Thirteen Thoughts On Writing

I found these writing tips by Paul Skenazy to be very pertinent to myself as a writer.

I really like the one that says “Never lose your awkwardness,” I have awkwardness by the bucketload, so I’ve got that part covered.

Really, though, when I read and consider these points, they converge into an encouragement to be the writer only you can be, and to tell the story the way only you can tell it.

Individuality,
Awkwardness.

I think I’ve got this.

BREVITY's Nonfiction Blog

By Paul Skenazy

  1. Writing is an invitation to humility—you realize you’re on the wrong track, you’ve lost connection with a scene, an emotion, a voice. The return on that humility is when your imagination lets you slip into someone else’s skin. The tales you come up with tell the story you are trying to tell when you sit down to write and also the story of the years you spend working on the book. Rendering a/your life into art changes you.
  2. Trust your intuitions but trust (admit) that you don’t understand what your intuitions are telling you. They have their own truth and direction; your job is to follow where they lead. This doesn’t mean you don’t exert control, but you don’t exert as much control as you think you do. And you are often at your best when you don’t.
  3. Defend your story; don’t give up on it. At…

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The Average Earnings of Authors

I’m always interested to see how different people react when I tell them I’m a published author. You can never really tell which way it’s going to go.

I’m accustomed to people saying, “Oh, that’s nice” or “Oh, interesting! I’ve never met an author before!”. Some people look at me with pity, others adopt an expression that suggests I have three heads.

I am, I confess, always puzzled by people who say, “I don’t read”. I have absolutely no idea what that kind of existence must be like, so I just smile and nod.

The response I find most confronting, though, is “Oh, you must be rich!”

I have two favourite responses for those people: I either say “Nobody gets rich writing poetry!” or “You don’t become a writer if you’re looking for an easy way to make a buck.” To write really well is hard work. It takes time, commitment, energy and attention to detail – and those things generally don’t see a vast return in cash.

My motivation as a writer doesn’t come from money – if it did, I’d have quit after the first book. Sure, I’d like to sell more books, and be able to quit my job and write full time. That would be great… but it’s not likely to happen anytime soon.

For me, writing is a passion, a drive that I find it almost impossible to resist. When I write something good, I feel fulfilled. When I refine it, edit it, craft it, polish it and finally publish it, it’s both exciting and immensely satisfying.

The real thrill comes when a reader responds positively to my work, especially my poetry. To know someone has enjoyed one of my stories or been touched by one of my poems is the best feeling because that doesn’t happen accidentally.

This post by Sara Wolf, which I found on Ryan Lanz’s blog, addresses the issue of the vast differences between what the majority and the minority of authors earn. It’s a well-written article with a message that comes as no surprise to me or any other Indie author.

Most authors aren’t rich. Some manage to make a living. Only a very small percentage make it into the big league and get rich and super famous.

A Writer's Path

by Sara Wolf

It is a frequent occurrence in the news to hear about authors cutting multi-million (or even billion) dollar book or movie deals. Famous examples of ridiculously successful authors, such as J.K. Rowling, E. L. James, and Stephen King, often lead people to think that becoming an author will undoubtedly lead to an equally as lucrative outcome. However, it turns out that the average author makes much, much less.

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Why I Started Book Blogging

I discovered this post on the abooknation today. It reminded me of starting my own book blog, although my reasons were slightly different.

Like this blogger, I have always been an avid reader, but it was really only when my first book was published that I began to understand the true value of a review for an author.

It’s really the only feedback you get from readers.

A negative review can crush your soul until you think about the fact that you haven’t liked every single book you’ve picked up, either. Sometimes it’s a matter of taste.

A thoughtful review helps you improve your writing and motivates you to keep going. And if someone praises your work, it’s incredibly satisfying and fulfilling because you know you’ve connected with a reader’s soul.

The fact that such a small proportion of readers leave reviews does not really surprise me, because I had never done so before, either.

Once I recognised the need for reviews of Indie books, I saw that this was an opportunity for me to use my love of reading to help other Indie authors by leaving an honest, constructive review.

Thus, Book Squirrel was born.

After developing my confidence with book reviews, Book Squirrel’s blog extended to include author spotlights and interviews, book events and, recently, a range of integrated Indie book promotion services.

I love blogging about books and supporting other Indie authors. I enjoy giving back to the Indie author community and showing others how positive and proactive Indying is done.

Book Squirrel brings me, and others, joy.
And that is the best reason ever to keep going.

abooknation

I’m not sure if I’ve actually ever mentioned why I got into book blogging but if I did I don’t think I made a blog post about it so… HUR WE GOO:

I’ve always loved reading but I feel like I went through phases where I went on a bit of a (very) long slump until I read a book that hooked me back into reading! I’m someone with the shitest memory, even now when someone asks me for book recommendations I have to skim through my posts to jig my memory of what books I’ve read. So around 4/5 years ago when I got back into reading, I had no idea that book blogging was a thing, I thought why would anyone want to hear my rambling thoughts about a book I’ve read??????

Whenever I finished a book I would write up a review and literally just leave it…

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Why I Don’t Keep All My Book Promotion Eggs In One Basket.

As a promoter of Indie books and Indie authors, I’m always trying to find different ways to help authors put their books in front of readers. 

The ever-changing and often-frustrating Facebook algorithm means that Facebook is becoming less and less fruitful for book promotion. My own recent frustration with that particular platform has provided further encouragement to look further afield.

This isn’t particularly devastating for me, as I have always believed that it’s better not to keep all your eggs in one basket, so to speak. My aim has always been to spread my promotions as widely as ever, and I have applied this principle to my promotions of others’ books as well as my own. 

From the outset of my writing career, I have worked hard to build good reach on a variety of social media platforms. I have grown my following organically, through engagement and sharing, so that my audience is one actually interested in my content.  That has paid off in the form of followers who respond in a positive way: with likes, shares, comments and engagement.

That is why I have confidence in Book Squirrel’s new promotional feature.

The ‘Book of the Week’ promotion provides a blog post including the book’s cover and blurb, and two reviews of the author’s choice from Amazon or Goodreads.   This blog post is then shared throughout the week on Twitter and Pinterest in addition to Facebook. A “Book of the Week” post is also made on Instagram. 

The social media posts will be accompanied by clear, attractive images like this:

As with all of Book Squirrel’s promotions, the price is deliberately set to be affordable for Indie authors on a tight budget. After all, I know what it’s like to want to promote your book, and not have at least $50 to make it happen. 

A Big Thing For An Indie.

Yesterday afternoon I took some friends to one of my favourite bookstores — which I lovingly refer to as book rescue shelters — in Bendigo. 

While looking through the Historical Fiction section, I was delighted to find two books from the ‘Plantagenet Embers’ series by Samantha Wilcoxson that I really enjoy. 

What made that such a cool thing for me is that Samantha is an Indie author from Michigan with whom I have interacted on social media. I have read several of her books on Kindle, and they are really well written. 

As Indies, most of our sales are on Kindle, Kobo or other ebook stores. We don’t get big, fancy distribution via a global publishing company. so it’s great to see that Samantha’s papaerbacks have made it to Australia! That’s really exciting! And now I own two of them, because I knew right away I couldn’t leave them there. 

These are excellent books that I am proud to have in my collection.
And now that I have books 2 and 3, I may have to see if I can buy a signed copy of book 1 direct from the author. That would be an awesome addition to my bookshelf! 

How Self Publishing Improved My Mental Health

Lucy Mitchell’s experiences, as she describes in the article reblogged here, are not uncommon. Many writers, artists and musicians use their creativity to help process and deal with their mental health issues.

I share this author’s experience of gaining motivation, encouragement and purpose from writing and self-publishing my works.

Withdrawing my first book from its publisher and taking control of my publishing journey as an Indie author was incredibly empowering. Producing not just good writing but excellent books has been as source of both pleasure and pride for me, but it has also been fabulous therapy. 

Every poem I write, whether it’s about mental health or a medieval princess saving herself and taking control of her destiny is evidence of my strength and resilience, even at those times when I am not feeling particularly strong or resilient. 

The fact that I can write about my own mental health in a way that others relate to and find powerful is both liberating and encouraging. 
And every time I kill someone fictionally, it saves me bail money and keeps me out of jail because I haven’t actually laid hands on anyone. That’s a system that has worked extremely well for me so far, so I will stick with it. 

Every book I have published is testimony to my survival. This is, perhaps, most true of A Poet’s Curse, which was written indirect response to evil behaviour and nasty people. Publishing that little volume, to which I like to refer as my “dark little book of hateful poetry” really felt like I was taking my life back from those who tried to destroy me, and I celebrated it as such. 

At this point of my writing and publishing career, I can say that I am incredibly proud of what I have achieved. That in itself is positive and motivating, and encourages me to keep going. There are still a lot of ideas bubbling away, and there’s life in the old girl yet. 

And where there’s life, there’s hope. 

All of this is proof of how far I have come from those very dark times that almost destroyed me, and of my determination to never go back. 

I hope you appreciate and enjoy the insights from Lucy Mitchell as much as I did.

Reblog: How Self Publishing Improved My Mental Health by Lucy Mitchell via the I Write. I Read. I Review blog.

Why I Might Never Send Out Another Author Newsletter

They say having an email list is crucial for an author. It’s the one sure-fire way to reach your readers.

I am clearly the exception to that rule. 

Either I really suck at creating newsletters, or my subscribers signed up for the wrong list. 
It’s why I am very reluctant to  send out  newsletters now. 

When I send emails with other people’s books in them, my subscribers click through to those books. 
Do they click through to mine? Nope. 
And sadly, I get as many clicks to unsubscribe as I do on the links in my newsletter. 
It really is quite depressing. 

Yet I don’t do anything different than any of the dozens of authors whose newsletters I receive. Well, that part isn’t strictly true:

I don’t spam my books repeatedly.
I don’t email every week, let alone every day or two, like some do.
I don’t use high pressure sales pitches. 
I don’t beg, and I don’t whine. 
I don’t even include only my own content. I always share other books and bookish events that readers might be interested in. 

I have observed all those things happening in various different authors’ newsletters at different times, and have always tried to avoid doing anything I have found off-putting.

Honestly? I don’t know what I’m doing wrong, but I appear to be doing it consistently. 

I do suspect that maybe newsletter writing is not for me. I’ve given it a fair crack and it hasn’t been at all well received.

For now, I think I’ll stick to blogging. 

What I Like… And What Frustrates Me… About Twitter

It seems to me that people either love Twitter or can’t stand it. I am definitely in the former category, for several reasons:

  • It’s direct. You follow someone? You see their tweets. You don’t follow someone? You live in blissful ignorance.  My feed is full of creative, positive people and exactly zero politicians. It’s a great way to filter reality. 

    Everyone who follows me can see my posts in real time, without any interference from the platform itself. Twitter sends every tweet into the world without trying to make a buck out of me to do it. That in itself is a refreshing change among social media platforms. 
  • Retweets are brilliant for extending your reach easily and painlessly.. With one click, someone else can share your post with all their followers, too. Not only does this take your content further, it can also result in new followers and interactions.
  • It’s brief.  Say what you want to say in 280 characters, preferably less. And that includes your hashtags. 
  • Hashtagging is easy.  Start typing a hashtag, and Twitter will actually suggest the most popular tags for you that start with those letters. It doesn’t get easier than that. 
  • Connecting with others who have the same interests is easy. Once again, hashtags ply a key role here. Searching for a tag you are interested in is a simple way to find people using that tag in their posts. I have found great people, interesting content, and some excellent books doing exactly that. 
  • I also like just scrolling through my feed and seeing what pops up. There is invariably something I want to respond to with a like or a bookish or bloggish post that I want to check out. I can spend as much or as little time as I have, put it down, and come back later. In that sense, it’s pretty cruisy. 
  • Lists. You can create lists of accounts you want to group together. I have lists for authors in different genres. I also have a list for my favourite accounts called “Don’t Miss a Tweet”.

    By going to a particular list in my profile, I can see only the tweets from the accounts in that list. It is a great way to cut through the voluminous white noise of the Twittersphere, and saves heaps of time when I am busy, because I see exactly what I want to and nothing else.

    Lists can be made public or kept private. While I keep my “Don’t Miss a Tweet” list to myself, I make my genre lists public so that if someone is looking for Fantasy Authors or Poets, they can find a ready-made collection in no time flat. I may not have every author of a particular genre in my list, but you may be sure that the ones on my lists are worth checking out.   

That all sounds pretty great, doesn’t it?

However, no social media platform is without its pitfalls. 

My dislikes include, in no particular order:

  • Trolls and fake accounts.  It’s easy for people to hide behind a social media account with a fake name and create mayhem. Whether it’s bullying or bullshit they are into, there’s not really a lot to stop them. 

    I overcome this by being very choosy about who I follow, and by making extensive use of the “unfollow” and “block” functions the minute my spidey senses start tingling. 
  • Direct messages.  Some people appreciate direct messages, but I am not one of them. It seems to me they are all either spamming a product or creepers trying to seduce me into giving them money or naughty photographs. 

    I overcome this by never looking at my inbox. 
  • Tweeting can be hot-and-miss. The life cycle of a tweet is short, and I f followers aren’t online when you tweet, they can miss your content. 

    I overcome this by recycling my content, using different tweets on non-consecutive days so it doesn’t get repetitive or boring. 
  • Clickbait. This is the term for anything exaggerated or sensationalised to make you click on a link to read the story. Ugh. 

    Once again, the blocking function has proven to be really effective in getting rid of these accounts from my feed. 

Overall, I find Twitter much more user-friendly than Facebook, but I doubt that I would if I hadn’t taken the time to learn how to keep my Twitfeed positive and focused, and free of politics, gossip and drama. 

New Release: ‘A Rose By Any Other Name’

It’s live! 
My new Shakespeare/fantasy novella launched today at 3pm Sydney/Melbourne time. 

I am really proud of this book, and very excited to be able to introduce it to people as a new release. 

I hope that readers will enjoy the story. I certainly had fun writing it, and still laughed again reading it over while formatting the ebook and paperback. It was a most enjoyable challenge to take two old stories and weave them into something new and fresh. 

‘A Rose By Any Other Name’ is widely available in both paperback and ebook.

***

Excerpt from Chapter 1

Gnarled fingers gripped the doorframe tightly as she watched him riding slowly, as though searching for something.

What does his lordship want now? By the stars, I have precious little left.  Is it not enough that he has built his mansion on my father’s land? And his walls around the trees between which my poor mother is buried? I’ll give him something… although it may not be what he wants.

She grinned cynically, a glimpse of yellowed teeth between thin, hateful lips.

Wait. He’s dismounting… Fool. There are no raspberries yet; it’s still too warm. What kind of moron… picks raspberry leaves? Oh, now… that is interesting. Very interesting.

Straightening her thin body to her full height, she stepped out into the field, heading straight for the thicket of barren raspberry bushes.

“And what are you going to do with those?” she demanded.

Nico jumped at the sudden intrusion. His thoughts scattered at the sight of Malevolenza.

Wizened and ghastly, she had become even thinner and more gaunt since he had last laid eyes on her over twenty years ago. She had watched in angry silence as the walls of the estate were built by his father’s workmen. Her wailing curses had risen like a fortress of sound outside the completed estate walls continuing for what had seemed an eternity on the night they were finished and the gates locked – the night his father had died. Whether it was fear or black magic that had driven the soul from his body, Nicolas would never know. When his father was cold, his grey eyes staring sightlessly at the ceiling as though he had been interrupted mid-thought, the old crone had fallen silent and disappeared. Or so he had thought.

“Well? Gatto got your tongue? Or are you… bewitched?” she cackled.

Nico opened his mouth, but he could not speak.

“Raspberry leaves… what on earth would a man want those for? Unless… there is a child on the way?”

The fear in Nicolas’ eyes was like a drug to her.

Malevolenza pointed her bony finger at him, her dirty, ragged nail giving emphasis to her intent. She muttered the words of her spell under her breath: “Doppio, doppio, lavoro e disordine, Ora sono io il tuo maestro!”

Nico remained mute, entirely under her control.

“You will take these leaves to your wife. Grind them into a powder, and make a tea. She will drink it, and her pains will begin. And then, when the child is born, you shall give the baby to me. You will tell your wife the child is dead. Go now. It shall be done.”

Nico’s senses returned to him only when she had disappeared. Shaking his head, and unable to recall what had crossed his mind just now, he resumed picking the leaves and placing them carefully in the pouch he had brought for his special harvest.

As he returned home late that afternoon, the sun dropped low in the sky and a distinct chill fell over the air.

***

What I Like … and What I Don’t… About Instagram

I really like Instagram. 

It’s easy. A nice picture, a few well-chosen hashtags, and you’re done.  Scrolling through your feed and liking posts is easy too. 

Of course, there are ways you can make things more sophisticated. Adding your post to your story is relatively straightforward. You can add posts to highlights that show up in nicely organised groups on your profile. You can save posts into collections. You can follow favourite hashtags as well as individuals. 

There’s no obligation to do any of those things, so you can really keep it as simple or make it as fancy as you like. 

I really enjoy looking at other people’s creativity in pictures, so I’m right at home on Insta. I’m happy to look at their books, their cats or dogs, their holiday snaps, whatever. I love baby pictures. I enjoy memes. Some people want to post about their books all the time. Some people hardly ever post about their books. Either way, I’m cool with that. I like the fact that we all have freedom to post as we please, and we’re all able to get on and play nicely in the Insta playground. 

I like the simplicity of responding to other people’s posts. Liking is easy. Commenting is easy. 
I do occasionally think it would be nice if there were a choice of reactions like there is on Facebook. Other days, though, I consider it in terms of “a heart is a heart is a heart” and am grateful that there isn’t more value given to one response over another. 

It has been really encouraging and motivating to connect with other people with similar interests through the use of particular hashtags and “follow loops”, which are basically posts where authors or other people with common interests respond and then follow one another. I’ve found so much inspiration, and received so much encouragement and feedback, from other authors and Indie creatives on Instagram. It’s a great way to become part of a very positive and proactive creative community. 

The challenge of developing my own creative identity on Instagram has been beneficial in terms of incorporating my own style and branding so that my Instagram profile is consistently “me”. I want people to be able to look at my profile and understand something of my personality and commitment to what I do. There’s a lot more to that than “buy my book” posts. It’s been a bit of a learning curve, but well worth it in terms of consistency and style, and as a means of establishing some credibility.  

And, of course, there are things that frustrate me.
These fall into two groups: less pleasant aspects of the app itself, and my own personal peeves. 

First up: the less “user friendly” elements.  

  • Using the wrong hashtags – or more correctly, hashtags that have been abused by others, can cause your posts using those tags to be shadow banned. That’s a nerdy way of saying fewer people will see them. Don’t panic, though – there are ways to find out which tags are  thus afflicted, and so avoid using them. 
  • Scammers that look like legitimate shopfronts frequent Instagram. They’re as capable of using a pretty picture as anyone else, it seems. It pays to check out any business or site before clicking through from an Insta ad – and that’s the voice of experience talking. I got caught out once, and learned my lesson very promptly. 
  • The challenge of gaining visibility for posts. It seems that no matter how many followers I have, there’s a natural cap on how many “likes” or views my posts seem to get.  Just like Facebook – which owns Instagram – there’s an algorithm running that appears to how many of my followers see my posts. The more likes a post gets, the more visible it is to more people.  Of course, they’re quite happy to encourage me to boost my posts and pay for them to show my posts to more people. Forgive my cynicism about that, won’t you?


Secondly, my “pet peeves”:

  • Bookshelves arranged into rainbows.  I just don’t understand. I get that it’s pretty, and I like rainbows as much as anyone… but it really gives the book nerd in me enormous anxiety. Wouldn’t that mean a series of books is separated on the shelves? And how does one find anything if different genres and categories are all mixed up on the basis of the colour of their covers?  This is clearly a hard no from me. 
  • People who appear to be commenting in response to something I post, but they’re really spamming me with their own content. Ugh. That’s just rude.
  • People who follow in the hope that you’ll follow them back, and then unfollow you. Especially those who don’t just do it once. There are a couple of accounts with a really distinctive  and instantly recognisable handle that keeps on following me, then unfollowing and following again a couple of weeks later. Frankly, I wonder why they bother, but it is amusing. Do they think people aren’t going to notice that? 

The verdict: Instagram is generally a very positive and enjoyable place for me. The things I don’t like are opportunities for me to practise being a grown up and just keep scrolling past them.
It’s an Insta-heart from me.