family with which hers had been feuding? Why did he have to carry a name that would be an immovable obstacle to them both? 

She goes on to insist “that which we call a rose by any other name would be as sweet”— in other words, it’s not the name that makes someone what they are.  If Romeo were to change his identity, he would still be the same person. What his name is should not matter — what sort of person he is, and the fact that she loves him, is what should determine their compatibility. 

That’s why when you’re waiting for a friend or looking for your dog, it’s incorrect to ask “Wherefore art thou, Buddy?”
It may sound cute, but it will make your Shakespeare-loving friends cringe, at least on the inside. 

Dear Internet: That Quote You Love? It’s Not By Shakespeare.

I wrote a few weeks back about the things I enjoy , and the things I don’t enjoy so much, about Pinterest

Since then, I’ve noticed one really annoying thing when I’ve been scrolling through my feed. It’s not actually the fault of Pinterest, but it is there that I am continually reminded of a matter that really needs to be corrected.

There’s a super popular quote that keeps coming up on my feed because Pinterest knows I love Shakespeare. It’s all over the internet, and it seems every second person on Pinterest is sharing it. 

This quote is the darling of the Internet. But it’s not by Shakespeare.

The problem is, while it sounds like something Shakespeare might have written, those lines do not appear anywhere in the plays or poetry of the Bard… not even close, actually.

The quote is a translation from an Italian opera by Arrigo Boito titled ‘Falstaff’, based on one of Shakespeare’s plays, and which uses a number of lines from several other plays, too. Given that Boito borrowed from the Bard quite freely, it’s not really surprising that other lines from the libretto have been wrongly attributed back to Shakespeare. Some might suggest it’s karma, but it’s really just careless.

I’m more than happy for people to continue posting pretty images of the quote, but it would be great to see them attributed to the right person.  

Too much to hope for?
Yeah… it probably is. 

Misunderstood Shakespeare: “A horse! A horse! My kingdom for a horse!”

“A horse! A horse! My kingdom for a horse!” 

Written by Shakespeare in around 1593, these words have become immortalised as the final words of desperation spoken by King Richard III of England as he battled Henry Tudor for control of the throne of England.  

These words are also possibly the most frequently misinterpreted Shakespeare quotation in history, although Prince Hal’s “The first thing we do, let’s kill all the lawyers!” from Henry Vl is right up there on the list. 

Shakespeare very cleverly painted Richard III to be entirely evil and villainous, self-serving and single-minded in his pursuit of the throne at the expense of all others who stood between him and the ultimate royal goal.  

As evil and villainous as Shakespeare’s Richard is, it’s crucial to remember that Richard was fighting for both his kingdom and his life. It makes absolutely no sense, therefore, that he would have been wandering around Bosworth Field offering someone his kingdom in exchange for a horse. 

What this line actually means is that Richard knew he was going to lose the battle if he couldn’t get back on a horse and keep fighting. His horse had just been killed in battle, while he was still riding it. On foot, he was without means of either strategic defence or meeting the enemy in an even fight. He was an easy target that travelled much slower and far less deftly than his mounted opponent. 

The line could be interpreted as meaning, “Without a horse, I’m going to lose my kingdom!” It was a cry of despair, not an attempt at last-minute marketing. 

The urgency and foreboding in Richard’s words make this scene a magnificent piece of drama. If there’s anything the audience loves more than a villain getting it in the neck, it’s the villain realising that it’s coming. 

When understood properly, this oft-misinterpreted quotation reveals once again the genius of the wordsmith. 

If you have a line or scene of Shakespeare you’d like explained, feel free to ask a question or make a suggestion in the comments and I’ll give it a red hot shot.