Poem: ‘Going to School’ by C.J. Dennis

I learned this poem when I was in 5th grade. My teacher loved poetry sand set us all a poem to memorise and recite. ‘Going to School’ was mine. 

Published in ‘A Book for Kids’ in 1938 with a collection of similarly excellent poems, this is a fun poem with a very musical rhythm and rhyme pattern that are instantly engaging. It conjures images of a time when kids in Australian country schools might ride a horse to school if they loved too far away to walk and didn’t own a bicycle or three. 

Dennis was a man of many talents: in addition to working as a journalist and poet, he also illustrated his own books with delightful pictures that were almost as much fun as the poetry. 

Image: C.J. Dennis working at his desk c.1938 . Public Domain via The State Library of Victoria 

Going to School

Did you see them pass to-day, Billy, Kate and Robin,
All astride upon the back of old grey Dobbin?
Jigging, jogging off to school, down the dusty track-
What must Dobbin think of it – three upon his back?
Robin at the bridle-rein, in the middle Kate,
Billy holding on behind, his legs out straight.


Now they’re coming back from school, jig, jog, jig.
See them at the corner where the gums grow big;
Dobbin flicking off the flies and blinking at the sun-
Having three upon his back he thinks is splendid fun:
Robin at the bridle-rein, in the middle Kate,
Little Billy up behind, his legs out straight.

Dennis’ images for ‘Going to School’ from ‘A Book for Kids’
Public Domain via Project Gutenberg

If you’d like a copy of A Book for Kids, Project Gutenberg has it available in a variety of formats, including for Kindle and other eReaders, free of charge. This is a legal download as the copyright on both the work and the illustrations included has expired. 

ANZAC Day, 2019

101 years after the end of World War I, people all over Australia and New Zealand gathered today in remembrance of our soldiers, the nurses and doctors who supported them, and all those who served to preserve our freedom.

At our local ANZAC Day ceremony, I witnessed some lovely moments. 

Members of the CWA had knitted poppies and used them to line the path to the cenotaph. They looked beautiful, but also served as a poignant reminder of those who had given their lives during the war.

Local men who had served stood proudly, wearing their medals. There are fewer of them each year, but their number was supported by the children and grandchildren of those who have passed, wearing their forebears’ medals with pride and reverence.

One of my own former students gave a beautiful heartfelt requiem for the fallen. He spoke so well, and really knew his history. He made me really proud. 

An elderly gentleman standing near me bent down, took his restless young grandsons in his arms and explained to them why they needed to be quiet and pay respect. He then pinned his own poppy on one boy’s shirt. The smile on that child’s face as he stood quietly beside his grandfather for the rest of the ceremony was a wonderful thing to see.

Several young people of my town raised the flags of Australia and New Zealand to half mast and stood with their heads bowed during the Last Post and the minute of silence before raising the flags to full height and saluting them. 

Over thirty local groups, organisations and businesses laid memorial wreaths at the base of the cenotaph. Young members of the local Scout group carried and laid wreaths for those who were too elderly or frail to do so, keeping pace with the older folk as they walked to and from the cenotaph. 

A teenaged member of my theatre company sang the national anthems of both countries with reverence and pride. Everyone in attendance stood and sang along with pride. Not everyone knew the New Zealand anthem, but plenty of folk did. 

After the ceremony, the local Scouts carried around plates of sandwiches and refreshments for the townsfolk who had congregated. Every single one of them said “Excuse me” before offering us something to eat. Every single one of them smiled and spoke respectfully.

I have no doubt that similar things happened in every locality across Australia at 11am today to commemorate all those who served to defend our country and preserve our freedom, because that is what Australians do on April 25th.  

Shakespeare’s Birthday

Every year on April 23rd, my family celebrates Shakespeare’s birthday with cake. I always do some reading from a play or sonnet, but my husband isn’t so fond of that as he is of the cake, so it’s usually either a solitary activity or one I share with my dog. It’s a well-established fact that Abbey the Labby loves the Bard… and cake.

This year, though, my homage will take the form of several hours of rehearsal for a different comedy – Monty Python’s Spamalot – before I am able to indulge in birthday cake. It does seem fitting that the show is a little bawdy, somewhat irreverent, and absolutely hilarious. 

While the precise date of Shakespeare’s birth was not recorded, the date of his baptism was registered as April 26th, 1564. Because it was traditional for babies to be christened three days after they were born, it is generally accepted that William Shakespeare was born on April 23rd. 

In an ironic twist, Shakespeare died on the same date in 1616. Some people think that is awkward, but I think it’s a pretty cool achievement. I’m not sure how common it is for people to die on their birthday, but one of my grandfathers  did, so it’s a feat that has always been a point of interest for me. 

So, here’s to The Bard, his works, and his legacy.

Happy Easter!

However you celebrate, whatever you believe, I wish each of you a happy and blessed Easter Sunday, safety on the roads, and the very best in chocolate eggs and bunnies.

I’m away this weekend, enjoying time with my family and getting some much needed rest and relaxation.

We’ve taken off to Port Macdonnell, a little spot on the South Australian coast, for the long weekend. Hopefully, we’ll be making the most of some beautiful mild Autumn weather and seeing some new places and scenery.

As it is Easter Sunday, I thought I would share with you one of my favourite Easter songs. I grew up listening to the music of Keith Green, an enormously popular Christian singer and songwriter of the 1970s and 80s.

For your enjoyment, this is his Easter Song.

Never Too Busy For Poetry!

This weekend is crazy busy. One evening and two full days of rehearsal for the show I’m in, which hits the stage on the first two weekends of May. 

The show is Monty Python’s Spamalot, performed by Camperdown Theatre Company. We’re working hard and having a blast rehearsing it, although one of the hardest parts is not laughing at the genuine comic talent of the actors.

It’s enormous fun, but it’s fair to say it’s exhausting. 

While most of my social media for the weekend could be scheduled and was organised by Friday, and there were only a few “on the spot” things I needed to do, I decided ahead of time to spend as little time online as I could over the weekend. Any spare time I have will be spent resting and relaxing, which means reading.

One of the lovely things about poetry is you can read it, and keep thinking about it at odd moments during the day. It adds a dimension of beauty and calm to a hectic schedule, and opportunities for reflection that might not otherwise offer themselves.  Even just a few lines can change a perspective and transform a moment into something that lifts the entire day. 

Another lovely thing about poetry is the sense of connection the reader has with the poet. Despite the fact that many of my favourite poets have been long dead, I can still experience a moment of empathy and understanding that reminds me that I’m not doing life in a bubble.

That is my hope for my own poetry. I may not become famous, or even widely known, for the poems I write, but I know that my own readers experience that same connection with me because their reviews and communications tell me so. 

So, even in the midst of a busy weekend, I’ll always make time for a little poetry. 

Poem: ‘Wynken, Blynken and Nod’ by Eugene Field

When I was young, my parents had a set of World Book Encyclopaedia and a matching set of themed books, one of which was full of children’s literature. I spent many hours reading and re-reading the poems in one of those volumes, which is where I discovered the poetry of Eugene Field, Ogden Nash, Gelett Burgess and many other poets who became favourites.

‘Wynken, Blynken and Nod’ weaves together elements of fantasy, lullaby and Dutch heritage to create a delightful children’s poem. It is one that I remember fondly from my childhood, along with another of Field’s poems, ‘The Duel’ about a gingham dog and a calico cat. 

Wynken, Blynken and Nod

Wynken, Blynken, and Nod one night   
Sailed off in a wooden shoe–
Sailed on a river of crystal light,   
Into a sea of dew.
“Where are you going, and what do you wish?”   
The old moon asked of the three.
“We have come to fish for the herring fish
That live in this beautiful sea;
Nets of silver and gold have we!”                 
Said Wynken,                 
Blynken,
                And Nod.

The old moon laughed and sang a song,
    As they rocked in the wooden shoe,
And the wind that sped them all night long
    Ruffled the waves of dew.
The little stars were the herring fish
    That lived in that beautiful sea–
“Now cast your nets wherever you wish–
    Never afeard are we!”
    So cried the stars to the fishermen three:
                  Wynken,
                  Blynken,
                And Nod.

All night long their nets they threw
   To the stars in the twinkling foam—
Then down from the skies came the wooden shoe,
   Bringing the fishermen home;
‘T was all so pretty a sail it seemed
   As if it could not be,
And some folks thought ‘t was a dream they ‘d dreamed
  Of sailing that beautiful sea–
   But I shall name you the fishermen three:
                     Wynken,
                     Blynken,
                   And Nod.

Wynken and Blynken are two little eyes,
   And Nod is a little head,
And the wooden shoe that sailed the skies
   Is a wee one’s trundle-bed.
So shut your eyes while mother sings
   Of wonderful sights that be,
And you shall see the beautiful things
   As you rock in the misty sea,
   Where the old shoe rocked the fishermen three: 
                   Wynken,
                     Blynken,
                     And Nod.

Goodnight.

Poem: ‘Morte d’Arthur’ by Alfred, Lord Tennyson

It is no secret that I love Tennyson’s poetry, and consider him one of my great literary inspirations.

It’s hard to pin down which of his poems is my favourite, because so many of them are brilliant. Several of my favourites, though, do belong to the poetry he wrote about the world of King Arthur and Camelot: The Lady of Shalott, The Idylls of the King, and Morte d’Arthur.

Morte d’Arthur is written in blank verse, which means it doesn’t rhyme, but it flows naturally because of its rhythm. Iambic pentameter means there are five sets of a ‘ba-boom’ rhythm in each line – think of a heart beat, or the way we say words like ‘beyond’ or ‘afar’. It gives poetry an easy lilt that lures the reader into the feeling of the poem and the words, which is why it has proven to be very popular among poets and readers alike.

This poem tells the story of the end of King Arthur’s life, and his conversations with Sir Bedivere about what should be done with Excalibur, the sword which he had received from the Lady of the Lake. As with all great fantasy stories, there is tragedy, a challenge to loyalty, and some lovely magical moments.

It’s a long poem, but well worth reading. I hope you enjoy it.


Image: Public Domain. ‘The Death of King Arthur’ by John Garrick

Morte d’Arthur

So all day long the noise of battle roll’d
Among the mountains by the winter sea;
Until King Arthur’s table, man by man,
Had fallen in Lyonnesse about their Lord,
King Arthur: then, because his wound was deep,
The bold Sir Bedivere uplifted him,
Sir Bedivere, the last of all his knights,
And bore him to a chapel nigh the field,
A broken chancel with a broken cross,
That stood on a dark strait of barren land.
On one side lay the ocean, and on one
Lay a great water, and the moon was full.

Then spake King Arthur to Sir Bedivere:
“The sequel of to-day unsolders all
The goodliest fellowship of famous knights
Whereof this world holds record. Such a sleep
They sleep—the men I loved. I think that we
Shall never more, at any future time,
Delight our souls with talk of knightly deeds,
Walking about the gardens and the halls
Of Camelot, as in the days that were.
I perish by this people which I made,—
Tho’ Merlin sware that I should come again
To rule once more—but let what will be, be,
I am so deeply smitten thro’ the helm
That without help I cannot last till morn.
Thou therefore take my brand Excalibur,
Which was my pride: for thou rememberest how
In those old days, one summer noon, an arm
Rose up from out the bosom of the lake,
Clothed in white samite, mystic, wonderful,
Holding the sword—and how I row’d across
And took it, and have worn it, like a king:
And, wheresoever I am sung or told
In aftertime, this also shall be known:
But now delay not: take Excalibur,
And fling him far into the middle mere:
Watch what thou seëst, and lightly bring me word.”

To him replied the bold Sir Bedivere:
“It is not meet, Sir King, to leave thee thus,
Aidless, alone, and smitten thro’ the helm.
A little thing may harm a wounded man.
Yet I thy hest will all perform at full,
Watch what I see, and lightly bring thee word.”

So saying, from the ruin’d shrine he stept
And in the moon athwart the place of tombs,
Where lay the mighty bones of ancient men,
Old knights, and over them the sea-wind sang
Shrill, chill, with flakes of foam. He, stepping down
By zigzag paths, and juts of pointed rock,
Came on the shining levels of the lake.

There drew he forth the brand Excalibur,
And o’er him, drawing it, the winter moon,
Brightening the skirts of a long cloud, ran forth
And sparkled keen with frost against the hilt:
For all the haft twinkled with diamond sparks,
Myriads of topaz-lights, and jacinth work
Of subtlest jewellery. He gazed so long
That both his eyes were dazzled, as he stood,
This way and that dividing the swift mind,
In act to throw: but at the last it seem’d
Better to leave Excalibur conceal’d
There in the many-knotted water-flags,
That whistled stiff and dry about the marge.
So strode he back slow to the wounded King.

Then spake King Arthur to Sir Bedivere:
“Hast thou perform’d my mission which I gave?
What is it thou hast seen, or what hast heard?”

And answer made the bold Sir Bedivere:
“I heard the ripple washing in the reeds,
And the wild water lapping on the crag.”

To whom replied King Arthur, faint and pale:
“Thou hast betray’d thy nature and thy name,
Not rendering true answer, as beseem’d
Thy fealty, nor like a noble knight:
For surer sign had follow’d, either hand,
Or voice, or else a motion of the mere.
This is a shameful thing for men to lie.
Yet now, I charge thee, quickly go again
As thou art lief and dear, and do the thing
I bade thee, watch, and lightly bring me word.”

Then went Sir Bedivere the second time
Across the ridge, and paced beside the mere,
Counting the dewy pebbles, fixed in thought;
But when he saw the wonder of the hilt,
How curiously and strangely chased, he smote
His palms together, and he cried aloud,

“And if indeed I cast the brand away,
Surely a precious thing, one worthy note,
Should thus be lost forever from the earth,
Which might have pleased the eyes of many men.
What good should follow this, if this were done?
What harm, undone? deep harm to disobey,
Seeing obedience is the bond of rule.
Were it well to obey then, if a king demand
An act unprofitable, against himself?
The King is sick, and knows not what he does.
What record, or what relic of my lord
Should be to aftertime, but empty breath
And rumours of a doubt? but were this kept,
Stored in some treasure-house of mighty kings,
Some one might show it at a joust of arms,
Saying, ‘King Arthur’s sword, Excalibur,
Wrought by the lonely maiden of the Lake;
Nine years she wrought it, sitting in the deeps
Upon the hidden bases of the hills.’
So might some old man speak in the aftertime
To all the people, winning reverence.
But now much honour and much fame were lost.”

So spake he, clouded with his own conceit,
And hid Excalibur the second time,
And so strode back slow to the wounded King.

Then spoke King Arthur, breathing heavily:
“What is it thou hast seen, or what hast heard?”

And answer made the bold Sir Bedivere:
“I heard the water lapping on the crag,
And the long ripple washing in the reeds.”

To whom replied King Arthur, much in wrath:
“Ah, miserable and unkind, untrue,
Unknightly, traitor-hearted! Woe is me!
Authority forgets a dying king,
Laid widow’d of the power in his eye
That bow’d the will. I see thee what thou art,
For thou, the latest-left of all my knights,
In whom should meet the offices of all,
Thou wouldst betray me for the precious hilt;
Either from lust of gold, or like a girl
Valuing the giddy pleasure of the eyes.
Yet, for a man may fail in duty twice,
And the third time may prosper, get thee hence:
But, if thou spare to fling Excalibur,
I will arise and slay thee with my hands.”

Then quickly rose Sir Bedivere, and ran,
And, leaping down the ridges lightly, plunged
Among the bulrush-beds, and clutch’d the sword,
And strongly wheel’d and threw it. The great brand
Made lightnings in the splendour of the moon,
And flashing round and round, and whirl’d in an arch,
Shot like a streamer of the northern morn,
Seen where the moving isles of winter shock
By night, with noises of the northern sea.
So flash’d and fell the brand Excalibur:
But ere he dipt the surface, rose an arm
Clothed in white samite, mystic, wonderful,
And caught him by the hilt, and brandish’d him
Three times, and drew him under in the mere.
And lightly went the other to the King.

Then spoke King Arthur, drawing thicker breath:
“Now see I by thine eyes that this is done.
Speak out: what is it thou hast heard, or seen?”

And answer made the bold Sir Bedivere:
“Sir King, I closed mine eyelids, lest the gems
Should blind my purpose, for I never saw,
Nor shall see, here or elsewhere, till I die,
Not tho’ I live three lives of mortal men,
So great a miracle as yonder hilt.
Then with both hands I flung him, wheeling him;
But when I look’d again, behold an arm,
Clothed in white samite, mystic, wonderful,
That caught him by the hilt, and brandish’d him
Three times, and drew him under in the mere.”

And answer made King Arthur, breathing hard:
“My end draws nigh; ‘t is time that I were gone.
Make broad thy shoulders to receive my weight,
And bear me to the margin; yet I fear
My wound hath taken cold, and I shall die.”

So saying, from the pavement he half rose,
Slowly, with pain, reclining on his arm,
And looking wistfully with wide blue eyes
As in a picture. Him Sir Bedivere
Remorsefully regarded thro’ his tears,
And would have spoken, but he found not words,
Then took with care, and kneeling on one knee,
O’er both his shoulders drew the languid hands,
And rising bore him thro’ the place of tombs.

But, as he walk’d, King Arthur panted hard,
Like one that feels a nightmare on his bed
When all the house is mute. So sigh’d the King
Muttering and murmuring at his ear, “Quick, quick!
I fear it is too late, and I shall die.”
But the other swiftly strode from ridge to ridge,
Clothed with his breath, and looking, as he walk’d
Larger than human on the frozen hills.
He heard the deep behind him, and a cry
Before. His own thought drove him like a goad.
Dry clash’d his harness in the icy caves
And barren chasms, and all to left and right
The bare black cliff clang’d round him, as he based
His feet on juts of slippery crag that rang
Sharp-smitten with the dint of armed heels—
And on a sudden, lo! the level lake,
And the long glories of the winter moon.

Then saw they how there hove a dusky barge
Dark as a funeral scarf from stem to stern,
Beneath them; and descending they were ware
That all the decks were dense with stately forms
Black-stoled, black-hooded, like a dream—by these
Three Queens with crowns of gold—and from them rose
A cry that shiver’d to the tingling stars,
And, as it were one voice, an agony
Of lamentation, like a wind, that shrills
All night in a waste land, where no one comes,
Or hath come, since the making of the world.

Then murmur’d Arthur, “Place me in the barge,”
And to the barge they came. There those three Queens
Put forth their hands, and took the King, and wept.
But she that rose the tallest of them all
And fairest, laid his head upon her lap,
And loosed the shatter’d casque, and chafed his hands,
And call’d him by his name, complaining loud
And dropping bitter tears against his brow
Striped with dark blood: for all his face was white
And colourless, and like the wither’d moon
Smote by the fresh beam of the springing east;
And all his greaves and cuisses dash’d with drops
Of onset; and the light and lustrous curls—
That made his forehead like a rising sun
High from the daïs-throne—were parch’d with dust;
Or, clotted into points and hanging loose,
Mix’d with the knightly growth that fringed his lips.
So like a shatter’d column lay the King;
Not like that Arthur who, with lance in rest,
From spur to plume a star of tournament,
Shot thro’ the lists at Camelot, and charged
Before the eyes of ladies and of kings.

Then loudly cried the bold Sir Bedivere:
“Ah! my Lord Arthur, whither shall I go?
Where shall I hide my forehead and my eyes?
For now I see the true old times are dead,
When every morning brought a noble chance,
And every chance brought out a noble knight.
Such times have been not since the light that led
The holy Elders with the gift of myrrh.
But now the whole Round Table is dissolved
Which was an image of the mighty world;
And I, the last, go forth companionless,
And the days darken round me, and the years,
Among new men, strange faces, other minds.”

And slowly answer’d Arthur from the barge:
“The old order changeth, yielding place to new,
And God fulfils Himself in many ways,
Lest one good custom should corrupt the world.
Comfort thyself: what comfort is in me?
I have lived my life, and that which I have done
May He within Himself make pure! but thou,
If thou shouldst never see my face again,
Pray for my soul. More things are wrought by prayer
Than this world dreams of. Wherefore, let thy voice
Rise like a fountain for me night and day.
For what are men better than sheep or goats
That nourish a blind life within the brain,
If, knowing God, they lift not hands of prayer
Both for themselves and those who call them friend?
For so the whole round earth is every way
Bound by gold chains about the feet of God.
But now farewell. I am going a long way
With these thou seëst—if indeed I go—
(For all my mind is clouded with a doubt)
To the island-valley of Avilion;
Where falls not hail, or rain, or any snow,
Nor ever wind blows loudly; but it lies
Deep-meadow’d, happy, fair with orchard-lawns
And bowery hollows crown’d with summer sea,
Where I will heal me of my grievous wound.”

So said he, and the barge with oar and sail
Moved from the brink, like some full-breasted swan
That, fluting a wild carol ere her death,
Ruffles her pure cold plume, and takes the flood
With swarthy webs. Long stood Sir Bedivere
Revolving many memories, till the hull
Look’d one black dot against the verge of dawn,
And on the mere the wailing died away.

Poem: ‘When I Have Fears’ by John Keats

This was the first Elizabethan sonnet with which I ever fell in love.

My English teacher lent me a book of John Keats’ poetry when I was in Year 9 at school, and this poem captured my heart. The eloquence, the imagery, the pathos… before the day was out, I had committed this poem to memory.

When I told the teacher the following day, and recited the poem for him, he gave me the book to keep. That I still have it, and that it automatically falls open at this poem should surprise nobody.

Sure, it’s dramatic and very ‘over-thinky’, but who of us hasn’t had those moments?

When I Have Fears that I May Cease to Be

When I have fears that I may cease to be
Before my pen has glean’d my teeming brain,
Before high piled books, in charact’ry,
Hold like rich garners the full-ripen’d grain;
When I behold, upon the night’s starr’d face,
Huge cloudy symbols of a high romance,
And think that I may never live to trace
Their shadows, with the magic hand of chance;
And when I feel, fair creature of an hour!
That I shall never look upon thee more,
Never have relish in the faery power
Of unreflecting love!—then on the shore
Of the wide world I stand alone, and think
Till Love and Fame to nothingness do sink.

If you enjoyed this poem and would like to read more Keats, I suggest either ‘To Autumn’ or ‘Bright Star’ – my other favourites!

Transition.

It’s the last day of March, which brings us to the end of Women’s History Month. In all honesty, I’m feeling a little sad about that.

Blogging about some of the less well known  heroines of ancient and medieval history has been a most enjoyable occupation. I had fun creating some historical memes to accompany the posts and promote them on my social media, too.

I also loved writing about some of the courageous women who willingly took on situations of conflict, oppression and segregation in the 19th and 20th centuries.


If you missed any of those posts, they are easily found by clicking on Women, Women’s History Month or Women’s History categories and tags in the sidebar. 

With those great stories told, I am feeling a little like I do when I have just finished a great book and I don’t really know what to do with myself.

Yet I know that tomorrow  I will feel differently because there are some great things happening in April: not only is it (Inter)National Poetry Month, but it’s also a month-long celebration of Indie books in the Read Self Published group on Facebook. 

The first half of the Pead Self Published month will feature a specific genre or set of genres each day, which readers are free to peruse. The second half of the month will be focused on helping each individual visual reader find what they want to read. There will also be some giveaways, which are always fun — especially for the winners! 

Everyone is welcome to join in those events, which is aimed at showing readers what they want to read without the “hard sell” that many find offputting. 

I know with all of that going on, I will have some great things to share.  I will be posting some of my favourite poems on this blog, and Book Squirrel will be sharing some great reads and book suggestions in various genres.

On a personal level, there will be continued rehearsals for the show I’m in, a very well-earned and much needed two week long term break, and a camping trip over Easter that I am really looking forward to.

So, away with my sadness. I shall welcome April with open arms and a great deal of anticipation.

International Women’s Day: March 8th, 2019

“Happy International Wormn’s Day!” one of my students announced as I walked into the classroom today. 

“Ha!” said one of the boys. “How come women get a special day?

“Are you serious?” another girl challenged him.

“Yeah,” he said, “when is it men’s day?”

The girl who had welcomed me rolled her eyes. “Every day is men’s day!”

It seems like a lighthearted story. You could just laugh and keep doing whatever you were doing and not think any more about it. 

Still, there are deeper issues here that I felt the need to address.

These are teenagers. Without quizzing them to find out where they stand individually, some generalized conclusions can be drawn.

The girls are aware enough to know that inequality still exists, but have been raised in a generation that knows we can demand better treatment than what those who have gone before have experienced. 

The boys are less understanding of the issues that still exist.. there are probably as many reasons why as there are boys present in the room. 

So, we had a discussion about recognising and addressing inequality— of various types, about mistakes of the past and not perpetuating them, and about our concepts of respect, acceptance and difference.

Obviously, we didn’t manage to solve all the problems of the world during that lesson. We did, however, leave with the girls feeling both acknowledged and respected, and everyone more aware of the importance of treating one another as equals, regardless of what types of differences exist between us. 

As a Humanities teacher, that made for a happy International Women’s Day indeed.