The Phoenix Project

Image courtesy of Phoenix Project

Phoenix Project is a new and very exciting series of community events coming to my home town of Cobden, Victoria.

Phoenix Project really is the perfect name. Almost a year ago, Cobden, Camperdown, Terang, and much of the surrounding area was either destroyed or threatened by bushfires. Homes and livestock were lost – but miraculously, no lives. Our town, and those others nearby, emerged covered in soot and smelling of smoke, but determined to recover and keep on going as we always have done before. 

That’s something I’ve had to do in my own life, too. I’ve been through some pretty tough seasons when it felt like my life was burning down around me. Yet I’ve emerged, covered in soot, and smelling of smoke and… you get the idea. As I observed last night, I’m a bit of a phoenix myself.

There’s no doubt the fires were an absolutely awful experience for everyone involved. But we got through it.

And those hard times in my life – I’ve come out braver and stronger than I’ve ever been. Well – mentally and emotionally, at least. My spine would tell you a different story.

I was very privileged to be one of the featured artists on the opening night of The Phoenix Project, alongside outstanding blues musician Alister Turril and Josh and Yas, spoken word artists from lowercase poetry in Geelong.

I shared some of the poems from ‘Smoke and Shadows’ that I wrote during and after the St Patrick’s Day fires, followed by some of my fantasy style poems because I didn’t want my bracket to be too heavy or confronting for a largely local audience. 

The poems I shared all focused one way or another on the idea of resilience, and  getting through the trials of life stronger and wiser than on the way in. 

It was a great night. The music was cool, the poetry was powerful and thought-provoking, and the tone of the evening was 100% positive. 

Phoenix Project continues this weekend with a great lineup of musicians and artists to feed the soul of everyone who comes along. 

Details of coming events can be found on the Phoenix Project Facebook page

Women in Horror Month: The End.

February is almost done, which means that Women In Horror Month is also drawing to a close.

At the beginning of the month, I introduced twelve Women in Horror who would be featured on this blog. I was happy to be able to add a few more to the list, and to “borrow” some posts from other WiHM bloggers, featuring authors who were new to me, too!

As a result, I’ve added a few great books to my already monstrous To Be Read pile, which has in itself been the subject of one of my horror drabbles.*

I trust you have enjoyed the featured author spotlights, and I hope some of you have discovered a great new read or two as a result. 

Don’t forget that you can follow what I am reading via my Book Squirrel book blog. I’d love to see you over there, too!

Book Squirrel is also on Facebook.

*A drabble is a short story told in just 100 words. Don’t be deceived: they are tricky to write, as one must be quite disciplined in crafting a story and condensing meaning in such a tight form.

Women in Horror: Mar Garcia

Mar Garcia knows horror. She reads it, draws it, and blogs about it as The Bold Mom. 

Mar’s website TBM Horror Experts offers recommendations for the best in horror books and films, as well as promotional opportunities for horror writers and bloggers. 


If you are looking for top quality horror, Mar is the perfect person to follow. 

You can find and follow Mar on 

FACEBOOK  | INSTAGRAM |  TWITTER  | WEBSITE

A Shoutout To My Tribe.

I want to acknowledge my people: the ones who always encourage, who support me in everything I do, who get excited about my victories and achievements and commiseratewith me in my disappointments. 

It’s more than simply liking me, or my work, or thinking I am good at what I do: they believe in me. That is a peculiar kind of magic that cannot be worked by the insincere or the doubters.

These people are incredibly rare, yet I am blessed enough to have more than a handful of them in my life: my husband, my best friends, my Indie Fabs author posse and a select few other friends and fellow authors. 

Some may think it is only natural that my husband would support me, but it’s a luxury that not all creatives enjoy. The same goes for friends and families. As I mentioned in my post the other day, some people just don’t like it when you do something out of the ordinary. 

In fact, it’s the apparent apathy or disdain of the many that makes the support and encouragement of the few so powerful.

It’s important to me that I am openly and honestly thankful to each member of my tribe. I would likely have given up long ago without them. An integral part of who I am would be lying dormant, and life would be less colourful and interesting. Just the thought of that is awful.

So, to each one of those magical people: thank you. I value and appreciate you. I love you. And I believe in you, too. 

No More Tiptoeing Through The Tulips.

I love tulips. They are lovely and graceful, and so colourful!  

My goodness, though, they’re delicate. It doesn’t take much to make a tulip wilt and bend its head to the ground. One might be tempted to think that a flower that needs to have its bulb frozen during winter in order to bloom might be a little more resilient… but apparently not.

I’ve come to the conclusion that a lot of the people in my circles— not all, but a hefty percentage of them— are like tulips. As long as the environment suits them, they are fine, but when they are unhappy for some reason, they just don’t cope. It doesn’t take much to upset the balance: just do something they find confronting. The more brave and nonconformist the act, the stronger the effect.

Don’t get me wrong: I do like most of the people in my circles. 

What I don’t like is having to kowtow to their apparent discomfort about certain things that matter to me, when they demonstrate zero tolerance to who and what I am. 

I am weary of having to live with the perpetual awareness that many people I know don’t mind me being an author as long as I never mention it. Some wouldn’t mind my multiple ear piercings either if I grew my hair longer to cover them. Others don’t mind my tattoos as long as my clothes hide them. They feign politeness when I talk about the theatre company I’m in or the musicals I direct at school, but very few of them have ever bought a ticket and come to see a show. And let’s not even start on how they feel about my political views. 

And yes. Those very different things get exactly the same reaction from a lot of people.

It’s ridiculous, and I’m over it. 

I am not less than them. 
I do not matter less than they do. 
My feelings, thoughts, passions and pursuits matter just as much as theirs do. 
I am as worthy of their interest and respect as they are of mine.

And I am very proud of my poetry and my stories… and of my shows. I’m rather fond of my tattoos and piercings too, for that matter. 

What I write happens to be pretty darned good: all those reviews my books receive from strangers are proof of that. Why should I hide my work under a cloak of secrecy when they can freely discuss being a builder, a butcher, a baker or a candlestick maker?

Nobody looks at them with thinly veiled suspicion. Nobody questions if what they build or make is any good. Nobody asks how much money they make per job. Nobody asks if their kids are real, or if they are any good. 
They are all quite free and welcome to talk about their kids in front of me even though I don’t have any, and I certainly don’t respond as though they are trying to sell me a child.

So, no more tiptoeing around. I won’t be shoving a book in their face at every opportunity — that’s not me — but I’m not going to allow others to pretend they don’t exist, either. They don’t have to read my work, but they will know that I expect their respect and acknowledgment.

I will not allow other people to treat me as less than I am.

I will not allow them to suppress my thoughts and feelings. 
I will call people out on double standards. 
I will refuse to be made to feel small.
I will be as diplomatic and gentle as I can, but I will assert myself.

And if they insist, I will know they are not really my people, and were never really in my circle.

Why I Love Audiobooks

I am a relatively recent convert to the audiobook experience. 

Before October last year, I had really only used audiobooks when teaching Shakespeare texts in high school, as it took the stress out of the actual reading for kids who weren’t sure how to approach or pronounce the parts of the language that were unfamiliar to them.  Beyond that, i had suggested them for people, especially kids, who weren’t keen on actually reading, or people who were sight impaired, or… you get my drift. They were always a good idea for someone else.

Of course, thinking of them in that way meant that I never really tried them out for myself. 

It was only when my own circumstances changed that I learned my lesson. Quite unexpectedly, I found myself recovering from emergency spinal surgery, spending a lot of time lying down, and unable to work for an expended period. I was in pain, forced to rest, and couldn’t really focus my eyes too well for some time.

On an impulse, I purchased an audiobook and found myself completely engrossed in the story. When it finished, I bought another. And another. I was hooked. 

The audiobooks I listened to during my recovery kept me company when I couldn’t sleep, and gave me something to think about other than the pain. They took me out of my hospital bed and carried me to different places. They gave my mind something to do when my body couldn’t do much at all. They were great for my mental health. And I really enjoyed them. 

Now, I listen to audiobooks on my commute to work each day, instead of getting steamed up over news and current affairs on the radio. I listen when I am resting, which I still need to do as my back is still healing. I often listen during my lunch break at work, which is actually much healthier than working straight through it as I have tended to do for most of my career. I listen while doing the dishes. 

Audiobooks have not replaced my reading time. I love reading books, and treasure the time I get to spend in them. That will never change. I’m a book nerd, through and through. Even a cursory glance at my Goodreads profile, Twitter feed or Book Squirrel blog will testify to that. 

Listening to audiobooks has also enabled me to add another dimension to my book blog, with audiobook reviews being added to the repertoire, along with Indie book reviews, author spotlights and interviews, and other bookish goodness. As I like to deliver varied and interesting content, that has been a bonus. 

Audiobooks have enhanced different times in my day when I can’t read, and made them more interesting and stimulating. They may not be for everyone, but adding some great listening time to my routine has been a positive and enjoyable development for me.  

I am an Indie Author and I Write My Own Books.

As a teacher of senior high school English and Humanities, the ONE thing I impart to my students every time I assign a task is that they must do their own work. They all know what plagiarism is, and why it is wrong. They understand that, both at school and beyond, it is an act that has serious consequences. 

If high school students can grasp this concept and comply, it beggars belief that an author – who also claims to be a lawyer, no less – thought they could get away with stealing the work of other authors, mashing it together, and claiming it as their own.

This week, the revelation has been made — and proven — that one person has done exactly that. 

It didn’t take long for the Twitterverse to light up with the scandal, and the flames of shock and indignation soon spread to other social media. The fires are still burning, and it seems there is plenty of fuel. 

I am not going to recount the whole story here – for all the sordid details, you can google #CopyPasteCris or search for that tag on Twitter. 

It is sufficient to say that upon being discovered and accused, #CopyPasteCris promptly defended her integrity and blamed the whole fiasco on the ghostwriters she hired on Fiverr. 

Seriously? Even if the plagiarism was done by someone else, the books were published in her name, she agreed to the publishing terms of service as the creator and owner of the work, and she received the royalties of every copy sold. I am confident that I am not alone in thinking that this is on her and nobody else. 

Here’s the thing.

  • Even if one hires ghost writers, why on earth would she not still read the finished book before publishing it? 
  • Upon reading it, how on earth would she not realise that there were inconsistencies of style and plot… and fix them? 
  • How did her editor not catch it? 
  • Or… did she not bother with an editor? 
  • And if she doesn’t have an editor, what quality control does she have in place for her books? 
  • What makes her think she is smart enough to get away with repeated, blatant plagiarism when her readers also read the authors that have been plagiarized? 
  • Was she never taught right from wrong? Did she ever actually think about the consequences of her actions? 

Perhaps the biggest question, though, is how did it take so long for this to be discovered? 

As an Indie author who does, in fact, write all her own material, , the entire situation leaves me furious. This one person has thrown the integrity of every honest, hard-working and worthy-of-being-read Indie author into question. 

This behavior is the kind of thing that justifies in the minds of the traditional-publishing-snobs the various stigmas that good quality Indie authors have been working so hard to overcome: sloppy writing, books riddled with errors, and people playing at being legitimate authors when they are not. 

As a reader, I am offended and outraged. Just how stupid do people like this think their readers are? 

Although I fear it is not, I hope this is an isolated case. 

And I hope every author who was plagiarized lawyers up and sues #CopyPasteCris for every penny they deserve. 

The Difference Between Poetry And … Everything Else.

A post about what is, or is not, poetry.

Excuse me for a moment while I climb onto my soap box again. 

A few months ago, I wrote a post in which I complained about books which claimed to be poetry, but were actually just a collection of sentences arranged with one word on each line. 

Today, I’m going to indulge my poetry-nerdiness yet again, in response to another trend I’ve observed on social media.  

As both a reader and a poet, I get really annoyed when pieces of writing are labelled as poetry when they’re not. 

This is rife on Instagram, where some folks take a pretty picture of a sentence or a paragraph and call it poetry. They use the hashtags like #poem, #instapoem, #poetry, #poemsofinstagram… you get the idea. I’ve bitten my tongue – or my virtual fingertips – so many times when I’ve wanted to comment that what is pictured is not a poem. 

I’ve seen letters, paragraphs, and even short stories presented as “poetry”. I’ve seen single sentences tagged “poetry”. In fact, there are books out there with a sentence on each page, which the creators have classified as ‘poetry’. 

This is where I beg to differ.

A sentence, a letter, a paragraph… an entire book may be written in highly poetic language. It may use conventional poetic techniques such as imagery or alliteration, but is it poetry? Everything within me screams “NO!”. A letter is a letter. A sentence is a sentence. A paragraph is… prose, not a poem. 

The issue is one of form. 

Poetry as a form has conventions of its own that set it apart from a letter or a sentence, or anything else. While it’s true that poetry can take any number of forms or styles, those are forms and styles that are recognised as being poetry. They are not forms that are instantly recognised as something else. 

I totally accept and agree that a sentence or any other piece of writing can be beautiful. I’ve read individual sentences or paragraphs that have taken my breath away with the imagery or the power of the writing. They can be poetic. But, according to the conventions of one form as opposed to another, they’re not poems. They’re. Just. Not. 

I’m not trying to be a poetry snob here— in fact, it’s taking no effort at all. I realise I may be coming across as a pretentious git, but let’s look at this from another perspective. 

I don’t get to call myself an author if I don’t write and publish anything. I don’t get to call myself a doctor because I am not, in fact, a doctor. In terms of professions, we don’t get to call ourselves something we’re not. 

Alternatively, I could choose to start telling people I’m a cheeseburger. I’ve eaten a few cheeseburgers, I know what they taste like, and I can list the ingredients. And they do say you are what you eat. However, people will fairly promptly tell me I’m not actually a cheeseburger. The more I make that assertion, the more strident people will be in assuring me I’m not. Even if I went to McDonalds or Burger King and sat in the food warmer, it wouldn’t make me a cheeseburger. I am quite obviously not a cheeseburger. 

If we pretend to be other than what we are, that very quickly becomes a matter of integrity. At first people laugh, then they get frustration, and then they get angry. Trust is broken, and often, walls go up that are not easily dismantled. 

That is exactly where I am with other pieces of writing masquerading as poetry. I’m well past the point of frustration. If I pick up a book because it says it is poetry, and the contents are nothing more than pithy sayings or observations of life in sentence form, I’m going to be annoyed, no matter how beautifully they’re written. If I wanted a book full of meme-worthy of proverbs and quotations, that’s what I would have gone looking for. 

Poetry takes time and effort to craft and shape. It isn’t easy to condense the meaning and message into imagery and forms that require skill to master. To write something beyond trite rhyme or greeting card verses is more difficult than many people realise. The ability to do that, consistently and repeatedly, is what makes someone a poet. Poetry is a craft that I take very seriously indeed. 

That’s why I refuse to “like” posts on Instagram, or anywhere else for that matter, which present one thing as something it’s not.  It’s why I am very choosy about what poetry and poets I review and promote on my book blog.  It’s why I’m on my soapbox, ranting furiously to anyone who will listen – or read, as the case may be. 

It’s hard enough getting people to take real poetry seriously these days. We certainly don’t need to confuse people any further. 

The Danger Of Dirty Links

With all the attention given among the Indie community to the removal of book reviews by Amazon, I’m amazed at the number of authors who still post dirty links to their books on social media. This is a rookie-level mistake that can actually do more harm than good. 

A dirty link helps the algorithm at Amazon to determine if there are connections between author and reader that might suggest collusion or partiality.. Even if a review is from a verified purchase, a simple connection via a shared link can be enough to make them suspect that it’s not unbiased or from an unrelated party.

If the link used by multiple customers can be traced directly back to the author, that’s one of the reasons they will start flagging and eventually removing reviews. 

The simple solution is to ensure your links are clean before you post them.

A dirty link occurs when one copies and pastes a URL without removing all the extra information that gets tacked onto it by searching for a product, copying links from a website, linking from another product, or using a bookmark created from a searched item.For example, if I search for one of my books on Google and click on the Amazon link, I get this as the URL: 

This is more information than is needed to actually find my book. In the image below, I’ve denoted the “dirty” part of the link by making it red. 

The highlighted part of this link is the “dirty” part. If I were to give this link to someone else to use, it tells Amazon how they got the link. 
All you need to post is the part of the link that directly goes to your book page. In the link above, that’s the part that is still black. Once the link identifies which display page your book has, no further information is necessary. 

You can check the clean link you want to post by pasting it into a new browser window and seeing that it goes directly to your book product page. 
Even if you use a link shortening service like bit.ly or buff.ly, or a customised branded link, you must ensure that the links you provide are clean. Just because you and your audience don’t see the extra information on a shortened or customised link doesn’t mean it isn’t there. 

That way, stores will have no reason to suspect you or your readers’ integrity, and your verified purchase reviews will remain proudly on your book page. 

Sylvermoon Chronicles VII: A New Release Anthology

Sylvermoon Chronicles is an annual short story anthology created by The Confederacy of the Quill, an international writers’ cooperative. I am very proud to have one of my stories, Contaminus, included in the 2019 issue of this highly regarded anthology series.

While the book releases on Valentines Day, it should not be mistaken for a romance collection.

Rather, I like to think of it as a gift for those who, like me, would sooner read genres other than lovey-dovey romance, and a welcome distraction from all the kissy-face sentimentality often associated with February 14th. The Sylvermoon Chronicles series features stories in the genres of Science Fiction, Fantasy, Horror, and Adventure. 

It is an honor to be published in a series which I have very much enjoyed as a reader, alongside a number of authors whose work I have previously read, reviewed and fangirled over. I was both excited and slightly surprised when my story was accepted, especially given the inspiration behind the writing of Contaminus.

New worlds await you in the newest Sylvermoon Chronicles collection, which hit the shelves today. The ebook is widely available now, and the paperback will be available soon.