Irony, Dramatic Irony, and the Plot Twists of 2020

Image by sapphoris on Pixabay

Irony occurs when one thing is expected, but the opposite thing happens or turns out to be true. 

When the audience knows or understands something that the characters in a story or on stage or screen do not, that is called dramatic irony. 

It should be noted, too, that an event or outcome being ironic for one person or group does not preclude it being predictable for other people

Both irony and dramatic irony are much-loved devices for writers, but they do not only exist in literature and film. 

In fact, one could argue that the reason writers use these techniques is because they know that these things happen in everyday life, and that people love it when they do. The profundity of natural irony, dramatic or otherwise, is like crack for writers, who are often keen observers of human nature and behaviour.

Irony is a powerful thing. It can evoke all sorts of responses, ranging from pity to laughter to judgement, depending on the perspective of each onlooker. It can bring about self-pity, humility or significant changes in attitude and behaviour for those who experience it. 

When well executed by an author, irony creates plot twists and complications that add depth and complexity to a story, but which also make the experiences of the characters relatable and intriguing for readers. 

When expertly executed by the universe, though, irony can blow one’s mind. 

Without being political, it was ironic that Boris Johnson dismissed the potential threat of COVID-19, counted on the population developing herd immunity, and then got so sick with the virus that he ended up crediting the medical team who cared for him with saving his life.  

Likewise, Trump denied the existence or threat of the virus and casually dismissed the illness and death of thousands of his own people. He refused to wear a mask or observe social distancing, he insisted on holding social events and campaign rallies against all medical advice. That he has tested positive and ended up in hospital with the virus is loaded with both types of irony. 

Trump’s mockery of Hilary Clinton when she suffered pneumonia during her campaign in 2016 was not only a dreadful thing to do, it has also proven now to be deeply ironic. 

There is little doubt that 45’s illness is a plot twist that he didn’t see coming. 

One would hope that his treatment with highly experimental drugs that others with the illness haven’t had access to doesn’t end up doing more harm than good. That would also be ironic. 

Personally, I find it impossible to feel sorry for him. 

My empathy lies with all those Americans who suffered the disease and who lost loved ones to it while he proclaimed it as fake, and with all those who cannot afford the instant access to hospital care and fancy drugs that he can. 

Irony, Dramatic Irony, and the Plot Twists of 2020
#irony #PlotTwist #TrumpCovid #BorisJohnson #JustSaying #blogpost

Woulda Coulda Shoulda.

One of the biggest battles I face as a high school English teacher is the plague of “would of”, “could of” and “should of”. 

These incorrect terms have arisen from the corruptions of “would’ve”, “could’ve” and “should’ve”. Of course, those are contractions of “would have”, “could have” and “should have”.

The irony is that people use “would of” instead of “would’ve” because they think they are speaking or writing better English. 
However, using “of” instead of “have” is never correct. 

If you really want to set yourself apart from the masses, this is a great place to start. Say it correctly and write it correctly. Join the resistance, and lead by example. 

Misunderstood Shakespeare: The Balcony Scene

Pretty much anywhere you go, whoever you talk to, if they know only one thing about any play by Shakespeare, it’s the balcony scene from Romeo and Juliet. It’s possibly the most famous scene ever written. 

There’s just one problem with that:  there was no balcony. 

That’s correct. 

There. 
Never. 
Was. 
A.
Freaking.
Balcony. 

In the script, the stage direction is clear: JULIET appears above at a window. 

Not a balcony. A window. 

You can read the entire scene and see that not once is a balcony mentioned. 

I don’t know who invented it, but it was a killer idea that I bet Shakespeare would wish he had thought of, were he still alive today. 

Of course, directors can stage a play however they like, and make use of whatever structures and sets the theatre provides.

Filmmakers can do likewise, but one must keep in mind their tendency to just change whatever they want. Hollywood is notorious for that. The mayhem that comes from mass misunderstanding occurs when directors think they know better than the author, and when people watch a movie instead of reading the book.

It makes people and their assumptions about the original text wrong, and leaves them marinating in their wrongness until their wrongness is so commonly accepted that most people think it’s right. 

It just goes to show that what your English teacher always said is true: there really is no substitute for reading the book.

‘Definitely’ and ‘Defiantly’ Are Different Words.

I am still coming to terms with the fact that this post needed to be written. How do people not know these are different words?

Apparently, though, it’s an all-too-common problem. Social media is littered with posts where someone has answered with “Defiantly!” when what the responder really meant to say was “Definitely!”.

It happens in my own conversations several individuals on a regular basis. In fact, it happened again just yesterday, so I took a screenshot with this blog post in mind.

Yes. I most definitely did turn my friend into a hamburger to protect their identity. 

I don’t know whether autocorrect is to blame, presumably as a result of poor typing, or if it’s just plain old-fashioned ignorance. The answer to that probably varies from one perpetrator to another, but  either way, continuing to mistake one for the other is inexcusable. 

Definitely means “for sure” or “absolutely”. 
In fact, those are excellent choices for anyone who wants to agree with something, but doesn’t actually know how to spell “definitely”. 

Here’s a hint, though.
Definitely even sounds exactly as it is spelt: def-in-it-ely.
It’s phonetically straightforward.

Therefore, anyone trying to spell it should get to the ‘a’ in ‘defiantly’ and know they’re making bad choices. 

Defiantly is a word most often used by parents or teachers describing the way in which a child refused to do as they were told. 
Examples:
The child sat in stony silence, arms crossed defiantly. 
“No!” Robin yelled defiantly, “I won’t apologise for being a grammar snob!” 

You get the idea. 

It’s definitely in your interests to get this right.

Make good choices, people… please?

Frequently Mistaken: ‘who’s’ and ‘whose’

Today I received an email which included the line, “It doesn’t matter who’s responsibility it is…”

Written by a professional who should know better, it was ironic that it was me, and not them, doing a massive facepalm.

This incorrect use of the homophone “who’s” instead of “whose” is a common error, but that doesn’t make it excusable.

The apostrophe in “who’s” signals that it is a contraction— a shortening of two words into one, so that “who is” becomes “who’s”. Alternatively, it can also be a contraction of “who has”. You can tell which one it is by determining if the sentence is in past or present tense,

Examples:
That’s the boy who’s a really good actor.
Who’s in charge around here?
Who’s been eating my porridge?

‘Whose’ is a pronoun of ownership. 

Examples:
This is the farmer whose cows ate all my corn. 
Whose car is that? 

Once you know the difference, it’s fairly straightforward. That means there is absolutely no excuse for getting them wrong, even if they do sound the same when spoken.

Fun fact: “it’s” and “its” work exactly the same way.

Misunderstood and Misquoted Shakespeare: “One Foul Swoop”

This morning’s conversation in my kitchen is a clear demonstration of just how much of a Shakespeare Nerd I really am.

H: I need egg cartons. Where do I get egg cartons? 
Me: How many do you want? 
I pointed to the top of my fridge where there sat a stack of egg cartons. 
Me again: Take them all. 
H: Oh wow! Thanks! 
K: That’s awesome! I’ll grab them in one foul swoop and put them in the car.
Me: Well, that’s decided my blog post for today. 
K: Huh? 

In Act 4, Scene 3 of ‘Macbeth’, Malcolm and Macduff engage in testing one another’s loyalty to Scotland rather than to Macbeth, who has become king. During that conversation, Macduff learns of the murders of his wife and children at the order of Macbeth, whom he describes as a “hell-kite” who has slain his “chickens” in “one fell swoop”. 


The deed was certainly foul, but that isn’t what Shakespeare wrote. He wrote “one fell swoop” which is an entirely different thing. 

Here, fell means ‘fierce’. 

It’s an image of violent attack, of hunting, and of predator and prey, which leaves the audience in no doubt that these murders were calculated and precise. The term “hell-kite” leaves the audience in no doubt of the evil motivations behind the slaying.

Dear Internet: That Quote You Love? It’s Not By Shakespeare.

I wrote a few weeks back about the things I enjoy , and the things I don’t enjoy so much, about Pinterest

Since then, I’ve noticed one really annoying thing when I’ve been scrolling through my feed. It’s not actually the fault of Pinterest, but it is there that I am continually reminded of a matter that really needs to be corrected.

There’s a super popular quote that keeps coming up on my feed because Pinterest knows I love Shakespeare. It’s all over the internet, and it seems every second person on Pinterest is sharing it. 

This quote is the darling of the Internet. But it’s not by Shakespeare.

The problem is, while it sounds like something Shakespeare might have written, those lines do not appear anywhere in the plays or poetry of the Bard… not even close, actually.

The quote is a translation from an Italian opera by Arrigo Boito titled ‘Falstaff’, based on one of Shakespeare’s plays, and which uses a number of lines from several other plays, too. Given that Boito borrowed from the Bard quite freely, it’s not really surprising that other lines from the libretto have been wrongly attributed back to Shakespeare. Some might suggest it’s karma, but it’s really just careless.

I’m more than happy for people to continue posting pretty images of the quote, but it would be great to see them attributed to the right person.  

Too much to hope for?
Yeah… it probably is. 

The Trouble With Names.

A teacher confesses her most regular, and possibly most embarrassing, classroom faux pas.

Your Teacher Apologises

The classroom is busy in a studious kind of way. Students are working on the task I have assigned them, and I am making my way around the room, checking in with each student to see if they need any help or clarification. The tone of the room is positive and the level of noise is low.

I know these kids well enough to know some of their hobbies and interests, which ones love reading, which ones are sporty, and which ones are the introverts who would rather work alone than in a group situation. Suffice to say, I know their names.

As I move toward the first girl in the next row, I quietly whisper to myself, “Don’t call her Susie. Don’t call her Susie. It’s Sharon, not Susie.” In the very next nanosecond, I open my mouth and say, “Hi Susie! How are you going with this assignment?”

Everyone in the room has heard me do it – again. A collective sigh, non-verbal but heavily laced with the essence of “Not again!” can be heard. One kid shakes his head at me in an awkward blend of amusement and newly-refreshed disappointment. It’s fair to say that this has probably happened to him before.

Sharon looks at me with an expression that shows she is torn between saying “I’m Sharon!” and rolling her eyes, pretending I didn’t say it, and answering my question.

“I’m so sorry!” I say. “I know you’re Sharon. I don’t know why that happens. It’s certainly not deliberate. It’s just… my brain. It hates me.”

Sharon nods. Unfortunately, she’s heard this enough times to know it’s true. I give her a pathetic, apologetic smile in response, and go back to talking about the assignment.

How can I remember the details of the Industrial Revolution or talk ad nauseum about the literary qualities of Shakespeare’s ‘Much Ado About Nothing’, and still get some poor kid’s name wrong at least once a day?

It isn’t even always the same student. Occasionally, my brain/mouth coordination goes rogue, and I’ll call Kate ‘Lily’ or ‘Rose’, just to keep things interesting. Just once. Just to make things interesting, I’m sure.

This is one of the things that keeps me humble as a teacher. In my job, I’m required to talk to people and use their names in the classroom. And that very basic thing is something that, from time to time but far too often for comfort, I struggle to do.

The ironic thing is that I’m actually really good at remembering faces and names, where I met someone and conversations I’ve had with them. I have to remind myself that not everyone does that when I’m tempted to take it personally that someone hasn’t remembered my name, or having met me before.

I just don’t understand how the wrong name can come out of my mouth so often in every day situations.

The only thing I can put it down to is the brain fog I have carried since I contracted a delightful tropical disease called Ross River Fever in 2011, and which is also typical of fibromyalgia, which I have been left with as the legacy of the RRF. I know the fog is particularly meddlesome when I’m tired or my pain levels are high, but even at times when I am doing okay and enjoying otherwise greater clarity, some autonomous impulse to self-destruct in front of others fires off and I find myself apologising for calling Tom either ‘Dick’ or ‘Harry’.

I think I’m going to have to just start telling my classes at the beginning of each year or semester that it’s likely to happen, it’s not intentional, and I apologise in advance. It’s either that, or resort to calling everyone “Hey You” or just never using their names, neither of which is a terribly professional option, either.